Ambitious plans unveiled to build Saudi Arabia’s own Champs-Elysees in Diriyah

Diriyah’s own Champs-Elysees Boulevard will connect the Kingdom’s past and its present with its future. The project will also serve as a connector between Diriyah Gate 1 to the King Saud University in Diriyah Gate 2. (Supplied)
Short Url
Updated 18 October 2022
Follow

Ambitious plans unveiled to build Saudi Arabia’s own Champs-Elysees in Diriyah

  • The project draws its structural inspiration from France while paying tribute to Saudi Arabia’s heritage, says DGDA chief Jerry Inzerillo

RIYADH: Saudi Arabia is to build its own version of France’s world-famous Champs-Elysees, in historic Diriyah.

The Diriyah Gate Development Authority’s chief executive officer, Jerry Inzerillo, announced plans for the ambitious project during the Saudi-French Strategic Partnership for Designing Sustainable Cities for Tomorrow tour in Riyadh.

He said: “The Crown Prince (Mohammed bin Salman) wanted to connect the cultural identity and the heritage of Diriyah Gate 1 to the university (King Saud University) in Diriyah Gate 2, thereby connecting the Kingdom’s past and its present with its future.

“That connection point allows us to build a new boulevard and the crown prince is someone who loves France.

“Who doesn’t love the Champs-Elysees? He has been very motivated by it, and he said he would like to have our own Diriyah version of the Champs-Elysees giving honor to the French but not copying them. We have our own culture, we have our own heritage, and we have our own history,” Inzerillo added.

It is envisaged the avenue will include a contemporary art museum, convention center, opera house, and mosques along its route.

The new project was discussed during the second edition of the Saudi-French architecture tour that aims to strengthen cooperation between French architects and some of the major projects taking place in the Kingdom, including the DGDA scheme. The tour directly links French architects to the leaders of major projects, such as Inzerillo.

Diriyah’s own Champs-Elysees Boulevard will fall under the Diriyah Gate 2 project but full details on the scale of the project have yet to be released. According to the authority the project is still in its early stages and has yet to be given an official name.

HIGHLIGHTS

• The new project was discussed during the second edition of the Saudi-French architecture tour that aims to strengthen cooperation between French architects and some of the major projects taking place in the Kingdom, including the DGDA scheme.

• The boulevard will fall under the Diriyah Gate 2 project but full details on the scale of the project have yet to be released. According to the authority the project is still in its early stages and has yet to be given an official name.

Inzerillo said: “Diriyah is very special, soon the silhouettes of Al-Saud palace which was the image of the G20 will be known all over the world the same way people take a picture in front of the Eiffel Tower in Paris.

“I assure you a few years from now no one will come to the Kingdom, and no one will come to Riyadh, without taking a picture in front of the palaces of At-Turaif and Diriyah.

“Diriyah’s own Champs-Elysees Boulevard is a future project that draws its structural inspiration from France while paying tribute to the Kingdom’s heritage.

“The height and the width will be similar to Paris’ Champs-Elysees which I believe is 1.9 kilometers.”

Inzerillo highlighted some of the different features that will be a part of the new boulevard.

“The Saudi contemporary art museum will be on that boulevard. That will be our homage to the Louvre (museum in Paris).

“Also on that boulevard will be the Kingdom of Saudi Arabia convention center, opera house, the Grand Mosque in addition to the King Salman mosque.

“We are now 97 percent done with the design of what we call Diriyah Gate 1, and we are very advanced in Diriyah Gate 2 and will be starting the design of Diriyah Gate 3 soon in addition to the 60-kilometer Wadi Safar development.

“We are working on over two-dozen contracts in the cultural and heritage site including archaeology. So, there is a very strong relationship between the Kingdom and France, it has gone from strength to strength, especially in the four years that I have been CEO,” he added.

During the tour, Inzerillo highlighted the DGDA’s ambitions and opportunities for French cooperation.

“The very strong relationship between Saudi and France since the giga projects have only gone from strength to strength.”

He noted that there had been close to $1 billion in agreements signed between the authority and French companies.

Addressing the French architectural delegation, he said: “When the crown prince and I sat down to talk about Diriyah Gate the masterplan was ambitious at 1.5 million square meters of development.

“But the crown prince, when you give him drawings and you show him the master planning, he doesn’t just approve it, he will study it, he will tweak it, he will change it. That original 1.5 million has turned into 14 million square meters of development.

“These bold giga projects are no longer inspirational, they are coming to fruition,” he added.

The tour was coordinated by Business France, a French Embassy agency overseeing the globalization of the French economy to build awareness of the Kingdom’s ambitions in relation to environmental sustainability, innovative technology, and cultural and historical preservation.

Inzerillo said: “Diriyah is the birthplace of the Arabian Peninsula, Diriyah is the birthplace of the Kingdom of Saudi Arabia, Diriyah is the ancestral home of the house of Al-Saud.

“We want to celebrate the unique identity of Saudi Arabia by acknowledging its past but doing it in an authentic way.

“When you look at French architecture and you look at French design and you look at France as one of the great cultural heritage tourism countries in the world you are indeed an inspiration to us.

“We are going through another very large expansion of architectural and design competitions in the next 12 months.

“We will be building 20,000 residents which we will start in the first quarter of 2023,” he added.

Diriyah Gate 1 is centered around culture and heritage and will utilize traditional mud bricks in its construction.

“We are currently making 180 million mud bricks. We just symbolically last week did the mudbrick making for the first 1 million that we finished. We have 179 million more to make,” he said.

Riyadh is set to host the 22nd World Travel and Tourism Council Global Summit in Riyadh from Nov. 29 to Dec. 2, where the authority will be making various announcements regarding its projects.

“During that time, not only will we announce all of the new assets for 2023, but we will also show the completion of major aspects of Vision 2030 in 2022,” Inzerillo added.


Art Jameel announces open call for Hayy Jameel Facade Commission

Updated 4 sec ago
Follow

Art Jameel announces open call for Hayy Jameel Facade Commission

  • Antonia Carver, director of Art Jameel, said: “At Art Jameel, we are committed to fostering the role of the arts in public life

JEDDAH: The Hayy Jameel Facade Commission is inviting new and established artists in Saudi Arabia to reimagine the facade of the Hayy Jameel art building in Jeddah.

In its fourth year and third open call process, the commission will select a winning artwork that serves as conversation starter between the complex, the community it serves and the broader public.

Antonia Carver, director of Art Jameel, said: “At Art Jameel, we are committed to fostering the role of the arts in public life.

“Through this annual commission which positions the facade as the first point of contact with the Hayy Jameel community, we are providing a platform that propels mid-career artists forward and challenges them to produce a large-scale, highly imaginative work that remains in-situ, front and center in Jeddah, for around 10 months.”

The commission encourages artists to consider the site-specific nature of the project and the technical requirements of a public work.

Sustainability considerations are also appreciated in managing the carbon footprint of the artwork and its installation.

Eligibility is open to all Saudi and Saudi-based artists and collectives, with at least one member required to be a Saudi citizen or resident if applying as a collective.

The commissioned artists will receive a work fee and a production budget managed by Art Jameel.

The jury, consisting of local and international art professionals, curators, artists and museum directors, will select a single work for production.

Applicants are required to submit a concept statement (200-500 words), up to four sketches and diagrams, and an estimated production schedule through the application portal.

The deadline for the facade submission has been extended to May 1, with the launch scheduled for October. Following the unveiling, there will be a public viewing period from October 2024 to September 2025.

Previous works displayed on the building have showcased the talent of artists such as Nasser Al-Mulhim, Tamara Kalo, Mohammad Al-Faraj and Dr. Zahrah Al-Ghamdi.

 


Saudi universities participate in Geneva’s International Exhibition of Inventions

Mohammed Al-Sudairi
Updated 9 min 18 sec ago
Follow

Saudi universities participate in Geneva’s International Exhibition of Inventions

  • More than 1,000 inventions from over 40 countries showcased at event

RIYADH: Mohammed Al-Sudairi, the Saudi deputy minister of education for universities, research and innovation, opened the Kingdom’s pavilion at the 49th Geneva International Exhibition of Inventions.

Some 26 Saudi Arabian universities are taking part at the event — including 19 government universities, two independents and five private bodies — and a total of 113 inventions have been produced, in scientific, theoretical, medical, and biological specializations, the Saudi Press Agency reported.

Among the universities taking part is Qassim University, which is showcasing a display that highlights innovations and several inventions.

Abdulaziz bin Bani Alharbi, a faculty member at Qassim’s College of Agriculture and Food, said that the college was showcasing a patent registered with the Saudi Authority for Intellectual Property: a method for desalinating salt water using a halophyte plant.

He said the invention involved introducing water and placing the plant in a closed system that allowed the collection of water from the plant after the transpiration process.

Alharbi added that gas exchange followed and then desalination to obtain salt-free water.

Fahad Alminderej, a faculty member at the College of Science, said his group had obtained a patent for extracting materials from date waste, and was then using them in pharmaceutical manufacturing in an innovative manner. This patent had also been registered with the Saudi Authority for Intellectual Property.

Abdullah Almohaimeed, the head of the Innovation Center and Intellectual Property at the university, said that Qassim was participating in the exhibition as part of the Ministry of Education’s initiative to enhance the international presence of Saudi universities, in line with national objectives.

He added that the university’s participation aimed to highlight its role in supporting the innovation system and entrepreneurship, as well as showcase many inventions.

The exhibition, which is taking place until April 21, is displaying more than 1,000 inventions from over 40 countries. Some 800 exhibitors are featured at the event and 30,000 visitors are expected to attend, in addition to 650 journalists.

It is the world’s largest annual event devoted exclusively to invention.

 


Al-Baha’s monuments: A pivotal testament to civilizational advancement

Updated 34 min 1 sec ago
Follow

Al-Baha’s monuments: A pivotal testament to civilizational advancement

  • Characterized by intricate designs, the residential buildings, castles, and forts embody a harmonious fusion of environmental adaptability and cultural resonance

RIYADH: Nestled in Al-Baha region in southwestern Saudi Arabia lies a treasure trove of ancient architecture in the quaint villages that dot its landscape.

Characterized by intricate designs, the residential buildings, castles, and forts embody a harmonious fusion of environmental adaptability and cultural resonance.

Crafted with precision, these structures seamlessly integrate with the rugged terrain and fluctuating climate, while also paying homage to the long-standing customs and traditions of ancient Arab society.

Seventy-three-year-old Mohammed bin Salem Al-Ghamdi told Saudi Press Agency: “For decades, I have dedicated myself to the craft of stone house construction.”

Currently, he and his companions are diligently crafting a stone room, employing stones as their primary building material. Together, as a cohesive team of builders, craftsmen, and eager participants, they collaborate harmoniously to bring their vision to life. He described it as both a hobby and inheritance passed down through generations.

“In every construction endeavor, we rely on what’s known as the cornerstone, strategically positioned at the room’s corners. Additionally, a lengthy stone, referred to as the ‘link,’ is essential for connecting each stone within the structure. We also use sturdy stones known as ‘Al-Mateen’ or ‘Al-Daher’ to fortify the room’s foundation.

“Moreover, we meticulously place ‘Al-Lazza’ stones, tiny yet significant, within the larger stones, ensuring a seamless fit without any gaps or openings in the room’s structure,” he added.

“Once the corners are meticulously stacked and leveled, I proceed to roof the room with wood. This involves utilizing a series of wooden beams cut to specific lengths to interconnect all corners of the room. Next, I scatter small plants across the wooden framework to fully cover the ceiling, upon which clay is applied to secure the structure. This method ensures durability against erosion and rainfall, further reinforced by specific paving techniques.”

Al-Ghamdi emphasized the importance of post-construction plastering with clay, which not only gives the interior an earthy tone but also regulates the temperature — ensuring warmth in winter and coolness in summer.

He mentioned the practical use of juniper trees for doors and windows, facilitating easy replacement and serving a dual purpose in construction.

Dr. Abdulaziz bin Ahmed Hanash, professor of urban design at Al-Baha University, highlighted the profound significance of human construction in Al-Baha region, portraying it as a living chronicle of urban civilization’s evolution over time.

He underscored the traditional architecture and urban legacy of Al-Baha as foundational elements, inherently distinguishing the region. With its wealth of historical landmarks spanning the Sarat and Tihamah regions, the area has gained the attention of state authorities, who aim to nurture its potential as both a summer and winter tourism hotspot through strategic development initiatives.


Saudi minister of culture explores KSA pavilion at Venice Biennale

Updated 19 April 2024
Follow

Saudi minister of culture explores KSA pavilion at Venice Biennale

  • Prince Badr met his Italian counterpart, Minister of Culture Gennaro Sangiuliano
  • Prince Badr also explored the “Journeys in Land Art: Towards Wadi AlFann, AlUla” exhibition

VENICE/LONCON: Prince Badr bin Abdullah bin Farhan, Saudi minister of culture and governor of the Royal Commission for AlUla, has concluded his official visit to Italy.

Throughout his trip, he engaged in discussions with prominent Italian cultural figures, aiming to strengthen cooperation and foster cultural exchanges between the two countries.

During the visit, the Saudi minister convened with his Italian counterpart, Minister of Culture Gennaro Sangiuliano.

They delved into strategies to strengthen cooperation and deepen cultural exchanges between the two countries.

The pair praised noteworthy cultural initiatives and projects that unfolded in 2023 across diverse spheres including heritage preservation, fashion, music, museum exhibitions, architectural innovation, design, and visual arts.

During this week’s trip, Prince Badr visited the Saudi Pavilion at the 60th Venice Biennale, hosted at the Arsenale center, which was showcasing Manal AlDowayan’s “Shifting Sands: A Battle Song.”

AlDowayan’s work illuminates the evolving role of Saudi women in the public sphere, and their efforts to redefine both their physical spaces and the narratives surrounding them.

Prince Badr also explored the “Journeys in Land Art: Towards Wadi AlFann, AlUla” exhibition, which serves as an introduction to the Kingdom’s culturally and historically rich region of AlUla.

It also features work by AlDowayan alongside exhibits by Agnes Denis, Michael Heizer, Ahmed Mater, and James Turrell, and includes photographs and video presentations.

The exhibition runs until April 30, and will host discussion panels on topics such as land art, art in public spaces, visitor experiences, museum curation, and the interplay of art and archaeology, offering a range of perspectives. 


Saudi officials reveal details of highly-anticipated ‘Zarqa Al-Yamama’ opera

Updated 19 April 2024
Follow

Saudi officials reveal details of highly-anticipated ‘Zarqa Al-Yamama’ opera

RIYADH: Saudi officials on Thursday revealed details of performances of “Zarqa Al-Yamama,” the first Saudi opera and the largest to be performed in the Arabic language.
The opera opens on April 25 and will run until May 4 at the King Fahd Cultural Center in Riyadh, the Theater and Performing Arts Commission announced at a press conference.
Sultan Al-Bazei, the CEO of the commission, said: “The ‘Zarqa Al-Yamama’ opera represents a new phase for Saudi culture, in which the most famous stories of our narrative and cultural heritage are embodied on the theater stages with qualitative works according to the highest international standards.”
He added that the new production is the result of years of work, and all its details were developed with great care and hard work.


He expressed appreciation for the follow-up and attention given by Minister of Culture Prince Badr bin Abdullah bin Farhan, who is also the chairman of the board of directors of the Theater and Performing Arts Commission.
Prince Badr announced the launch of the opera on Feb. 16 at a ceremony in London, which was attended by the Saudi and international creatives participating in the opera’s production.
Al-Bazei said that “Zarqaa Al-Yamama” derives its story, spirit and language from the cultures of the Arabian Peninsula.
The opera “in some way embodies a bloody tragedy, depicting ancient history and at the same time symbolizing the sorrows of the contemporary man in the world, without being devoid of the specter of hope that heralds a bright and prosperous tomorrow,” Al-Bazei explained.
He added that the first Saudi opera will include prominent names in the Saudi music scene, most notably the author of the text, Saleh Zamanan, and the participation of a number of Saudi artists in the show.
Al-Bazei said the Dresden Sinfoniker Orchestra will perform the musical pieces of the opera, and the Czech Philharmonic Choir will accompany the events of the story with distinctive vocals, while Swiss director Daniele Finzi Pasca will undertake the task of directing all the details of the opera.
International operatic composer Lee Bradshaw put together the tunes for this epic story, drawing inspiration from some traditional elements to create a contemporary framework.
The commission announced during the press conference the main partners are the Roshan Group and the King Fahd Cultural Center.
It also honored other official partners including Banque Saudi Fransi, Saudi Signs Media and Genesis Motor, and sponsors including Nova and Spirit of Saudi Arabia, and hospitality partners Bateel and Ramada by Wyndham.
Through the opera, the Theater and Performing Arts Commission aims to strengthen the Saudi cultural sector, highlight national talent, and reproduce and revive famous works and stories inherited from the Arabian Peninsula in a contemporary and creative form.
It also aims to enhance international cultural exchange, as one of the goals of the National Strategy for Culture derived from the Kingdom’s Vision 2030.