Yemeni journalist in ‘critical condition’ as Houthi captors deny him medication  

Tawfiq Al-Mansouri has been detained since 2015. (Twitter Photo)
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Updated 08 August 2022
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Yemeni journalist in ‘critical condition’ as Houthi captors deny him medication  

  • International intervention sought to save Tawfiq Al-Mansouri’s life as family raises concern over diabetes victim
  • Al-Mansouri, a 36-year-old journalist and a father of three children, was among nine journalists who were abducted by the Houthis in Sanaa in 2015

AL-MUKALLA: A Yemeni journalist held in a Houthi prison is said to be in a “critical health condition” and might die as the Iran-backed militia deprive him of life-saving medication, his family said.

The family of Tawfiq Al-Mansouri said their son's health, who has diabetes, heart disease, shortness of breath and swelling of the extremities, has deteriorated during the past 48 hours and the Houthis have refused to give him his drugs or take him to hospital.

“Confirmed information indicates that our son Tawfiq’s life is in danger and he needs urgent transfer to the hospital, which the Houthis have rejected for months,” the family said in an appeal to the public, local and international rights groups, aid organizations and the office of UN Yemen envoy.

Al-Mansouri, a 36-year-old journalist and a father of three children, was among nine journalists who were abducted by the Houthis in Sanaa in 2015.

Five journalists were released in 2020 during the first major prisoner swap between warring factions in Yemen that saw hundreds of prisoners freed.

The Houthis challenged international calls for the release of the four remaining journalists by sentencing them to death, locking them in solitary confinement and mistreating them.

Tawfiq’s brother, Abdullah Al-Mansouri, accused the Houthis of subjecting the journalist to psychological and physical abuse that led to life-threatening diseases, and of refusing him treatment inside or outside the Central Security camp prison where he is being held.

“They left him to die slowly,” Abdullah Al-Mansouri told Arab News on Thursday, naming a Houthi security leader, Abd Shihab Al-Murtada, as the mastermind behind the torture sessions of the journalists. 

Yemeni activists, journalists and officials deplored the Houthis for mistreating journalists and urged international organizations and the UN Yemen envoy to pressure the Houthis to stop torturing the journalists and release them immediately.

Sam Al-Ghobari, a Yemeni journalist, tweeted that Tawfiq Al-Mansouri might die “at any moment” due to medical negligence by the Houthis, urging international organizations and influential figures to join voices calling for him to be set free.

“We call on all the media men and celebrities of the Arab and Gulf media to save his life immediately,” he said.

Separately, a civilian was killed and another wounded on Wednesday evening when shells fired by the Houthis landed in their village in the province of Taiz, the official news agency SABA reported.

The Houthis fired mortar shells at Al-Suaiher village in Taiz’s Maqbanah, killing Maher Saeed, 18, and wounding Mohammed Najeeb Ali, 20.

The mortar attack came as the Yemeni army announced that the Houthis bombarded their locations west of Taiz before advancing on the ground in an attempt to seize control of new locations near Han mountain.

Houthi shelling and ground attacks on parts of Taiz controlled by the Yemeni government have not stopped since April 2 when warring factions in the country agreed to stop hostilities under a truce brokered by the UN.

The Houthis have also rejected several proposals to open roads in Taiz under the truce. 


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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