Forward cruising: How Riyadh’s skateboarding scene is developing

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The skateboarding community in Saudi Arabia is growing as more skateparks come on stream. (Shareef Masarani)
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The skateboarding community in Saudi Arabia is growing as more skateparks come on stream. (Shareef Masarani)
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The skateboarding community in Saudi Arabia is growing as more skateparks come on stream. (Shareef Masarani)
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The skateboarding community in Saudi Arabia is growing as more skateparks come on stream. (Shareef Masarani)
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Updated 09 August 2022
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Forward cruising: How Riyadh’s skateboarding scene is developing

  • Popularity of the sport growing amongst teenagers in the Kingdom’s capital
  • LocoSonix founder Safi Marroun: I see great potential in the sport as it’s becoming increasingly integrated into the Saudi culture

RIYADH: Sitting on the upper level of LocoSonix, a skate shop based in Riyadh, Saudi skateboarder Shareef Masarani is approached by a young girl. The mixture of excitement and shyness overwhelm her expressions as she presents a board she picked out from the shop.

“I just wanted to ask you, I am buying this board. Is it cool?” She wanted his input on buying her first ever skateboard after seeing he was at the shop through Instagram Live. 

“The Hydroponic is good, as a startup board, yeah … That’s actually a good choice,” he responded. 

The girl had found his account on Instagram one day, and later on met him at the Riyadh Boulevard skatepark. The coincidence inspired her to hop on her very own skateboard for the first time. 

Masarani has been a skater on and off for almost 20 years, beginning his journey at 15. After leaving his job as a chef to focus on growing the skate community in Saudi Arabia, he has become somewhat of a go-to resource for all things skateboard-related for many up-and-coming skaters, alongside his 11-person skate community Sandlifers.

Masarani went from pursuing skateboarding as a hobby while living in the US to becoming a learning resource and collaborating with big-name brands such as Vans and Mountain Dew.

One of his young client’s mothers called him one day, thanking him for his work. Not only were her daughter’s skills improving, but she became a more outward and confident person as a result. 

“Her personality developed. At the house, she’s a quiet kid, she doesn’t talk to anybody. Now, it gave her confidence and gave her a personality, she’s talking with the family. It changes people, it really does,” Masarani told Arab News. 

“When you learn a trick, you do things that you didn’t think you could do,” he said. “I’ve seen what it did to me, and I would love to kick start it here in the Middle East,” he said.

Masarani’s client, 15-year-old Reef Khalid Hassan, said her training helped her manage the tricks she aimed to master. His support inspired her to keep going. 

“Ever since I met him, he’s been telling me that I could be something … Masarani also helped me with explaining to me how skateboarding works, different tricks and how to think in the right mindset,” she told Arab News. 

“You need to know when to bail and when to commit,” he told her during a lesson. 

Hassan started skating on her own a few months back and has become one of the rising young stars in the Riyadh skate scene, according to Masarani.

“A few months ago, I used to need a little bit of help with a couple of tricks, so I got a month’s training, which helped me a lot,” she said. 

Her first two tricks were a revert and an ollie. “It felt really good, actually, because I tried for so long until I got it … Skating gives me something to look forward to because there are more tricks (to learn) every day,” she said. 

But the skate scene was not always this popular in Saudi Arabia. According to Masarani, only a few groups of people, including Sandlifers and some Filipino residents who had brought the practice from their country, were skating until 2020. 

That is when Al-Nakheel skatepark opened to the public. Slowly, more parks became accessible like the private Diriyah club and the purpose-built Riyadh Boulevard skatepark, which rents out gear on the spot.

As his following increases, Masarani has been using Instagram as a learning tool for others. He utilizes the app’s live feature as a platform to answer common questions that people have around the sport, or to demonstrate which of LocoSonix’s goods are best to purchase for your needs. 

“That’s my goal. I want people to be better than me,” he said.

Masarani is also a partner of LocoSonix, the only specialized skate shop in the Kingdom, and frequently shows off their newest gear. Walking into the active lifestyle store is like entering an art gallery. 

“I see great potential in the sport as it’s becoming increasingly integrated into the Saudi culture,” Safi Marroun, founder of LocoSonix, told Arab News.

“The moment you learn how to balance on a board and start to ride around with your own board, you have entered a new way of living. LocoSonix brings together the artist, the pro players, and those who want to just have fun on wheels.”

LocoSonix is planning to create skateparks to promote the sport in 2023.

Skateboarding has recently been legitimized with its recognition as an Olympic sport by the International Olympic Committee, making its debut appearance at the 2020 Summer Olympics in Tokyo.

In the Kingdom, the Saudi Arabian Extreme Sports Federation recently concluded two rounds of skateboarding camps in Riyadh, with 111 participants. It also held its first two-day skateboarding and aggressive in-line skating competition that hosted 38 female and male participants.

“I see (the scene) becoming bigger, if people continue doing what they’re doing. Like anything, if they stay consistent with it, it’s only going to get bigger,” said Masarani.


Decoding villains at an Emirates LitFest panel in Dubai

Updated 25 January 2026
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Decoding villains at an Emirates LitFest panel in Dubai

DUBAI: At this year’s Emirates Airline Festival of Literature in Dubai, a panel on Saturday titled “The Monster Next Door,” moderated by Shane McGinley, posed a question for the ages: Are villains born or made?

Novelists Annabel Kantaria, Louise Candlish and Ruth Ware, joined by a packed audience, dissected the craft of creating morally ambiguous characters alongside the social science that informs them. “A pure villain,” said Ware, “is chilling to construct … The remorselessness unsettles you — How do you build someone who cannot imagine another’s pain?”

Candlish described character-building as a gradual process of “layering over several edits” until a figure feels human. “You have to build the flesh on the bone or they will remain caricatures,” she added.

The debate moved quickly to the nature-versus-nurture debate. “Do you believe that people are born evil?” asked McGinley, prompting both laughter and loud sighs.

Candlish confessed a failed attempt to write a Tom Ripley–style antihero: “I spent the whole time coming up with reasons why my characters do this … It wasn’t really their fault,” she said, explaining that even when she tried to excise conscience, her character kept expressing “moral scruples” and second thoughts.

“You inevitably fold parts of yourself into your creations,” said Ware. “The spark that makes it come alive is often the little bit of you in there.”

Panelists likened character creation to Frankenstein work. “You take the irritating habit of that co‑worker, the weird couple you saw in a restaurant, bits of friends and enemies, and stitch them together,” said Ware.

But real-world perspective reframed the literary exercise in stark terms. Kantaria recounted teaching a prison writing class and quoting the facility director, who told her, “It’s not full of monsters. It’s normal people who made a bad decision.” She recalled being struck that many inmates were “one silly decision” away from the crimes that put them behind bars. “Any one of us could be one decision away from jail time,” she said.

The panelists also turned to scientific findings through the discussion. Ware cited infant studies showing babies prefer helpers to hinderers in puppet shows, suggesting “we are born with a natural propensity to be attracted to good.”

Candlish referenced twin studies and research on narrative: People who can form a coherent story about trauma often “have much better outcomes,” she explained.

“Both things will end up being super, super neat,” she said of genes and upbringing, before turning to the redemptive power of storytelling: “When we can make sense of what happened to us, we cope better.”

As the session closed, McGinley steered the panel away from tidy answers. Villainy, the authors agreed, is rarely the product of an immutable core; more often, it is assembled from ordinary impulses, missteps and circumstances. For writers like Kantaria, Candlish and Ware, the task is not to excuse cruelty but “to understand the fragile architecture that holds it together,” and to ask readers to inhabit uncomfortable but necessary perspectives.