Finance for new Saudi filmmakers announced by Red Sea Fund

The Red Sea Fund aims to support young and ambitious filmmakers to carve a niche for themselves in the industry. (Red Sea Int. Film Festival)
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Updated 16 August 2022
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Finance for new Saudi filmmakers announced by Red Sea Fund

  • Winning ‘Lithium’ movie tackles bipolar disorder
  • Over $100,000 set aside for 23 individual MENA projects

RIYADH: Saudi Arabia’s support for the film industry continues with the Red Sea Fund’s announcement of its second-cycle winners, which will mean financial resources to bring their projects to fruition.

The fund, administered by the Red Sea Film Foundation, has allocated about $100,000 for 23 individual projects that will cover production, distribution and screening.

The aim is to provide a more diverse set of movies to global audiences and better serve both Saudi and Arab filmmakers.

“It means a great deal to us that the Red Sea Fund believes in this story enough to fund it. It’s both an honor and a responsibility,” Saudi filmmaker Talha B. told Arab News. He will be co-directing the winning project “Lithium” along with fellow creative Amro B.

The feature film tackles the subject of bipolar disorder and the silent suffering of individuals with mental health issues in the Arab region.

“It is a great responsibility to present this subject in a positive yet honest way, and we intend to do it the justice it deserves … It tackles a subject that we rarely admit we have in our society. We hope that more bold stories like this are told candidly because, like physical health, mental health too matters,” Talha said.

The film is currently in development and is set to premiere at the 2023/2024 Red Sea Film Festival in Jeddah.

The rest of the 23 selections include shorts, documentaries, animated films and documentaries, with five submitted from Africa, 11 from the Arab region, and seven by Saudi directors.

The aim is to support young and ambitious filmmakers to carve a niche for themselves in the industry.

“It’s very fresh and exciting witnessing the great things Red Sea films are achieving and presenting to the filmmakers in Saudi Arabia and the world. The funded films speak a lot about the amount of understanding for both the creative process and the craftsmanship behind the walls of their visionary team and their out-of-the-box thinking,” Anas BaTahaf, the filmmaker and upcoming producer of the selected film “Hayat Yousef,” told Arab News.

BaTahaf is teaming up with long-time collaborator Sarah Taibah who will be joining as a screenwriter on the upcoming project that features meaningful character arcs, quirkiness, blended-genres, and “high voltage” absurdity, all packed within a contemporary dark romcom.

“Taibah’s knowledge and thorough understanding of romance — from her various art projects on studying love as a feeling and theme during a wide range of art residencies around the world — is another quality that grants her my full trust when it comes to telling this story,” BaTahaf said.

The aim to tell unconventional stories is the reason for the selection of “Red Eye,” set to be directed by filmmaker Mohammad Jastaniah.

“After so many trials, errors, and rejections it’s nice to see once again that persistence pays off, let alone being supported by the Red Sea Film Festival Foundation — a place I call home. It feels special,” Jastaniah told Arab News.

The film is an “allegory” for the artist’s experience in Saudi, he said. “Red Eye” follows the story of a man navigating the stigma of being a rock star, fighting his own demons, and dealing with his relationship with his father.

“It speaks for those who stand out in the crowd, and there are so many of us out there, especially in these exciting times of change happening in the Kingdom. Pinch me because it feels like a dream,” Jastaniah said.

“I am very excited for our film and all the other films that won (backing) … Local filmmakers deserve all the praise and support,” said BaTahaf.

He said he was looking forward to his friends seeing the “great” films that were made.


Riyadh exhibition to trace the origins of Saudi modern art

Updated 07 January 2026
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Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.