LONDON: Former US President Donald Trump’s social media platform Truth Social has not yet been approved for distribution on Alphabet Inc’s Google Play Store due to insufficient content moderation, according to a Google spokesperson on Tuesday.
The delay marks a setback for the app, which launched in the Apple App Store on Feb. 21. Android phones comprise about 40 percent of the US smartphone market. Without the Google and Apple stores, there is no easy way for most smartphone users to download Truth Social.
“On August 19, we notified Truth Social of several violations of standard policies in their current app submission and reiterated that having effective systems for moderating user-generated content is a condition of our terms of service for any app to go live on Google Play,” Google said in a statement.
Google said it has expressed concerns to Truth Social about violations of its Play Store policies prohibiting content like physical threats and incitement to violence.
Truth Social parent company Trump Media & Technology Group (TMTG) did not respond to Reuters’ request for comment, but in a press release said that it has “continuously worked in good faith with Google to ensure that the Truth Social Android App complies with Google’s policies without compromising our promise to be a haven for free speech.”
It added: “Moreover, some of our competitors’ apps are allowed in the Google Play Store despite rampantly violating Google’s prohibition on sexual content and other policies, whereas Truth Social has zero tolerance for sexually explicit content.”
News of the Android delay was first reported by Axios.
Truth Social restored Trump’s presence on social media more than a year after he was banned from Twitter Inc, Facebook and Alphabet Inc’s YouTube following the Jan. 6, 2021 US Capitol riots, after he was accused of posting messages inciting violence.
TMTG has pledged to deliver an “engaging and censorship-free experience” on Truth Social, appealing to a base that feels its views around such hot-button topics such as the outcome of the 2020 presidential election have been scrubbed from mainstream tech platforms.
Truth Social Android app not approved on Google Play Store
https://arab.news/bw882
Truth Social Android app not approved on Google Play Store
- Google said content circulating in the social network violates its Play Store policies and won't restore the app until Truth Social addresses the issues
To infinity and beyond: Grendizer’s 50 years of inspiring Arabs
- 50 years after its creation, the Grendizer anime series continues to capture Arab imagination
- Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet
LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.
Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.
But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.
The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.
Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.
Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.
The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.
By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.
Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.
Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.
Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.
