Saudi influencer Model Roz hits the amfAR Gala red carpet in Los Angeles

Model Roz showed off a look by Philosophy di Lorenzo Serafini. (Getty Images)
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Updated 06 November 2022
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Saudi influencer Model Roz hits the amfAR Gala red carpet in Los Angeles

DUBAI: Saudi social media influencer Model Roz hit the red carpet at the star-studded amfAR Gala in Los Angeles this weekend.

The model treated her 14.3 million Instagram fans to a sneak peek of her ensemble — a black, two-piece look by Philosophy di Lorenzo Serafini, a Tyler Ellis clutch, Giuseppe Zanotti shoes and Vrai & Raven Fine Jewelers jewelry.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@model_roz)

Guests at the 12th annual gala helped raise money for HIV/AIDS research programs. The event was attended by the likes of TV host Chelsea Handler, singers Tinashe and Madison Beer, Kelly Rowland, Kimora Lee Simmons, and more.

For her part, Model Roz took to Instagram to celebrate the night, saying: “Thank you @amfar for having me. What an epic night celebrating the work amfAR does year after year to end the Global HIV/AIDS epidemic.”

The Jubail-born Riyadh-raised model, who prefers to go by her social media name, is currently based in Los Angeles but regularly jets across the country for launch parties and events.

She attended New York Fashion Week in September and was spotted among the well-heeled crowd at the Naeem Khan show. The Saudi star showed off a blue feathered mini dress before hitting the red carpet at Bloomingdale’s 150th Anniversary party in a glamorous Caroline Herrera gown.

The model, who has 1.6 million fans on TikTok, was then spotted at New York’s Rainbow Room wearing a luxurious green silk gown by Maison Margiela before showing off a daring look with crystal-fringed cut-outs at the PatBo fashion show.

She took in the Brazilian brand’s latest collection while sitting on the coveted front row and posed for a number of paparazzi shots as she left the venue.

Roz made headlines around the world in 2019 when she modelled for a Victoria’s Secret’s Pink campaign, showing off the label’s sportswear in a sun-drenched video.

The model, with her signature platinum blonde locks, has also taken part in campaigns for US brand Guess and launched a makeup range with The Balm.

Roz moved to the US in 2013 to pursue a degree in interior design, but her hopes of becoming a model pushed her to give it a shot.

“Ever since I was young, becoming a model was always a dream of mine. It was a bit difficult for me as a Saudi woman… but to me nothing is impossible” Roz previously told Arab News.

Challenging stereotypes proved to be one of the major hurdles Roz had to face, but “with my persistence, I was able to prove to brands that I am not just famous… I am also influential to many people,” Roz said.

The model’s Instagram feed is littered with photographs of her various advertising campaigns, as well as visits to many a product launch party — from NYX Cosmetics events to TikTok gatherings.


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.