UK council unamused as Banksy unveils Valentine’s Day mural

A man takes a selfie with an artwork depicting violence against women, painted by street artist Banksy for the occasion of Valentines Day on a residential street in Margate, Kent, Britain. (Reuters)
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Updated 14 February 2023
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UK council unamused as Banksy unveils Valentine’s Day mural

  • Mural depicts a 1950s-style housewife with a swollen eye seemingly shoving her male partner into a real chest freezer

MARGATE: British street artist Banksy marked Valentine’s Day Tuesday with an inimitable statement about violence against women — but local politicians saw only a nuisance.
A Banksy mural appeared in Margate in southeast England, depicting a 1950s-style housewife with a swollen eye and a missing tooth seemingly shoving her male partner into a real chest freezer.
“Certainly we will be looking at how we can protect this and preserve it because we’re really proud to have it here,” Margate mayor Heather Keen told AFP.
But minutes later, council workers turned up to throw the freezer into a van, despite protests from locals taking pictures of the mural, at the end of a terrace of houses in a rundown part of the seaside town.
Thanet District Council, which administers Margate, said the freezer was removed “on the grounds of safety as it was on public land.”
“The fridge freezer is now in storage and will be returned once it has been made safe to the public,” the council said in a statement, adding it would discuss preserving the artwork with the owner of the house.
The elusive Banksy, whose true identity remains unconfirmed, posted three images of the work — which he entitled “Valentine’s Day Mascara” — on his Instagram account.
Two of the images were close-ups showing the woman, wearing a blue pinafore and yellow washing-up gloves, smiling but seemingly with a battered face.
The removal of the freezer prompted bemusement — and even conspiracy theories — among bystanders.
“People were sort of like, ‘Stop, stop, you know, this is a Banksy, right?’” local resident Laura Holden, 35, told AFP.
“And they (the workers) were like, ‘Yeah, no, we’ve got permission to take everything away’,” she said.
“It felt like it was part of the piece, and perhaps Banksy intended that all along, because we all know how hard it is to get Thanet District Council to come and collect our rubbish.”

Others commended the apparent theme of the now-altered work.
“I think it’s amazing,” said Amanda Barden, 56.
“It’s a real topic that people can talk about, domestic abuse. I think the reference to Valentine’s Day as well, it’s bringing people in, it’s going to open up that dialogue.”
Banksy, known to hail from Bristol in southwest England, has been busy producing and selling dozens of limited-edition screen prints to raise funds to support civilians affected by the war in Ukraine.
The 50 prints, which show a mouse sliding down the side of a box with “FRAGILE” printed on it, were sold in December for £5,000 ($6,100) each, through the charity Legacy of War Foundation.
Their online auction attracted thousands of “hostile” web attacks launched from Russian Internet addresses, the charity said at the time.
The artist also confirmed last month that he was behind seven murals that appeared on destroyed buildings around Kyiv last year.
Belying its origins on the streets of Bristol in the 1990s, Banksy art now commands serious money.
A version of his iconic “Girl with Balloon” sold at auction for just over £1 million in 2018 — only to start self-destructing due to a shredder hidden by Banksy in the frame.
The renamed “Love is in the Bin” then sold for a staggering £18.6 million in 2021 — a record for a Banksy.


How Netflix won Hollywood’s biggest prize, Warner Bros Discovery

Updated 06 December 2025
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How Netflix won Hollywood’s biggest prize, Warner Bros Discovery

  • Board rejected Paramount’s $30 a share bid amid funding concerns, sources say
  • Warner Bros board met daily before accepting Netflix’s binding offer

LOS ANGELES/NEW YORK: What started as a fact-finding mission for Netflix culminated in one of the biggest media deals in the last decade and one that stands to reshape the global entertainment business landscape, people with direct knowledge of the deal told Reuters. Netflix announced on Friday it had reached a deal to buy Warner Bros Discovery’s TV, film studios and streaming division for $72 billion. Although Netflix had publicly downplayed speculation about buying a major Hollywood studio as recently as October, the streaming pioneer threw its hat in the ring when Warner Bros Discovery kicked off an auction on October 21, after rejecting a trio of unsolicited offers from Paramount Skydance .
Details of Netflix’s plan and the Warner Bros board’s deliberations, based on interviews with seven advisers and executives, are reported here for the first time.
Initially motivated by curiosity about its business, Netflix executives quickly recognized the opportunity presented by Warner Bros, beyond the ability to offer the century-old studio’s deep catalog of movies and television shows to Netflix subscribers. Library titles are valuable to streaming services as these movies and shows can account for 80 percent of viewing, according to one person familiar with the business.
Warner Bros’ business units — particularly its theatrical distribution and promotion unit and its studio — were complementary to Netflix. The HBO Max streaming service also would benefit from insights learned years ago by streaming leader Netflix that would accelerate HBO’s growth, according to one person familiar with the situation. Netflix began flirting with the idea of acquiring the studio and streaming assets, another source familiar with the process told Reuters, after WBD announced plans in June to split into two publicly traded companies, separating its fading but cash-generating cable television networks from the legendary Warner Bros studios, HBO and the HBO Max streaming service.
Netflix and Warner Bros did not reply to requests for comment.
The work intensified this autumn, as Netflix began vying for the assets against Paramount and NBCUniversal’s parent company, Comcast.
Warner Bros kicked off the public auction in October, after Paramount submitted the first of three escalating offers for the media company in September. Sources familiar with the offer said Paramount aimed to pre-empt the planned separation because the split would undercut its ability to combine the traditional television networks businesses and increase the risk of being outbid for the studio by the likes of Netflix.
Around that time, banker JPMorgan Chase & Co. was advising Warner Bros Discovery CEO David Zaslav to consider reversing the order of the planned spin, shedding the Discovery Global unit comprising the company’s cable television assets first. This would give the company more flexibility, including the option to sell the studio, streaming and content assets, which advisers believed would draw strong interest, according to sources familiar with the matter.
Executives for the streaming service and its advisory team, which included the investment banks Moelis & Company, Wells Fargo and the law firm Skadden, Arps, Slate, Meagher & Flom, had been holding daily morning calls for the past two months, sources said. The group worked throughout Thanksgiving week — including multiple calls on Thanksgiving Day — to prepare a bid by the December 1 deadline.
Warner Bros’ board similarly convened every day for the last eight days leading up to the decision on Thursday, when Netflix presented the final offer that sources described as the only offer they considered binding and complete, sources familiar with the deliberations said.
The board favored Netflix’s deal, which would yield more immediate benefits over one by Comcast. The NBCUniversal parent proposed merging its entertainment division with Warner Bros Discovery, creating a much larger unit that would rival Walt Disney. But it would have taken years to execute, the sources said.
Comcast declined to comment.
Although Paramount raised its offer to $30 per share on Thursday for the entire company, for an equity value of $78 billion, according to sources familiar with the deal, the Warner Bros board had concerns about the financing, other sources said.
Paramount declined comment.
To reassure the seller over what is expected to be a significant regulatory review, Netflix put forward one of the largest breakup fees in M&A history of $5.8 billion, a sign of its belief it would win regulatory approval, the sources said. “No one lights $6 billion on fire without that conviction,” one of the sources said.
Until the moment late on Thursday night when Netflix learned its offer had been accepted — news that was greeted by clapping and cheering on a group call — one Netflix executive confided that they thought they had only a 50-50 chance.