Plays that set the stage for revival of theater in Pakistan this year

Actor Tanveer Gill plays the role of Mohandas Karamchand Gandhi (left) and Omar Kazi acts as Muhammad Ali Jinnah in “Saadhay 14 August” in Karachi, Pakistan, on August 16, 2022 (Photo courtesy: ACP)
Short Url
Updated 25 December 2022
Follow

Plays that set the stage for revival of theater in Pakistan this year

  • Anwar Maqsood’s ‘Sadhay 14 August’ and Zia Mohyeddin’s adaptation of ‘Romeo and Juliet’ were applauded by audiences
  • Two years of coronavirus pandemic and accompanying restrictions proved devastating for Pakistan’s theater industry

KARACHI: The year 2022 saw Pakistani theater limp back to normalcy after two devastating years of the coronavirus pandemic that dealt a severe blow to live stage performances.

Pakistan has always produced stellar acts in the theater industry that have inspired audiences over the decades. However, the pandemic confined people to their homes, depriving them from visiting playhouses amid harsh restrictions.

“2022 has been the best year for theater so far,” President Arts Council of Pakistan (ACP) Muhammad Ahmed Shah told Arab News this week. “One shouldn’t be afraid of experimental theater. We have formed strong roots for theater.”

He maintained the ACP management catered to all social classes while planning their productions.

“With Awami Theatre Festival, we catered to the masses and made sure to entertain them without any vulgarity or senseless content,” he continued.

Shah said 50 theater plays were produced in 2022 that ran for a total of 165 days. The list also featured two English dramas.

He maintained the development of Pakistan’s theater industry was witnessing an “evolutionary process” while informing that the Sindh administration was its “biggest source of funding” in province.

The ACP president said the official funding was only to strengthen the industry “so it can sustain itself in the future.”

One of the stage performances that resonated with audiences in the outgoing year was Anwar Maqsood’s “Sadhay 14 August,” the final part of a trilogy focusing on the relationship between Muhammad Ali Jinnah and Mohandas Karamchand Gandhi, two towering figures of the Subcontinent who helped wrest Pakistan and India from British colonial rule in 1947.

The play premiered on the 75th anniversary of Pakistan’s independence this year.




Actor Fawad Khan as Amjad threatens Irshad (Nazar-ul-Hasan) in a scene from “100 Din Chor Kay” at the Arts Council of Pakistan in Karachi, Pakistan, on December 17, 2022. (Photo courtesy: ACP)

Zeeshan Haider’s recent two-hour-long comedy play “100 Din Chor Kay” enthralled audiences with its witty banter and attracted large number of people. In one of the shows, the artistic performances received an extended standing ovation.

Audiences particularly loved the craft displayed by theater actors Fawad Khan and Nazar-ul-Hasan. The play was the first production under the newly launched repertory theater at ACP.

Haider, a National Academy of Performing Arts (NAPA) graduate, has been an acting coach for the last 15 years. He also helped an American actor for Disney’s Ms. Marvel with dialect and pronunciation.

“We wanted to begin in a lighter vein and make it an inviting thing for audiences,” he told Arab News about his play this week. “There were many who watched the theater for the first time and we built some new audiences with ‘100 Din Chor Kay.’”




Juliet cries after Romeo commits suicide in Zia Mohyeddin’s Urdu adaptation of “Romeo and Juliet” in Karachi, Pakistan, on June 16, 2022. (AN Photo/S.A. Babar)

The cause was also helped by legendary British-Pakistani actor Zia Mohyeddin who directed the Urdu version of “Romeo and Juliet” in 2022. The play is a 1597 tragedy penned by William Shakespeare and is considered by many as one of the finest dramas ever written.

In addition to that, some prominent NAPA productions released during this year included “Betaali Prem Katha,” an adaptation of an Indian folklore, written and directed by Fawad Khan.

“READER” was another production directed by Sunil Shanker’s adaptation of Ariel Dorfman’s play by the same name.

“Both Sit in Silence,” featuring Joyland stars Ali Junejo and Rasti Farooq, also made waves for its unusual concept and setting. Written by Junejo, it was performed in an enclosed space, with audiences sitting on both sides of the stage, and only featured two characters.




Ali Junejo and Rasti Farooq practice “Both Sit in Silence” in Lahore, Pakistan, in June 2022. (Photo courtesy: Olomopolo Media)




President Arts Council of Pakistan Muhammed Ahmed Shah (left) addresses audiences after the performance of “100 Din Chor Kay” at the Arts Council of Pakistan in Karachi, Pakistan, on December 17, 2022. (Courtesy: ACP)

 


How young chefs and creators are transforming Arab street food across the Gulf

Updated 22 sec ago
Follow

How young chefs and creators are transforming Arab street food across the Gulf

  • Pop-ups, concept kitchens, and fusion cafes in Riyadh, Dubai, and Manama are reshaping the region’s street-food scene
  • A new generation are merging traditional dishes with innovation, creating hybrid flavors for local and international audiences

DUBAI: What was once a landscape dominated by shawarma, manakish and other classics is now expanding into a hybrid space, shaped by multicultural influences, social media trends and a generation that grew up with global tastes but strong regional identities.

From Dubai’s weekend food trucks to Riyadh’s concept kitchens and Bahrain’s fusion cafes, Arab street food 2.0 is emerging as a movement where comfort dishes, global mashups and creator-driven recipes coexist.

Among the clearest examples of this shift is SmokinBarrel, founded by Abu Dhabi-based chef Marwan Charaf, whose slow-smoked meats and regionally inspired tacos have become a Gulf pop-up staple.

“SmokinBarrel started out of pure curiosity. I had a steel barrel in my garden and wanted to experiment with wood-fire cooking, and the rest is history,” he told Arab News.

His cooking style remains instinctive. “I just tend to cook by feel, which lets me create flavors you won’t find anywhere else.”

Charaf’s upbringing in the UAE shaped his culinary identity, exposing him to a wide mix of cuisines and friendships that helped train his palate from an early age.

“Growing up in Abu Dhabi and being surrounded by an incredible mix of cuisines has also inspired me to blend my passion for slow-smoked meats with local tastes,” he said.

That same multicultural environment, he adds, “showed me how beautifully different spices (from) all over the world and cuisines can come together.”

SmokinBarrel is not strictly American or Mexican-style BBQ: “It’s a fusion of flavors inspired by my passion for food and my love for showcasing regional and local ingredients.”

Over years of events and experimentation, SmokinBarrel became known for dishes that merge tradition with innovation — a style refined through continuous customer interaction.

Charaf says pop-ups have served as a creative testing ground for the brand over the past four years.

“They’ve let us experiment with regional flavors, from Aleppo-pepper honey to pickled Indian red onions with Lebanese grape vinegar and UAE date sugar, all showcased in our award-winning taco,” he said.

The pop-up model has built momentum across the region, with social media further amplifying the Arab street food movement.

Dozens of Gulf-based creators have turned home kitchens into micro-brands, producing fast-paced recipe videos that inspire everything from weeknight meals to viral food trends.

Platforms now function as culinary discovery engines, where creator-chefs shape tastes as directly as restaurants.

Palestinian cook Abu Julia — whose rise began during the 2020 pandemic lockdowns — has built one of the most recognizable Arab cooking platforms online, attracting millions with concise, comforting home-style recipes.

His content has introduced traditional Palestinian and Levantine dishes to global audiences, inspiring thousands to recreate the dishes at home.

Another example is Baraa El-Sabbagh, a registered dietitian and certified personal trainer, who has built a large following through practical nutrition guidance and simple, healthier recipe videos.

Based in the UAE, she focuses on helping women improve their relationship with food, train consistently and navigate nutrition during different life stages, including pregnancy and postpartum.

Her short, accessible cooking clips — often built around balanced meals, quick snacks and pantry-friendly ingredients — have made healthy eating feel achievable for everyday viewers, earning her a solid following.

Pastry chef Khulood Al-Ali has also gained recognition for modernizing Khaleeji desserts, reinterpreting staples like chebab and khabeesa with contemporary techniques and cafe-style presentation.

Saudi Arabia has its own leading voices, too. Dalia’s Kitchen, a widely followed home-cook creator, is known for easy recipe videos and modern takes on classic Saudi dishes.

Her content reflects the everyday flavors that Saudis crave, making her one of the most recognizable digital cooks shaping home-style food trends in the Kingdom today.

Saudi chef Hala Ayash is a Dubai-based cook known for her quick, family-friendly recipes that modernize Levantine and Gulf comfort dishes. 

Her daily meal videos have become a go-to resource for home cooks across the UAE and Saudi Arabia, making her a reliable source for easy, everyday recipes.

In Bahrain, a new generation of chefs and food creators is also shaping the region’s evolving street-food landscape.

One of the country’s most recognized voices is Tala Bashmi, the award-winning chef behind Fusions by Tala, known for reinterpreting Gulf dishes with modern techniques while preserving their traditional essence.

Alongside her, Foodie BH has become a widely followed guide to the country’s dining scene, regularly highlighting local street-food spots, fusion cafes and home-grown concepts contributing to Bahrain’s evolving food culture.

Boutique brands such as Cocoa Core also continue to introduce inventive sweets inspired by Khaleeji flavors, reflecting the Kingdom’s growing appetite for culinary experimentation.

As a result, many young diners now discover a dish online before ever encountering it in a restaurant, allowing digital platforms to influence the evolution of Arab street food as strongly as physical kitchens.

Beyond the Gulf, creators with Arab roots are also shaping food conversations for audiences across the region.

One example is Akram Cooks, a second-generation Yemeni-American based in New York City. He has more than 440,000 followers and has built a strong fan base in the Arab world by preserving Yemeni cuisine through short, engaging videos that highlight both traditional dishes and modern interpretations.

A similar impact comes from Ahmad Alzahabi, better known as The Golden Balance, a Syrian-American creator whose content blends Middle Eastern flavors with global cooking techniques.

His cross-cultural background — growing up in a Syrian household in Michigan — shapes videos that range from traditional staples to modern fusion dishes, appealing to young viewers who see their identities reflected in his style.

For UAE-based SmokinBarrel, Instagram and TikTok are also essential tools.

As Charaf explains: “Social media, especially Instagram, has been our main bridge to the community. It’s where we share new launches, pop-up announcements, and behind-the-scenes moments, but it’s also where we listen.

“The feedback, the comments, the DMs, they all help shape what we create next,” he said, adding that social media platforms help them stay connected to customers even between pop-ups and play an important role in how they continue to evolve dishes.

For Dubai-based restaurateur Salam El-Baba, founder of Dukkan El-Baba, Tacosita and Mashawi by Dukhan, social media is less central to how her restaurants evolve. While it plays a role in communicating with customers, it does not influence how she develops her food.

She describes Dukkan as: “Simply an extension of our home, our mum’s warmth … centered around the kitchen and memorable days with loving, filling dishes.”

Her second brand, Tacosita, emerged from “a passion project, an obsession, which was executed in every way it could be,” while Mashawi by Dukhan was “a commercial decision to give the UAE market what it wants — fresh, juicy Arabic grills and saucy sauces.”

However, launching and managing these concepts came with challenges.

“Coming into the industry with a blatant lack of operational experience and financial knowledge … was the biggest challenge,” she told Arab News. “Learning as we go, over three years, we now know how to deal.”

Across her brands, she adjusts the balance between tradition and creativity depending on the concept. At Dukkan, authenticity is central, while Mashawi requires more experimentation to build on the flavors and traditions it draws from.

For El-Baba, this new wave of Arab street food closely reflects the values behind her own concepts. She sees it as a generational shift led by young restaurateurs expressing their identity through food. 

“We are in the restaurant business because we enjoy providing warm hospitality and memorable experiences around food. This itself is rooted in Arabic culture, street food, and where we come from.”

As multiple voices across the region redefine what Arab street food can be, El-Baba describes her contribution to the movement as rooted in consistency and presence.

“This movement is simply a result of this generation doing things a little differently while honoring to the very end traditions, roots, and flavors we took from our parents,” she said.

“Exercising this, daily, coming to work, showing up and maintaining our operations, that is our contribution.”

Charaf sees this evolution as part of a larger shift.

“Arab street food is entering an exciting new era, one defined by creativity, quality, and a willingness to experiment,” he said. “It’s no longer just about quick bites; it’s becoming a platform for full-flavored, culturally grounded experiences.”