Sotheby’s to host a series of talks at Islamic Arts Biennale in Jeddah 

On March 4, Alexandra Roy,  Sotheby’s head of sale for 20th Century Art / Middle East, will host a talk called “A Day in the Life of a Specialist.” (Supplied)
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Updated 01 March 2023
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Sotheby’s to host a series of talks at Islamic Arts Biennale in Jeddah 

DUBAI: British auction house Sotheby’s is hosting a series of talks at Diriyah Biennale Foundation’s inaugural Islamic Arts Biennale in Jeddah from March 4-13.  

Sotheby’s, one of the supporting partners of the foundation’s biennale, will host four talks and panel discussions led by the auction house’s experts in the field.  

The topics will span from the myriad influences of Islamic art on the modern jewelry-making industry to the most significant movements in Arab art today. 




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The partnership follows on from Sotheby’s support of the Diriyah Biennale Foundation’s first contemporary art biennale in presenting the first Digital Arts Forum and NFT exhibition in Saudi Arabia in February 2022. 

Edward Gibbs, chairman of Sotheby’s Middle East and India, said in a statement: “Sotheby’s has a strong history of supporting cultural programmes in the Middle East – underpinned by a commitment to educational outreach and diversifying cultural initiatives. 

“We are excited to have partnered with the Diriyah Biennale Foundation for a second time, following our support of the Kingdom’s first contemporary art biennale last year, continuing to share our expertise in this area.” 

On March 4, Alexandra Roy,  Sotheby’s head of sale for 20th Century Art / Middle East, will host a talk called “A Day in the Life of a Specialist,” during which she will present five key moments in her career at the auction house, talking through rare objects that are consigned to auction, the importance of provenance and how these standout pieces go on to achieve record prices.




Sophie Stevens, a jewelry specialist based at Sotheby’s Dubai, will present a talk titled “Indian and Islamic Influences and the rebirth of Egyptomania in 20th Century Jewelry Design.”  (Supplied)

On March 7, Gibbs’s talk “The History of Collecting Islamic Art” will take a look at the trajectory of Islamic art collecting over the decades, touching on the many Western institutions that have important holdings of Islamic art.  
On the same day, Sophie Stevens, a jewelry specialist based at Sotheby’s Dubai, will present a talk titled “Indian and Islamic Influences and the rebirth of Egyptomania in 20th Century Jewelry Design.” 

It will explore the role of Islamic and Mughal art in jewelry design, from the renowned designs of Cartier in the 20th century to the continuation of these motifs in recent high jewellery collections. The talk will also cover pearls from the Middle East. 

Mai Eldib, Sotheby’s Middle East head of sales, will give a historical overview of modern and contemporary Arab art over the course of the 20th century, touching on the key movements and artists across the region in her “An Exploration of Modern & Contemporary Arab Art” talk on March 13.  

A second series of talks will take place in April, although the foundation is yet to release the schedule.  


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 48 min 25 sec ago
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”