INTERVIEW: TikTok’s Fahad Almaghrabi on travel in the age of TikTok

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Fahad Almaghrabi, head of business partnerships at Global Business Solutions for TikTok in Saudi Arabia.
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Updated 06 August 2022
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INTERVIEW: TikTok’s Fahad Almaghrabi on travel in the age of TikTok

  • In Saudi Arabia, more than 70 percent of people look at TikTok for discovering travel ideas

RIYADH: Digital platforms have changed people’s lives across every area from work to play, and travel is no exception. Online and social media have changed how people discover destinations and deals, how they book their travel, and even how they share their travel experiences.

In Saudi Arabia, for instance, residents start dreaming about travel 10 weeks before their journey, with video and digital platforms inspiring 50 percent of their choice of destination, according to Fahad Almaghrabi, head of business partnerships at Global Business Solutions for TikTok in Saudi Arabia.

More than 70 percent of people look at TikTok for discovering travel ideas, while 64 percent book a trip after getting inspired by TikTok content, he added.

Arab News spoke to Almaghrabi to learn more about the role the short-form video platform plays in travel.

Tell us more about travelers today and how they have changed in the last decade

Over the past two decades, digital platforms have transformed how we live our lives, permeating every sphere of activity, and shaping how we interact with each other and the world around us.

This generation of “always-in market” travelers — dreaming, considering, or booking a getaway throughout the year — have also developed a penchant for a real and authentic travel experience, and that’s why they love going to their community for trustworthy travel inspiration.

Today’s intrepid travelers are just as keen to share their compelling stories and authentic visuals of journeys on entertainment platforms like TikTok, rounding off a creative cycle that in turn inspires countless others.

A study by Amp Agency found that 84 percent of millennials and 73 percent of non-millennials today were highly likely to plan a trip based on someone else’s vacation photos or videos or social media status updates.

How does this affect the way tourism destinations market themselves?

These authentic vignettes have re-ignited the demand for travel and significantly altered how destinations are being marketed globally, with travel and tourism marketers increasingly leveraging the opportunity presented by this new breed of digital platforms.

What role does TikTok play in this space?

This is a journey in which TikTok has taken the global lead as a disruptive platform with undeniable potential and momentum — and the Gulf and Middle East markets are no exception.

But TikTok’s success in becoming the platform of choice for travelers and in shaping digital travel and tourism trends across the industry is no happenstance.

Travel and tourism is a key segment of interest for a global and expansive hyper-engaged community of more than 1.8 billion users that straddles all markets and is growing at an astounding rate. This provides the perfect backdrop for TikTok to emerge as a platform where the community is primed not only to consume, but also to express themselves and tell their stories through authentic, visual, and geo-tagged content that is at once enticing and liberating.

This is enabled by easy-to-use editing tools, native content on the platform, and creators that fuel dynamic content.

This powerful combination of the medium and the message amplifies TikTok's power as a creative platform and enables it to be the internet’s repertoire of travel & tourism inspiration.

TikTok is that intimate, accessible, and inspirational window through which travelers take a trip before deciding if it’s worth it — the trip before the trip.

Can you give us some examples of how TikTok has influenced travel decisions?

While TikTok continues to induce FOMO in would-be travelers with content highlighting some of the world’s most beautiful and established destinations, there are also plenty of examples of TikTok’s effectiveness in driving a surge of interest to hitherto unknown destinations, which led to a dramatic rise in tourist footfalls overnight.

At least 83 percent of Saudi residents have either gone or plan to go on an international trip in the next six months with Egypt, UAE, and Turkey being the top short-haul and France and Germany being the top long-haul destinations.

HIGHLIGHT

Today’s intrepid travelers are just as keen to share their compelling stories and authentic visuals of journeys on entertainment platforms like TikTok, rounding off a creative cycle that in turn inspires countless others.

More significantly, 74 percent of users were found to look for travel discoveries on TikTok and 73 percent were found to have impulse purchased their trip in a short span of time.

What does this mean for brands?

With such lucrative figures at their disposal, brands can natively integrate into major travel conversations and leverage the community to speak with them, about them, and for them.

In essence, this represents a paradigm shift in the typical acquisition process for travel and tourism operators to stand out within an increasingly saturated ecosystem and collapse the sales funnel to move travelers directly from the “inspiration” phase to the “booking” phase.

Whether it’s the assortment of clever hacks, unadulterated advice, safety tips or the sheer visual appeal of short-format videos, the power of TikTok in shaping and inspiring the Kingdom's travel trends is an opportunity that could become a model for authentic and organic tourism in the years to come.

Can you share some examples of how TikTok has boosted the visibility of a tourist destination?

In a year of restricted travel, the UAE launched the “World’s Coolest Winter” campaign to highlight all the amazing sights and activities the Emirates has to offer.

For the campaign to realize its full potential on TikTok, the ‘7’ was created, using one of TikTok’s recognizable hand gestures that looks like the number 7 in Arabic and symbolizes the seven emirates at the same time. The ‘7’ became a visual prompt that rallied residents to share their favorite hidden gems through a branded hashtag challenge.

The UAE’s top 20 creators kicked it off, including @khalidandsalama, @_m7md, @azlife.ae, @bayan.dxb, and @dxbxd – and the rest of the nation’s TikTokers soon followed.

The campaign took on a life of its own with 8,700 user-generated videos in just six days, creating a library of the UAE’s best-hidden spots and secrets available for all to explore.

The ‘7’ sign became a symbol of UAE pride, and the campaign delivered remarkable results, with a 25 percent jump in brand awareness, 85 percent increase in ad recognition, 89 percent boost in ad likeability, and over 70 million views. The campaign successfully got an entire nation smiling and moving at a time they needed it most.

Further west, TikTok was also utilized by Switzerland Tourism, the national marketing organization, to hype up the incredible country.

Switzerland Tourism spent the first six months of its business account building its following entirely organically, focusing on a test-and-learn strategy, to thoroughly understand how TikTok works.

As their established community responded well to its hashtags, #INeedSwitzerland, and #inLOVEwithSWITZERLAND, ads were a natural next step because paid campaigns would mean it could directly target a different demographic to learn more about them.

Doubling down on its popular hashtag #INeedSwitzerland, Switzerland Tourism ran its first ever TopView ad showing a three-way split screen of dramatic scenery and nature. Spurred on by this campaign’s success, it then ran three more seasonal TopView campaigns: A summer experience tips ad, a summer in the city ad, and a funny autumn-themed ad.

In just 12 months, Switzerland Tourism had driven huge momentum on TikTok, with over 700,000 likes across all its posts and a whopping 35.5 million hashtag mentions. Most of this was organic, with some videos going viral without so much as a penny behind them.

Its TopView campaigns have achieved average engagement rates of 20 percent, which is remarkably high and shows the power of a brand putting out brilliant content on TikTok.


News Corp. makes deal to let OpenAI use its content

Updated 23 May 2024
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News Corp. makes deal to let OpenAI use its content

  • ChatGPT’s creator is also in the process of signing content licensing agreements with media outlets

NEW YORK: News Corp. on Wednesday announced a deal to let ChatGPT-maker OpenAI use content from its publications in artificial intelligence products.
OpenAI will get access to current and archived content from News Corp. properties including The Wall Street Journal, Barron’s, MarketWatch, and The New York Post, according to a joint release.
Financial terms of the deal were not disclosed, but the Wall Street Journal cited sources close to the company as saying it was valued at more than $250 million over five years and included credits for News Corp. using OpenAI technology.
Authors, artists, and news groups have been accusing OpenAI and its rivals in the generative artificial intelligence market of using copyrighted content for training models without asking permission or paying.
Generative AI models are trained on mountains of data in the effort to get software to think the way people do.
“This landmark accord is not an end, but the beginning of a beautiful friendship in which we are jointly committed to creating and delivering insight and integrity instantaneously,” News Corp. chief executive Robert Thomson said.
OpenAI gets permission to display News Corp. content in response to queries by users of its technology, according to terms of the deal.
“Our partnership with News Corp. is a proud moment for journalism and technology,” Open AI CEO Sam Altman said in the release.
“Together, we are setting the foundation for a future where AI deeply respects, enhances, and upholds the standards of world-class journalism.”
ChatGPT’s creator is also in the process of signing content licensing agreements with media outlets — including the Associated Press, Germany’s Axel Springer Group (publisher of tabloid Bild), French daily Le Monde and Spanish conglomerate Prisa Media — to enrich its models.
The announcement of the agreement with News Corp. comes on the heels of a new controversy, after actress Scarlett Johansson accused OpenAI of copying her voice for a new voice assistant without her permission.
Altman has apologized and announced the suspension of the voice, called “Sky.”


Antisemitism group posts fake news about politician after Ireland recognizes Palestinian state

Updated 23 May 2024
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Antisemitism group posts fake news about politician after Ireland recognizes Palestinian state

  • Stop Antisemitism puts message on X claiming Irish Foreign Minister Micheal Martin’s daughter was kidnapped and raped in Gaza on Oct. 7; later admits this ‘did not actually occur’
  • Blatant disinformation outrages users; some suggest such posts only provoke antisemitism, others say comments about rape should not be made lightly

DUBAI: US-based organization Stop Antisemitism posted a message on social media platform X on Wednesday that appeared to state Irish Foreign Minister Micheal Martin’s daughter, Aoibhe Martin, had been kidnapped and raped by Hamas in Gaza on Oct. 7 and that now “he is rewarding his daughter’s rapists with a state of their own.”

The organization added another post, more than an hour later, in which it said the initial post “is for illustrative purposes only” and the events it described “did not actually occur.”

 

 

The blatant use of disinformation outraged many X users, with some suggesting that such posts serve only to increase incidents of antisemitism. Others said comments about rape should not be made lightly and that there was nothing “illustrative” about the post.

 

Critics say that disinformation and fake news has greatly increased on X since Elon Musk bought the platform in April 2022. In the past two years, the company has shed thousands of jobs, many of them related to content moderation.

European Commission Vice President Vera Jourova last year accused X of being the social media platform with the highest ratio of fake news, and urged Musk to comply with EU laws designed to combat disinformation.

In April, X’s own artificial intelligence chatbot Grok generated a fake headline that stated: “Iran Strikes Tel Aviv with Heavy Missiles.” It was promoted on the main X feed.

In the 48 hours following the Oct. 7 attacks by Hamas on Israel, misinformation was rampant on the platform. One video that claimed to show Israeli generals captured by a Hamas fighter was actually footage of separatists detained in Azerbaijan. Another clip showing an airplane being shot down was accompanied by the hashtag #PalestineUnderAttack when it was really footage taken from the video game Arma 3. The former video was viewed more than 1.7 million times in two days, the latter more than 500,000 times.

Earlier on Wednesday, Martin had announced in a video message posted on X that the Irish government will formally recognize the State of Palestine on May 28.

“The Palestinian people’s right to self-determination, peace, dignity and statehood must be vindicated,” he added. “It is our conviction that the two-state solution remains the only viable option to secure a just and lasting peace that fulfills these rights for both Israelis and Palestinians alike.”

He added that recognition of Palestine as a state did not mean the legitimization of Hamas.

“Recognition does not involve recognition of a government, it’s recognition of a state,” he told Irish radio program The Pat Kenny Show.

Martin had not responded to Stop Antisemitism’s post on X at the time of writing.


Spotify spotlights Khaleeji music in New York’s Times Square

Updated 23 May 2024
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Spotify spotlights Khaleeji music in New York’s Times Square

  • Saudi artist Sultan Al-Murshed and Iraqi artist Aseel Hameem have been selected as Spotify’s RADAR Arabia and EQUAL Arabia artists for May

DUBAI: Spotify is spotlighting Saudi artist Sultan Al-Murshed and Iraqi artist Aseel Hameem, who have been selected as Spotify’s RADAR Arabia and EQUAL Arabia artists for May, in New York’s Times Square.

“We continue to be committed to showcasing and celebrating genres and creators reflecting different spectrums of Arabic music,” said Nada Elmeri, Spotify’s Artist and Label Partnerships Manager for the Gulf Region at Spotify MENA.

This month was dedicated to celebrating Khaleeji Pop — a genre “that has played a pivotal role in our childhood memories yet continues to resonate with young listeners and is met with a lot of loyalty from fans across different generations,” Elmeri told Arab News.

Al-Murshed, a rising star from Saudi Arabia, was selected as this month’s RADAR Arabia artist for winning listeners over with his melodies and vocals.

His debut single “Wala Ghaltah,” released in 2022, has amassed over 1 million streams on Spotify. Over the last month or so, his streams have increased by 73 percent and fans have saved his music 97 percent more over the same period.

He also worked with renowned DJ and producer R3HAB and Big Bo in 2022 for the official Gamers8 anthem, “Challenge.”

This month’s EQUAL Arabia artist is Aseel Hameem, daughter of renowned Iraqi musician Kareem Hameem, who began her musical journey when she was a young girl. Her talent was evident quickly garnering her the nickname “The Guitar of Iraq.”

Despite her Iraqi roots, Hameem has mastered singing in the Saudi and Khaleeji dialects, gaining substantial support in Saudi Arabia. Her most popular hits include “Shkad Helw” and “Al Mafrod” with the latter garnering over 14 million streams on Spotify.

Her latest release, “Mostafz Alnas,” has resonated with audiences in Saudi Arabia, Egypt, Iraq, Germany, and the US, Spotify said.

Throughout May, Spotify is running a promotional campaign to boost Hameem’s work including editorial placements and social media support.

Both Al-Murshed and Hameem were featured on a billboard in New York City’s Times Square as well as on the covers of the RADAR Arabia and EQUAL Arabia playlists on Spotify this month.

“To spotlight the (Khaleeji Pop) genre in an impactful way, we featured two Khaleeji artists across different career journeys,” said Elmeri.

Al-Murshed “represents the new wave of the genre” while Hameem “has been a force over the years with her presence visible on our Saudi Wrapped lists,” she added.

RADAR Arabia and EQUAL Arabia are Spotify’s global music programs aimed at supporting emerging artists and female artists respectively.


Advocacy groups make fresh appeal to ICJ to allow international media access to Gaza

Updated 23 May 2024
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Advocacy groups make fresh appeal to ICJ to allow international media access to Gaza

  • Foreign journalists have been prevented from entering Gaza since beginning of the conflict, except under Israeli army supervision
  • Group of nine signatories issued statement in support of South Africa’s request arguing ban could hamper future accountability

LONDON: Media advocacy groups have made a fresh appeal to the International Court of Justice to allow unimpeded media access to Gaza.

The request, signed by the Committee to Protect Journalists, Reporters Without Borders, ARTICLE 19, the Tahrir Institute for Middle East Policy, and five other media advocacy groups, was made following South Africa’s demand for the court to order Israel to facilitate access for international journalists to the Gaza Strip.

“Despite the valiant efforts of Palestinian journalists who continue reporting despite a daily struggle to survive, Israel’s censorious actions make it nearly impossible to comprehensively, continuously and independently document what is happening on the ground in Gaza and risk significantly hampering future accountability efforts,” the signatories said in a statement issued in support of South Africa’s demand.

The statement noted that journalists, independent human rights investigators, fact-finding missions, and the International Criminal Court still do not have access to Gaza, prohibiting the effective preservation and retention of evidence of potential war crimes. 

The signatories highlighted recent media suppression by Israeli authorities towards Al Jazeera in May and the Associated Press this week, coupled with the conditions under which local journalists operate, making unrestricted media access to the Gaza Strip ever more “urgent and vital.”

CPJ Director of Advocacy and Communications Gypsy Guillen Kaiser said in a statement: “Any censorship of developments in Gaza creates an information void ripe for propaganda and mis- and disinformation that has consequences for public accountability and people’s lives.”

Since the beginning of the conflict, Israeli authorities have implemented a near-total ban on foreign media entering Gaza.

Despite repeated appeals, only a few exceptions have been made for certain networks and journalists, and even then, only under the direct supervision of the Israeli military.

Experts argue that this approach has forced international media to rely heavily on overburdened Palestinian journalists and risk significantly hampering future accountability efforts.

“Journalists have historically played a critical role in contemporaneously investigating and preserving the evidence of war crimes in genocides and other atrocities,” read the letter, adding that in January, the ICJ issued an order to Israel requesting authorities to “take effective measures to prevent the destruction and ensure the preservation of evidence related to allegations of acts.

“Israel’s continuing assault on journalists, freedom of expression and people’s right to access information violates international human rights and humanitarian law,” added ARTICLE 19 Senior Director for Law and Policy Barbora Bukovska.

“It defies the ICJ’s January order for evidence to be preserved as the conflict continues and will hinder accountability efforts. It is therefore vital that the ICJ is crystal clear this time around that Israel’s actions must stop.”


Israeli mayor posts photos of himself with blindfolded Palestinian detainees

Updated 22 May 2024
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Israeli mayor posts photos of himself with blindfolded Palestinian detainees

  • Shimon Tobol took the photos during his time as a reservist in the West Bank
  • News follows BBC analysis of Palestinian prisoners being abused by Israeli soldiers on social media

LONDON: The deputy mayor of Be’er Sheva in southern Israel has posted a series of photographs on Facebook showing himself with handcuffed and blindfolded Palestinian detainees.

The images were taken while Shimon Tobol was doing military service in the occupied West Bank from Oct. 7 until the end of January this year. They have been published on his personal account over the course of several months. 

Tobol, who heads the local faction of the national-social party Gesher, has served as one of the deputies to Be’er Sheva Mayor Rubik Danilovich for the past two and a half years, according to Israeli newspaper Haaretz which first published the news.

His Facebook account is filled with footage humiliating the Palestinian detainees, accompanied by mocking captions.

In one post, an image of a blindfolded bearded man crouching on the floor is captioned: “They say the bigger the beard, the higher the rank. This time, he had a really big beard. No apologies, no mercy, no stopping. We have started speaking fluent Arabic.”

Another photo, in which Tobol is pictured next to one of the detainees, features the caption: “When the customer asks to take a selfie. A nation of cowards. The nation of Israel lives.”

Other examples include Tobol leading prisoners and describing Palestinians as Nazis, framing events as acts of revenge for the Holocaust.

“The people of Israel live. Every Nazi knew that his day would come. Our father, our king, avenge before our eyes the spilled blood of your servants,” he wrote.

Tobol’s personal profile features several such posts.

The Be’er Sheva municipality did not comment on the images but told Haaretz: “Tobol’s actions were not done as part of his work at the municipality.”

An Israeli military spokesperson said the army prohibited photography of detainees for security reasons and that such behavior was “not in line with IDF values.”

Tobol is one of many Israeli soldiers who have posted footage of themselves abusing Palestinian detainees.

A BBC analysis last week revealed Israeli soldiers were continuing to post videos of abuse against Palestinian detainees despite a military pledge that action would be taken against the perpetrators.

The analysis identified at least 45 photos and videos showing Palestinian prisoners being abused and humiliated.

Experts said the footage could breach international law and amount to war crimes.