European Parliament bans TikTok, White House sets deadline for app removal amid spying fears

China slammed the US ban as 'abuse of power.' (AFP/File)
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Updated 01 March 2023
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European Parliament bans TikTok, White House sets deadline for app removal amid spying fears

  • Officials at the parliament are no longer allowed to have the app installed on work phones or private devices that access office email accounts or networks
  • US federal agencies have 30 days to remove it from government-issued devices, in line with a ban introduced by Congress and signed by President Joe Biden last month

LONDON: Staff at the European Parliament can no longer install TikTok, the Chinese-owned app for sharing short videos, on their work phones, an EU official said on Tuesday.

The ban was introduced for security reasons, the official added, and will also apply to private devices used to access European Parliament email accounts and other networks, Reuters reported.

Last week, the European Commission and the EU Council announced that staff are no longer allowed to have TikTok on work phones, citing growing concerns about the app’s parent company, ByteDance, and fears that the Chinese government could use the app to harvest user data or further its own interests.

"We appreciate that some governments have wisely chosen not to implement such bans due to a lack of evidence that there is any such need, but it's disappointing to see that other government bodies and institutions are banning TikTok on employee devices with no deliberation or evidence," a TikTok spokesperson told Arab News.

TikTok's spokesperson added: "These bans are based on basic misinformation about our company, and we are readily available to meet with officials to set the record straight about our ownership structure and our commitment to privacy and data security.

"We share a common goal with governments that are concerned about user privacy, but these bans are misguided and do nothing to further privacy or security."

In the US, the White House on Monday set a 30-day deadline for federal agencies to purge TikTok from all government-issued devices, in compliance with a ban introduced by the US Congress and signed by President Joe Biden last month. The app is also banned on government-owned devices used by staff in the House of Representatives and the Senate.

Shalanda Young, director of the Office of Management and Budget, set the deadline for agencies to “remove and disallow installations” of the app on agency-owned or operated devices, and to “prohibit internet traffic” from such devices to the app.

TikTok has become a political target in the West because of fears that the app could be used by the Chinese Communist Party for spying or propaganda. A spokesperson for the Chinese Foreign Ministry on Tuesday criticized the US government bans as “abuse of state power” and suggested they reveal Washington’s insecurities.

“We firmly oppose the wrong practice of the United States to generalize the concept of national security, abuse state power, and unreasonably suppress firms from other countries,” said Mao Ning.

“How unsure of itself can the US, the world’s top superpower, be to fear a favorite young person’s app to such a degree?”

US concerns about spying have increased since a Chinese balloon was spotted in US airspace and shot down by the military this month.

Also on Monday, the Canadian government banned the use of TikTok on all of its devices, citing concerns about the access to user data it could provide to Beijing.

Chinese authorities deny having any intentions to take advantage of the app in this way and TikTok has refuted accusations that it shares data with the Chinese government.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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