Pakistani TikTokers say not all content on platform ‘indecent’ or ‘cringe’

(L-R) The collage of images shows Pakistani TikTokers Zunaira Mahi, Humna Zahid, Laraib Khalid, and Danial Ahmed. (Photo courtesy: Instagram)
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Updated 11 January 2023
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Pakistani TikTokers say not all content on platform ‘indecent’ or ‘cringe’

  • Courts in Pakistan have banned TikTok multiple times for promoting ‘immoral’ content
  • Pakistani TikTokers say platform offers ‘diverse’ content, empowers creators financially

KARACHI: Popular Pakistani TikTokers have opened up about facing flak when they initially started creating content on the video-sharing app, insisting that not all content on the platform can be classified as “cringe” or “indecent,” adding that it offers diverse content for users. 

TikTok was launched worldwide in 2018 but it started making waves in Pakistan the succeeding year. Over the last two years, it has become one of the most popular video-sharing apps in the country. According to the data analytics website Appfigures, TikTok was downloaded an estimated 1,862,640 times in Pakistan between January 1, 2021, to December 31, 2022. 

The platform allows people from diverse social and economic backgrounds to share content through 60-second-long videos. Owing to the app’s popularity in the country, many TikTokers have shot to fame over the last three to four years, garnering millions of followers. 

However, the platform has repeatedly been caught in controversies for allowing users to upload content that has been deemed by courts in Pakistan as “immoral,” resulting in multiple bans on the app at different times, which were later reversed. 

“The entire community is questioned because of some people and society’s perception of TikTokers is that they have nothing substantial to do and they must be creating indecent content,” Laraib Khalid, 26, who makes content on TikTok, told Arab News on Monday. 




This image shared on September 29, 2021, shows TikToker Laraib Khalid posing for a picture. (Photo courtesy: laraiblk/Instagram)

“There are some TikTokers who are cringe but, at the same time, there are those who are teaching grammar, sharing home remedies, and [uploading] recipes in 60 seconds,” he added. “If there was anything wrong with the content, why would big brands approach TikTokers to promote them?” 

Karachi-based Khalid has an impressive 3.5 million followers on the video-sharing app that he started using in 2018 when TikTok was known as Musical.ly. Khalid told Arab News he engaged viewers with live prank calls, followed by funny videos and recreated memes. 

When he initially created an account on the platform, he was a student. Currently, he is a software engineer by profession, managing a team of over 200 people at his software house. 

 Khalid said he continues making videos for TikTok because he’s passionate about it.

“People respect me now. I know kids are watching our [videos], so I try to keep it positive and avoid endorsing inappropriate content,” he said.

Certified makeup artist Humna Zahid, who has 1.4 million followers on the app, also broke barriers by introducing makeup tutorials on the platform in 2018. Those days, uploading makeup tutorials on social media platforms was not a popular trend. 

Based in Lahore, she recently won the ‘Top Beauty Creator’ title at TikTok’s first Creator Awards in Pakistan, held in December 2022. 

“Nobody used to give work [in 2018] to creators whose work revolved around makeup art but audiences gradually accepted it,” Zahid, 24, told Arab News last week. 




This image shared on November 8, 2022, shows TikTok star Humna Zahid disguised as a comic character called "Poison Ivy".  (Photo courtesy: samosiiii.official/Instagram)

“I got so much hate in the beginning because people didn’t know what I was doing. There was no acceptance among people regarding makeup. I have been able to change people’s mentality to a huge extent, [making them believe] that makeup is an art and it requires skills,” she added. 

A commerce graduate, Zahid comes from a conservative family who even had problems with her uploading a picture on the Internet.

“It was a struggle for me, but gradually, I got acceptance for my work and now I support myself and my family financially.” 

Danial Ahmed, 24, is another exemplary content creator on TikTok who shot to fame on the video-sharing app when he started uploading content that focused on health awareness. Ahmed started producing content in 2020 when the coronavirus pandemic was in full swing. 

He bagged the ‘Top Health Creator’ title at TikTok’s first Creator Awards last month. 

“I realized there was an audience for informative content [on TikTok] too. I molded medical content in a way that was helpful for both medical students as well as a layman,” Ahmed told Arab News. 

“Initially, my family was quite against it, as my father is a CSS officer. There was a common perception around TikTok at that time that it was all about music and dance. And that actually was the case,” he said.




This image shared on December 15, 2022, shows TikTok star Danial Ahmed posing for a picture. (Photo courtesy: danial.ahmed8/Instagram)

 Initially, Ahmed thought he wouldn’t be followed by a lot of people. However, he kept creating content that focused on coronavirus, vaccines, and variants in the form of short informative videos of about 1-1:30 minutes. 

With 1.2 million followers on TikTok, Ahmed has completed his MBBS degree and is currently training at a hospital. He plans to set up a polyclinic in Lahore very soon while expanding his TikTok content to journalism. 

Zunaira Mahi, 26, says she is proud to call herself a “full-time” TikToker, won the ‘Top Creator of 2022’ at last month’s TikTok awards ceremony. She has been creating content ranging from comedy, acting, and entertainment since 2020 and currently has 5.9 million followers on the app. 

“My life has completely changed after rising to fame through TikTok,” Mahi, who is also a commerce graduate and aims to pursue ACCA or MBA soon, told Arab News. 

“I wasn’t financially fit earlier but now I am financially independent. People respect me and I am proud of it. My family also supports me in what I do.” 




Tiktoker Zunaira Mahi poses with the 'Top Creator' award at TikTok’s first Creator Awards in Lahore, Pakistan on December 31, 2022. (Photo courtesy: zunaira_mahi/Instagram)

Regional General Manager at TikTok Middle East, Türkiye, Africa, Pakistan, and South Asia, Tarek Abdalla, called the TikTok community the “driving force” behind the exciting trends of 2022. 

“From sharing innovative ideas to turning their passions into successful careers, the members of our community have shown incredible resilience and creativity,” he shared in a press statement after the Creator Awards 2022. 


‘The Wild Within’ sees artists breathe new life into Mideast buildings

Updated 16 December 2025
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‘The Wild Within’ sees artists breathe new life into Mideast buildings

DUBAI: Lens-based artist Ryan Koopmans and digital artist Alice Wexell are staging a showcase at Dubai’s Leila Heller Gallery that breathes new life into regional buildings.

The series of digital artworks is part of the exhibition “The Wild Within,” featuring images of old structures in Beirut, Istanbul, and Abu Dhabi filled with wild flowers.

Two of the largest works, “Heartbeats” and “The Wish,” are displayed using Ventana, a microLED architectural display surface created by visual technology company Megapixel.

'Around Us' by Ryan Koopmans and Alice Wexell. (Supplied) 

The former artwork depicts the entrance hall of Qasr Al-Watan, the UAE’s presidential palace in Abu Dhabi, while the latter reimagines the upper floors of the Emirates Palace Mandarin Oriental in Abu Dhabi.

“Each building we work with comes to us through a combination of research, travel, and intuition,” the artists told Arab News in a joint statement.

'Constellations' by Ryan Koopmans and Alice Wexell. (Supplied) 

“We are drawn to structures that carry both emotional and historical resonance, often buildings that once embodied human ambition and now exist in a state of quiet transformation.”

Koopans and Wexell made sure to research the context of each building they choose to recreate, saying “an old villa in Jeddah or a former school in Sharjah each hold their own cultural memory, influencing everything from the lighting and atmosphere to the plants and flowers that we digitally sculpt and implement into the photographs.”

'Heart of Sharjah' by Ryan Koopmans and Alice Wexell. (Supplied) 

The hypnotic works depict the interior of buildings in the region, with digitally rendered flowers carpeting the floor in a bid to “(reimage) these spaces (and) explore the relationship between nature, place, and time, while celebrating each site as a unique work of architecture with its own spirit and story,” the artists said.

Koopmans is of dual Canadian and Dutch heritage, while Wexell is Swedish and based in Stockholm, so it is noteworthy that both artists chose to explore the Middle East for their latest project.

'Blossom of the Ancestors' by Ryan Koopmans and Alice Wexell. (Supplied) 

“In the Middle East especially, the architecture reflects a layered past that merges different styles and eras, while also expressing a sense of renewal and forward-looking energy, particularly in the region’s fantastic contemporary buildings. We are drawn to the symmetry, geometry and patterns that are found not only in nature itself, but in the architectural language of the region both past and present,” they said.

The series — featuring works such as “Adore You,” “Between Worlds,” and “Blossom of the Ancestors” — explores contrasts between the natural world and human-made forms, as well as the traditional and contemporary worlds.

“We are interested in how these elements coexist and merge into one another, creating a sense of hyperrealism that feels both familiar and imaginary. By merging photography with digital sculpture, the artworks question where the boundary lies between documentation and invention, and how technology can extend rather than replace our sense of the natural world.”

'Under the Rain of Light' by Ryan Koopmans and Alice Wexell. (Supplied) 

Although the scale of the artworks ensures they leave the viewer entranced, it did pose challenges, according to the artists.

“Presented at a large scale, every texture in these artworks becomes visible, which can be demanding but is also incredibly rewarding. The magnified detail allows the visceral and atmospheric layers of the pieces to come through with greater impact,” they said, adding that each piece took “many months” to create.

“Ultimately, we want our collectors to experience a sense of wonder and contemplation, as if they are standing inside a dream that feels both entirely real yet unreal.”

The exhibition runs until Jan. 15, 2026.