London’s Akub celebrating Palestinian cuisine with a ‘twist’

A selection of Palestinian dishes at Akub in Notting Hill, London. (Akub)
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Updated 18 January 2023
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London’s Akub celebrating Palestinian cuisine with a ‘twist’

  • Chef Fadi Kattan emphasizes celebrating local products and respecting seasonal changes

LONDON: Palestinian cuisine has a historical and intimate connection to the land, reflected in the varying culinary traditions found across the territory. 

But like many foods from the area, which share ingredients, dishes and cooking styles, Palestine’s rich culinary heritage is often hidden under the umbrella label “Middle Eastern,” or worse, “Mediterranean.”

In London, a new restaurant that opened on Tuesday is shining a spotlight on Palestinian cuisine — with a modern twist.

Akub is the conception of world-renowned Chef Fadi Kattan and his business partner Rasha Khouri, who celebrate Palestinian dishes by fusing traditional recipes with contemporary culinary techniques.

All of the fresh produce, meat and fish are sourced in the UK, attesting to Akub’s emphasis on celebrating local products and respecting seasonal changes. This value was instilled in Kattan by his grandmother, whose daily cooking followed the shifts in Palestinian markets.

“At 7:00 am in the morning, the doorbell would ring and there would be a farmer from the village next door with his or her produce for the day on sale,” Kattan told Arab News.

“Things have changed a bit and of course when you are in a big city, farmers don’t do that, but we try to preserve that tempo in our restaurant setting,” he added.

Meanwhile, the dried spices and olive oil are imported by Palestinian suppliers, particularly fair trader Zaytoun. 

Kattan focuses on recreating taste with a different texture or recreating texture with a personal spin on the taste.

“I will never compete with the recipes of Palestinian grandmothers. But I think I have enough vision to take those recipes and make something different out of them,” he said.

Take mansaf for example, which is eaten with the hands by scooping up food from a large platter. At Akub, it is served as little mouthfuls, with the rice, meat, and fermented yogurt globed in thin deep-fried bread. The crunch gives the Bedouin dish a unique structure.

Shish barak, which traditionally consists of meat dumplings cooked in yogurt sauce, is instead served with a colorful presentation of beetroot tahini.

Kattan, who personally greeted customers at the door on Akub’s opening day, believes the art of hospitality is more than just what is on a plate but involves the experience of dining as a whole.

The restaurant is housed in a three-story building in Notting Hill with an indoor courtyard covered by a glass roof.

The interior is inspired by the sights and smells of Palestinian scenery, with olive trees and jasmine filling the space and a color scheme centered on olive green, earthy pink, orange and sand tones.

The tableware is provided by a third-generation Palestinian ceramist, Nur Minawi. 

Akub’s head chef spent five weeks in Bethlehem with Kattan, learning first-hand about traditional cooking techniques, whereas the rest of the team was booked in for a two-day cultural training.

Kattan hopes that his guests will leave his restaurant with a positive image of Palestine.

“You can travel miles through a plate, story, flavor or even a spice,” he said.

“I’d be very happy if dining at Akub inspired someone to book their next holiday to Palestine or book a Palestinian concert in London, if that is their entry point to the culture,” he added.

 


Mona Tougaard wears bridal look at Dior’s Paris show

Updated 27 January 2026
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Mona Tougaard wears bridal look at Dior’s Paris show

  • Rihanna and Brigitte Macron among attendees at show
  • Design part of new director Jonathan Anderson’s vision

DUBAI/ PARIS: Model Mona Tougaard reportedly turned heads in a bridal-inspired look on the Christian Dior runway during the recent Paris Haute Couture Week.

The runway star, who has Danish, Turkish, Somali and Ethiopian ancestry, wore a sculptural white gown with a one-shoulder silhouette and layered petal-like appliques cascading from the bodice to the full skirt.

The asymmetrical bodice featured draped detailing across the torso, while the skirt flared into a voluminous, floor-length shape.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

The look was finished with oversized floral statement earrings that echoed the dress’s petal motif.

The floral elements echoed the wider vision of Dior’s new creative director Jonathan Anderson, who drew inspiration from nature and his love of ceramics for his first Haute Couture collection since being appointed to the role.

The 41-year-old faces the rare challenge of overseeing all three fashion lines at the house — women’s and men’s ready-to-wear and Haute Couture — becoming the first designer to do so since Christian Dior himself.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Just days after presenting his latest men’s collection during Paris Men’s Fashion Week, the Northern Irish designer returned with his first couture offering.

The collection featured floral motifs on fabrics or as accessories, while sculptural bulbous dresses were inspired by the work of Kenya-born ceramicist Magdelene Odundo.

“When you copy nature, you always learn something,” Anderson declared in his show notes, which compared Haute Couture to a living ecosystem that is “evolving, adapting, enduring.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Other noteworthy pieces included dresses with spherical birdcage-inspired silhouettes, while other models wore vest tops with their dresses gathered around their waists.

The front row at the Rodin Museum reflected the scale of anticipation surrounding Anderson’s couture debut. France’s first lady Brigitte Macron arrived early, while Lauren Sanchez Bezos swept in shortly after.

Actor Parker Posey twirled briefly in a trench-style dress, playing to the room before settling in.

Then the space fell into a collective pause as celebrities and editors alike waited for Rihanna. When the pop star finally took her seat, the lights dropped and the show began.

Before the show, Anderson admitted in an interview with the Business of Fashion website that he previously thought couture was “irrelevant,” adding that he never really “understood the glamour behind it.”

“Now, I feel like I’m doing a Ph.D. in couture,” he explained.