Dreamrock teaching Saudi youth ‘one performance at a time,’ CEO tells ‘The Mayman Show’

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Updated 09 February 2023
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Dreamrock teaching Saudi youth ‘one performance at a time,’ CEO tells ‘The Mayman Show’

  • Alanoud Al-Hejailan quit prestigious law career to produce Arabic content for children

Riyadh: “The Mayman Show” guest Alanoud Al-Hejailan is educating Saudi youth “one performance at a time” after quitting a prestigious law career to combine her passion for entertainment and parenting.

In 2019, the co-founder and CEO, together with partner Sara Ashemimry, set up Dreamrock Entertainment LLC, which produces online Arabic content for children.

“It was initially called Azooz and Jude after IP. Then we changed the name to Dreamrock Limited because we wanted to do more IPs in the future,” she told “The Mayman Show.”

 

 

“Basically, we started off by producing online content for children in Arabic. We’d post them on YouTube and iTunes, Spotify and Anghami, and now on Shahid as well,” she added.

Al-Hejailan and her partner started Azooz and Jude as a platform for songs, nursery rhymes, original Arabic content and traditional Arabic music. “So that’s how we started and then we ended up creating mascots and doing kids’ corners, live events and the immersive musical theater as well,” she added.

Dreamrock’s launch “was very interesting and a crazy experience with challenges,” Al-Hejailan said.

 

 

“So, at the time, we would do live events in malls mostly. I mean, it was great. We got great feedback, but we felt like we wanted to do something bigger, more creative, with more impact. So, we wanted to do our own theatrical show,” she added.

The two partners then launched an immersive musical theater experience.

Al-Hejailan said: “So basically, rather than being a traditional theater where you just sit down and watch the show, it’s a flat stage and the kids are called on to the show to come up and be part of it, selected to help solve a mystery and there’s different rooms and the kids are really involved.”

The Dreamrock CEO and co-founder outlined some of the challenges involved in launching the platform: “First of all, we’d never done a show of that magnitude before.

 

 

“And second of all, we had to get into casting — training the actors. The mascots don’t speak because, you know, they’re mascots. So, we had to record voiceovers, so I recorded children. One of them is my son doing the voiceovers for the mascots’ voices.”

She added: “So we did that and then after we recorded, you have to, of course, do the whole production. 

“So, you have to edit it, you have to put the background music and then also train the actors and the sound engineer, you know, the actors to give certain cues, and the sound engineer, to play certain tracks on the cues.

“It’s a very complicated endeavor.”

 

 

Al-Hejailan added that the Saudi Ministry of Culture was “very helpful” in the launch, buying 3,000 tickets. A range of companies and individuals also offered to sponsor Dreamrock.

“With the help of all these different parties, we were able to start the show last Ramadan in 2022. It lasted for three months.

“Thousands of children attended from public schools, private schools and charities. It was a really nice experience overall,” Al-Hejailan added.


Balad Beast brings global beats to historic streets

Updated 31 January 2026
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Balad Beast brings global beats to historic streets

  • ‘MDLBEAST put us on the international map,’ say Saudi electronic duo Dish Dash

JEDDAH: The music festival Balad Beast concluded its fourth edition this weekend, having transformed Jeddah’s UNESCO World Heritage district of Al-Balad into an open-air celebration of music, culture and creativity that attracted thousands of music lovers over two nights.

The festival, organized by Saudi music platform MDLBEAST, featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds.

French Haitian singer-songwriter Naïka performed on the second night of Balad Beast. (Supplied)

Speaking to Arab News, MDLBEAST chief creative officer Ahmad Al-Ammary, also known as DJ Baloo, described Balad Beast as a “cultural takeover” adding that finding the right spaces for dance floors was a challenge, “but Balad is constantly evolving and we work with that change.”

Addressing the challenges of working in a heritage area, he said: “Balad is sensitive and condensed, so logistics can be complex. In our first year, heavy rain flooded one of the planned squares and we had to relocate the Souq Stage to a much smaller space, but it worked and it has remained there ever since.

HIGHLIGHT

Reggae superstar Shaggy noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“Yes, the alleys are narrow and the district is old, but they’re full of ideas, patterns, colors and visuals. Everything flows here,” he continued. “As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Balad Beast featured performances from international artists including US rapper Playboi Carti, making his first appearance in Saudi Arabia; US rapper Destroy Lonely; Swedish DJ and producer Alesso; and Bosnian-German DJ Solomun on the opening night. The following night saw French-Haitian singer-songwriter Naïka, reggae superstar Shaggy, Dutch DJ Franky Rizardo, British DJ Pawsa, and US rapper Tyga, and more take the stage, while Saudi and regional artists including Cosmicat, TUL8TE, Zeina, Vinyl Mode, Moayed, Dish Dash, Musab, Varoo and HiFi appeared across the festival, offering audiences a mix of global and local talent.

Saudi electronic duo Dish Dash reflected on the festival organizer’s impact for local artists.

As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.

Ahmad Al-Ammary, MDLBEAST chief creative officer

“MDLBEAST put us on the international map,” the brothers told Arab News. “It helped us get recognized by festivals, promoters and event organizers abroad. When we travel, people don’t expect this level of talent coming from Saudi Arabia, especially considering we didn’t have this scene before.”

Shaggy, who performed a hit-filled set during the festival, told Arab News: “I’ve been blessed with some incredible songs, and I see music as a gift and a tool for service. When I go on stage, I’m there to entertain people, to make them smile and feel good, but that service also supports many livelihoods from the people working at this festival to those who work with me. These songs have become part of people’s lives, and I don’t take that lightly.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Shaggy also noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“I’ve performed in Saudi Arabia more than once, and while there are certain rules that are different, it’s not an issue for me. My focus is always on delivering the hits and giving the audience a great time,” he said.

“There’s a big misconception. People have more freedom than (outsiders) think. Everyone has been extremely nice.”

Asked what advice he would offer to aspiring artists, Shaggy said: “Understand that what you’re given is a gift and a form of service. Stay humble, do the work, and remember why you’re doing it.”

As Al-Ammary noted, there are many such aspiring artists now making a name for themselves in the Kingdom.

“Talent is emerging everywhere, at different levels,” he said. “The scene is still in a mysterious and surprising phase. There’s a rawness to it.”