TONOMUS launches competition to find high-tech solutions for a billion people

“We’re looking to recreate that here just like they did in Silicon Valley,” said Beverly Rider, CEO of TONOMUS Venture Studio. (AN Photo/Huda Bashatah)
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Updated 12 February 2023
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TONOMUS launches competition to find high-tech solutions for a billion people

  • NEOM subsidiary seeks proposals in energy, food, mobility
  • Aim to foster global entrepreneurship, new ways of living

RIYADH: TONOMUS, the cognitive multinational subsidiary of NEOM, has announced the launch of its second venture startup competition at LEAP23 in Riyadh.

Led by the firm’s TONOMUS Venture Studio, the competition started on Feb. 6, and is titled “The Next Billion.” It is an initiative that invites participants to consider new technologies and innovations that a billion people in the world would require for energy, food and mobility.

“We’re looking to recreate that here just like they did in Silicon Valley,” said Beverly Rider, CEO of TONOMUS Venture Studio.

The aim is to foster global entrepreneurship that will nurture the environment and create new ways of community living.

Rider added: “TONOMUS Venture Studio has a bunch of different objectives. So it’s a programmatic display of how you bring entrepreneurship and startups to our region. So what we found when we got NEOM is that one of the things we were missing was an entrepreneurial ecosystem and the small businesses that really fuel the economy, and they take the large companies and create the value around them.”

FASTFACTS

• NEOM subsidiary seeks proposals in energy, food, mobility.

• Aim to foster global entrepreneurship, new ways of living.

Rider said Saudi Arabia’s entrepreneurial vision and diversification of the economy stemming from Vision 2030 makes it an interesting hub prospect in the world.

“Come to the Kingdom? So actually, you would think that that would be the hard part, but that’s been our easy part. Everybody wants to come. The great thing about having a recession in the rest of the world is that people are really interested in looking into new horizons and new geographies. But more importantly than that, the megaprojects have given us an opportunity to basically, you know, start from the bottom and work our way up,” said Rider.

 

 

Up to 20 semifinalist teams will receive individualized coaching by experts from TONOMUS Venture Studio, and up to four winning teams will be invited to a 12-week program to incubate their ideas. The competition will welcome submissions until April 12, 2023.

Rider stressed that creating a community is key. “We asked people to come and talk to us about these solutions, their startup, or their ideas. So at about 100 people showed up yesterday. We’re going to do six more of them next year.”

TONOMUS Venture Studio comprises both established and emerging entrepreneurs. It aims to cement NEOM’s reputation as the epicenter of innovation, and the Kingdom as a place where the world’s brightest minds and top tech talent can bring their ideas to life.
 


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
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Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”