Plays that set the stage for revival of theater in Pakistan this year

Actor Tanveer Gill plays the role of Mohandas Karamchand Gandhi (left) and Omar Kazi acts as Muhammad Ali Jinnah in “Saadhay 14 August” in Karachi, Pakistan, on August 16, 2022 (Photo courtesy: ACP)
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Updated 25 December 2022
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Plays that set the stage for revival of theater in Pakistan this year

  • Anwar Maqsood’s ‘Sadhay 14 August’ and Zia Mohyeddin’s adaptation of ‘Romeo and Juliet’ were applauded by audiences
  • Two years of coronavirus pandemic and accompanying restrictions proved devastating for Pakistan’s theater industry

KARACHI: The year 2022 saw Pakistani theater limp back to normalcy after two devastating years of the coronavirus pandemic that dealt a severe blow to live stage performances.

Pakistan has always produced stellar acts in the theater industry that have inspired audiences over the decades. However, the pandemic confined people to their homes, depriving them from visiting playhouses amid harsh restrictions.

“2022 has been the best year for theater so far,” President Arts Council of Pakistan (ACP) Muhammad Ahmed Shah told Arab News this week. “One shouldn’t be afraid of experimental theater. We have formed strong roots for theater.”

He maintained the ACP management catered to all social classes while planning their productions.

“With Awami Theatre Festival, we catered to the masses and made sure to entertain them without any vulgarity or senseless content,” he continued.

Shah said 50 theater plays were produced in 2022 that ran for a total of 165 days. The list also featured two English dramas.

He maintained the development of Pakistan’s theater industry was witnessing an “evolutionary process” while informing that the Sindh administration was its “biggest source of funding” in province.

The ACP president said the official funding was only to strengthen the industry “so it can sustain itself in the future.”

One of the stage performances that resonated with audiences in the outgoing year was Anwar Maqsood’s “Sadhay 14 August,” the final part of a trilogy focusing on the relationship between Muhammad Ali Jinnah and Mohandas Karamchand Gandhi, two towering figures of the Subcontinent who helped wrest Pakistan and India from British colonial rule in 1947.

The play premiered on the 75th anniversary of Pakistan’s independence this year.




Actor Fawad Khan as Amjad threatens Irshad (Nazar-ul-Hasan) in a scene from “100 Din Chor Kay” at the Arts Council of Pakistan in Karachi, Pakistan, on December 17, 2022. (Photo courtesy: ACP)

Zeeshan Haider’s recent two-hour-long comedy play “100 Din Chor Kay” enthralled audiences with its witty banter and attracted large number of people. In one of the shows, the artistic performances received an extended standing ovation.

Audiences particularly loved the craft displayed by theater actors Fawad Khan and Nazar-ul-Hasan. The play was the first production under the newly launched repertory theater at ACP.

Haider, a National Academy of Performing Arts (NAPA) graduate, has been an acting coach for the last 15 years. He also helped an American actor for Disney’s Ms. Marvel with dialect and pronunciation.

“We wanted to begin in a lighter vein and make it an inviting thing for audiences,” he told Arab News about his play this week. “There were many who watched the theater for the first time and we built some new audiences with ‘100 Din Chor Kay.’”




Juliet cries after Romeo commits suicide in Zia Mohyeddin’s Urdu adaptation of “Romeo and Juliet” in Karachi, Pakistan, on June 16, 2022. (AN Photo/S.A. Babar)

The cause was also helped by legendary British-Pakistani actor Zia Mohyeddin who directed the Urdu version of “Romeo and Juliet” in 2022. The play is a 1597 tragedy penned by William Shakespeare and is considered by many as one of the finest dramas ever written.

In addition to that, some prominent NAPA productions released during this year included “Betaali Prem Katha,” an adaptation of an Indian folklore, written and directed by Fawad Khan.

“READER” was another production directed by Sunil Shanker’s adaptation of Ariel Dorfman’s play by the same name.

“Both Sit in Silence,” featuring Joyland stars Ali Junejo and Rasti Farooq, also made waves for its unusual concept and setting. Written by Junejo, it was performed in an enclosed space, with audiences sitting on both sides of the stage, and only featured two characters.




Ali Junejo and Rasti Farooq practice “Both Sit in Silence” in Lahore, Pakistan, in June 2022. (Photo courtesy: Olomopolo Media)




President Arts Council of Pakistan Muhammed Ahmed Shah (left) addresses audiences after the performance of “100 Din Chor Kay” at the Arts Council of Pakistan in Karachi, Pakistan, on December 17, 2022. (Courtesy: ACP)

 


Nationalist Bollywood hit ‘Dhurandhar’ ignites India-Pakistan controversy

Updated 08 January 2026
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Nationalist Bollywood hit ‘Dhurandhar’ ignites India-Pakistan controversy

  • Movie stars Ranveer Singh as an Indian intelligence agent who infiltrates alleged criminal networks in Karachi
  • Film has drawn sharp criticism from Pakistani officials while becoming one of the year’s biggest hits in India

A Bollywood spy thriller set in Pakistan has sparked heated debate across both countries over its portrayal of cross-border tensions, even as the film breaks box office records in India amid a surge in nationalist cinema.

“Dhurandhar,” starring Ranveer Singh as an Indian intelligence agent infiltrating criminal networks in Pakistan’s Karachi, has drawn sharp criticism from Pakistani officials and some international critics while becoming one of the year’s biggest commercial hits in India.

The 3.5-hour film, directed by Aditya Dhar, weaves real historical events including the 1999 plane hijacking, the 2001 Parliament attack, and the 2008 Mumbai attacks into a fictional narrative about an Indian spy’s mission to dismantle alleged links between Karachi gangs and terror networks.

Released Dec. 5 with minimal publicity, “Dhurandhar” has grossed more than 12.15 billion rupees ($134.76 million) in ticket sales, making it the highest-grossing Bollywood film last year. 

“It is a unique thing. Most films are set in India, but in this film, a RAW agent infiltrates Pakistan and is living there, hiding his identity, and the film portrays all of that through this setup, about Karachi and everything. That’s why it is such a good film. I mean, it is very important to watch this film,” said movie-goer Naresh Kumar.

The film represents a growing trend in Indian cinema toward nationalist blockbusters that align with Prime Minister Narendra Modi’s policies, following controversial hits like “The Kashmir Files” and “The Kerala Story” that sparked debates over historical accuracy while achieving commercial success.

In India, some film critics faced online harassment for negative reviews, prompting the Film Critics Guild to condemn “targeted attacks” against reviewers.

“Films that evoke patriotic fervor among audiences generally do well, but that is not to say that any film with this kind of subject would have done well,” said Bollywood film analyst Komal Nahta. “Everything seems to have gone right with the film.” 

The controversy highlights how cinema continues to reflect decades-old tensions between the nuclear-armed neighbors, who have fought four wars since partition in 1947. Fighting erupted between the countries in May following an attack on tourists in Kashmir that India blamed on Pakistan-backed militants.

In Pakistan’s Lyari neighborhood, which was depicted in the film, residents criticized the portrayal as inaccurate.

“It is a completely baseless movie because our neighboring country doesn’t know anything about our country,” said Mohammad Zohaib, a Lyari resident and burger shop owner. “They don’t know anything about Lyari, so how can they make a completely realistic film about someone?” 

The Pakistan Peoples Party filed legal action in a Karachi court last month over the film’s unauthorized use of assassinated former Prime Minister Benazir Bhutto’s image and its portrayal of party leaders as terrorist sympathizers.

“About 10 percent of what has been shown in the movie is reality, 90 percent is not real,” said Khizer Abdul Wahid, a Lyari resident and beauty salon owner.

Pakistan banned Indian films in 2019, but Bollywood remains popular there with audiences using VPNs or illegal downloads to watch new releases.

Theatre admissions in India have fallen 45 percent since their 2018 peak of 1.58 billion, according to Ernst and Young, as streaming services offer content that complements cheap mobile data available to most Indians.

Even global hits like the latest Avatar film struggled to secure screens due to “Dhurandhar’s” strong showing, analysts said.