Saudi animation series ‘Masameer County’ returns with a new tale to tell

The second season of the Saudi dark comic "Masameer County" was launched on March. 2 on Netflix. (Supplied)
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Updated 16 March 2023
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Saudi animation series ‘Masameer County’ returns with a new tale to tell

  • The new six-episode season of ‘Masameer County’ follows the adventures of the county’s mischievous citizens while shedding light on the evolving social and cultural scene in the Kingdom in a light-hearted manner

JEDDAH: Netflix has released season two of the hit Saudi animation miniseries “Masameer County” following the success of its debut season in 2021. 

The show is ranking No.3 in the Kingdom following its release early in March.

The six-episode season, created by Abdulaziz Almuzaini and Malik Nejer, follows the adventures of the mischievous citizens of Masameer County, while shedding light on the evolving social and cultural scene in the Kingdom in a light-hearted manner. 

Almuzaini, founder and CEO of Saudi animation studio Myrkott, told Arab News that “we are no longer discussing any issues here; we are making stories.”

He said: “Netflix allowed us to broaden our content. The platform has given us more freedom. The script was bold and people loved it, and we made sure we reflect the same in the second season.”

The new season follows the escapades of Saad, Saltooh and Trad the dog, which include a daring 24-hour mission, an unexpected ride in an elevator, and a rocket launch.

Nejer directed the second season and also lent his voice to the characters in the show.

In an exclusive interview with Arab News, Nejer revealed that he has been developing his voice since childhood, and enjoys performing a range of characters. 

The voice artist believes that necessity is the mother of invention. Initially, 140 episodes of the series were streamed on YouTube after 2011 to highlight the Kingdom’s culture. 

“(When) the series was only displayed on YouTube, at first there was not enough budget to hire a voice actor and that led me to perform almost all the voices. Using my talent, it worked out. I loved it and I continued afterward, even after we became a Netflix series,” said Nejer, who has performed for many other TV shows and cartoon series.

“I continued doing that for the next 10 years because I loved it and felt that am good at it; and, most importantly, it helps us to save the budget.”

Speaking of his experience as a director, he said: “Masameer cannot be compared to any other Arabic or foreign content; it is different.” 

The second season of the series is available on Netflix in 190 countries, with audio translation into Arabic, English, Portuguese and Spanish, and subtitles in over 30 languages.

In 2020, the platform streamed “Masameer: The Movie,” co-created by Faisal Al-Amer and Nejer, in more than 190 countries and 30 languages. 

“We, as Saudis, tell a story, our story, and as filmmakers or creators don’t need to sugar-coat or create a flowery image of our society,” Al-Amer told Arab News in a previous interview.

“This is us; we don’t create movies for the approval of the West, we make them express ourselves.”

Season one of “Masameer County,” released in 2021, saw the Masameer team engaging in a long-standing tribal feud, media war and a health craze gone too far. 

Almuzaini said that the opening season gained more views than the movie and was No.1 on Netflix’s top 10 content in the region for one month, beating international works including “Stranger Things” and “Lupin.”

The series is part of Netflix’s five-year exclusive partnership with Saudi animation studio Myrkott, signed in 2020, to bring viewers Saudi-focused shows and films.


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”