ROME: A Marilyn Monroe drama, a cannibal road movie and a black comedy about family life are among the stories showcased at this year’s Venice Film Festival.
The world’s oldest film festival, regarded as a launch pad for Oscar contenders as awards season approaches, runs from Aug. 31 to Sept. 10, and features dozens of hotly anticipated movies both in and out of competition.
Among the leading lights expected to show up on the red carpet will be Timothée Chalamet, Sadie Sink, Adam Driver, Olivia Wilde, Harry Styles, Penelope Cruz, Ana de Armas, Cate Blanchett, Hugh Jackman, Christoph Waltz and Sigourney Weaver.
International art house directors will share the stage with established Hollywood figures, as pictures by Darren Aronofsky, Andrew Dominik, Alejandro Inarritu, Luca Guadagnino, Joanna Hogg, Koji Fukada and Jafar Panahi get their first outing.
Four originals by the TV streaming giant Netflix line up in the 23-title competition section, including Dominik’s “Blonde,” which stars de Armas in a fictionalized take on the tragic life of US actress Monroe.
For the first time, Netflix gets the honor of opening the festival with Noah Baumbach’s “White Noise” starring Driver and Greta Gerwig — a satiric chronicle of family life that is based on a novel of the same name by Don DeLillo.
One of the most anticipated films is likely to be “Bones and All” featuring Chalamet alongside rising star Taylor Russell as impoverished cannibal lovers in a picture directed by Italy’s Luca Guadagnino.
“It analyzes the poorest and most marginalized in America, the failure of the American Dream,” the festival’s artistic director, Alberto Barbera, said on Tuesday.
Festival regular Cate Blanchett, who presided over the jury in 2020, returns a competition hopeful the film “Tar,” directed by Todd Field — a fictional tale about a famed composer and conductor, who leads a major German orchestra.
“Tar” is one of nine US-produced movies in competition, with five from France, four from Italy and two from Iran — including “No Bears” by Panahi, who is serving a six-year prison sentence in Iran after being convicted of propaganda against the Islamic Republic in 2010.
Venice often provides a first glimpse of future Oscar winners such as “Birdman” in 2015. Its director, Inarritu, returns to the city’s Lido Island with his latest movie — “Bardo” a Spanish-language Netflix comedy set in Mexico.
Likewise Martin McDonagh premiered “Three Billboards Outside Ebbing, Missouri” in Venice in 2017 which went on to scoop multiple awards. His follow-up “The Banshees Of Inisherin,” set in Ireland and starring Brendan Gleeson and Colin Farrell, will get its first showing on the Lido.
As ever, some of the out-of-competition films will get as much attention as those pushing for the Golden Lion top prize.
These include psychological thriller “Don’t Worry Darling,” directed by Wilde and featuring Florence Pugh and Styles, “Dead For a Dollar,” a Western by Walter Hill starring Waltz and a documentary “Winter on Fire: Ukraine’s Fight for Freedom” by Evgeny Afineevsky.
Cannibals, comedy and a cinema icon share Venice limelight
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Cannibals, comedy and a cinema icon share Venice limelight
- The world's oldest film festival runs from Aug. 31 to Sept. 10
- Among the leading lights expected to show up on the red carpet will be Timothée Chalamet, Sadie Sink, Adam Driver, Olivia Wilde and others
Green Day announce Dubai gig
DUBAI: US punk band Green Day are headed to Dubai in January next year.
The Grammy Award winners will make their Middle East debut at Expo City Dubai on Jan. 27 in an open-air venue that can host up to 30,000 people.
Renowned as one of the most iconic punk rock bands in recent decades, Green Day will play a selection of their biggest hits. These are expected to include “American Idiot,” “Boulevard of Broken Dreams,” and “Wake Me Up When September Ends” from their eight-time platinum album “American Idiot”, as well as tracks from the 10-time platinum diamond “Dookie” and their most recent studio album, “Saviors.”
The Offspring will be the support act on the night. The US rock band has enjoyed huge success since forming in 1984, releasing 10 studio albums and selling over 40 million records worldwide.
Their biggest hits include “Pretty Fly (For a White Guy),” “Why Don’t You Get a Job?” and “Original Prankster.”
Metal bands battle it out in Jeddah
- Saudi band Wasted Land emerged as champions of the 2024 Wacken Metal Battle Middle East
JEDDAH: Wacken Metal Battle Middle East arrived in Jeddah’s Makan Music Center on Friday night, providing a platform for local metal bands to showcase their musical prowess.
The battle of the bands event featured Jaheem, Volfram, Kaizer, and Wasted Land aiming for top spot, creating a memorable experience for regional metal fans.
Wacken Metal Battle Middle East — supported by the German Consulate in Jeddah and European Weeks in Saudi, and a competition connected with Germany famous Wacken music festival — featured a jury of music experts and international guests, including judges from Germany, who evaluated the bands based on technical ability, song composition, and musical interpretation. They also took into account the band’s uniqueness, stage presence, audience interaction, execution of sound checks, communication, punctuality, and overall attitude.
HIGHLIGHTS
• Wacken Metal Battle Middle East was supported by the German Consulate in Jeddah and European Weeks in Saudi Arabia, and a competition connected with Germany’s famous Wacken music festival.
• Saudi band Volfram described the night as a ‘unique and unforgettable experience.’
The jury selected Wasted Land as the champions of the competition, meaning they now have the chance to perform at the Wacken festival, which takes place annually in Hamburg. Adding to the excitement, the winners of the 2023 event, Egyptian band Erasing Mankind also took to the stage as guest performers.
Promoter Monika Bremer said, “Since its inception 10 years ago, Metal Battle Middle East has provided numerous emerging bands with the opportunity to showcase their talent and advance their careers. This anniversary edition is an important milestone for the regional metal scene.
“Thanks to the support of our partners, emerging metal bands have the opportunity to participate in this competition and gain valuable experience,” she added.
Emad Ashor, guitarist and vocalist of Jeddah-based death metal outfit Immortal Pain and one of the judges at the event, said, “Talent, passion, and professionalism are key. This platform allows all bands to explore new experiences and pursue their dream of victory.”
Karim Mounir, composer and bassist of Erasing Mankind, who was also a judge at the event, said: “Wacken is all about embracing the present moment and fostering camaraderie between bands and the audience. Live performances truly distinguish bands, and the Saudi metal scene’s exceptional talent and musicianship have demonstrated their worthiness for such a significant event.
“The band that can most effectively captivate Wacken’s lively and inclusive crowd would be a perfect representative from the Middle East.”
Saudi band Volfram described the night as a “unique and unforgettable experience.”
Reflecting on the band’s journey to the final of the Wacken Metal Battle, a member of Kaizer said, “Being part of this competition is an honor in itself, and sharing the stage with incredible bands is an experience we will always treasure.
“Kaizer is just beginning and has so much more to offer. Our goal is to represent the Saudi metal scene in the most intense and impactful way possible. Earning the title of Jeddah’s Heaviest Music from the crowd is a recognition we deeply appreciate.”
London’s Arab Film Club launches podcast focusing on Palestine
DUBAI: The Arab Film Club, a monthly gathering in London celebrating Arab cinema, launched a podcast on May 1.
Spearheaded by the club’s founder, Sarah Agha, an Irish Palestinian actress and writer, the inaugural five-episode season of the interview-based podcast will focus on Palestinian filmmakers and cinema’s role in cultural resistance.
The debut episode features Darin J. Sallam, director of “Farha,” Jordan’s Oscars entry in 2022. In other episodes, Agha interviews Lina Soualem, (“Bye Bye Tiberias”), Ameen Nayfeh (“200 Metres”) Annemarie Jacir (“Wajib”) and Farah Nabulsi (“The Teacher”).
Agha told Arab News, “It is so urgent right now to do anything and everything we can to keep talking about Palestine. So I thought, ‘Why not do some interviews with some of my favorite Palestinian directors and put them online so everyone can listen to them?”
Reflecting on Sallam’s episode, Agha highlighted the transformative potential of cinema. “She is linking educational talks with her film, and I do believe her film is like a tool of change,” the presenter said.
Agha said she found Soualem’s documentary particularly intriguing, due to its departure from the scripted films typically showcased at the Arab Film Club.
“I wanted to make an exception for Soualem’s film because it’s another portrayal of the Nakba, but in very different terrains — like, totally different,” she explained. “My father is from Tiberias, so I was also attracted to it for that reason.”
Agha believes her podcast is launching at a time when Palestinians are being censored in the arts.
“There’s been a lot of cancellations of events to do with Palestine and Palestinian narratives,” she said. “So I think the best thing that we can do is not succumb to hopelessness. The fact that they’re trying to silence voices means those voices are significant. You don’t silence something that’s irrelevant. For example, the fact that the Israeli government tried to pressure Netflix into removing Darin’s film shows that it’s important.”
Agha hopes the podcast will appeal to a diverse audience, including non-Arabs.
“That, for me, is a really big thing. If we just talk to ourselves all the time, we won’t really get any further with reaching a wider audience,” she said.
Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters
- Footage shared online was scene from upcoming Netflix series, Stan Rosenfield says
- ‘Someone copied the post and fabricated an entirely different and bogus meaning,’ he says
DUBAI: Robert De Niro’s publicist has shut down a rumor that a video clip widely shared online shows the 80-year-old actor confronting pro-Palestinian protesters in New York.
The 34-second clip has been shared on social media with the caption: “Robert De Niro stands with Israel!”
But publicist Stan Rosenfield told CNN that the Hollywood veteran was actually rehearsing a scene for his upcoming series in which he plays a former president.
“What you saw was a direct scene from the Netflix series ‘Zero Day,’ with Robert De Niro reading lines as written in the script,” he said.
The video was shot on the streets of New York on Saturday and in the clip, De Niro’s character was confronting a crowd of people, he said.
“Someone copied the post and fabricated an entirely different and bogus meaning,” he said.
Netflix supported the story, according to a report by Just Jared.
In the clip, De Niro yells at the crowd: “This is not a movie! This is not a movie! Move behind the barricade. You like talkin’ nonsense? Then you gotta go home!
“That’s dangerous and they say they’re gonna do it again! Again! You don’t want that. You don’t want that. None of us want that. C’mon. Let’s all get serious.”
The footage was shared by various pro-Israel accounts on social media with some claiming the words “They say they’re gonna do it again” were a reference to the Hamas attack on Israel on Oct. 7.
Action! Saudi Film Festival returns for 10th edition
- Everything you need to know about Ithra’s celebration of cinema
DHAHRAN: The 10th Saudi Film Festival will begin May 2 at the King Abdulaziz Center for World Culture (Ithra) in Dhahran.
This year’s eight-day event — organized by the Cinema Society in partnership with Ithra and with support from the Ministry of Culture — will feature 76 film screenings and 53 titles vying for 36 awards. The red carpet will be rolled out on both opening and closing nights, with filmmakers, actors and film buffs in attendance. There will be workshops and book signings and, of course, the opportunity for filmmakers from the Kingdom and the wider region to come together.
The festival will open with “Underground,” a feature-length documentary by Saudi director Abdulrahman Sandokji about the Kingdom’s music industry.
Festival director Ahmed Al-Mulla said at a press conference: “This event is fast developing into a must-attend festival across the GCC film community. This year’s 10th edition is shaping up to be the biggest and best yet.”
“We have come a long way over the past decade and are pleased to see Saudi Film Festival’s importance and popularity across the region’s film community growing each passing year,” added SFF vice president, Mansour Al-Badran. “(It) has become a portal for cultural exchange and exploration, providing an avenue for cultural openness for the Kingdom and building bridges beyond borders for new programs and experiences.”
The festival’s colorful history — back to its debut in 2008 — will be on display at the Cinema Society’s “Saudi Encyclopedia of Cinema,” which includes 20 books covering all aspects of film.
This year’s edition has two main themes: Indian cinema and sci-fi films. The Spotlight on Indian Cinema program will explore India’s rich film industry beyond Bollywood and showcase Indian indie movies, which rarely get the chance to run in the Gulf region. Practical workshops and cultural seminars will be included for both the main themes, as well as programming designed especially for children.
The Plaza at Ithra will bring the future to the present by providing a Virtual Production Experience (NeoCyb) experience. Combining live-action film with digital environments or elements in real-time, virtual production uses advanced technologies such as real-time rendering engines and motion-capture to create immersive virtual environments that performers can interact with, enabling filmmakers to visualize and capture scenes with complex visual effects more efficiently and cost-effectively, by reducing the need for extensive post-production work.
And speaking of production, the festival also includes a production market where people can meet up to work towards a common goal: making more movies. Filmmakers, producers, funders — and those seeking funding — will be present. The market is designed, the organizers say “to enhance the film industry in Saudi Arabia by encouraging collaboration between artists, producers, and investors in the cinema industry.”
A total of 53 features, shorts and documentaries, nominated by the festival’s technical committee, will compete for 36 prizes at this year’s SFF. They will be displayed at the festival in three categories: the Film Competition, the Unexecuted Screenplay Competition, and the Production Market Projects Competition.
There will also be a new category of prizes up for grabs: The Golden Palm, which will be presented to the best Saudi documentary about the environment as well as a second-place award for the best animated short film on the topic.
On the sidelines of all the high-profile screenings, the festival also includes a myriad of activities for film professionals, including 10 training workshops, two of which will focus on production market participants and short- and long-scenario development. There will also be a symposium and a total of 13 masterclasses covering a wide range of topics. More details are available on Ithra’s website.
SFF will also continue to celebrate the achievements of film pioneers in the Kingdom and the Gulf region. This year, the festival will honor Saudi actor Abdulmohsen Al-Nemer, who hails from nearby Al-Ahsa.
Al-Nemer has starred in numerous films over his decades-long career, including “The Sun” (1990), “Shadows of Silence” (2006), “Thobe: The Wedding” (2016) and “Long Road” (2022).
He also starred in last year’s award-winning “Hajjan,” an Ithra Film Production that premiered at the 2023 Toronto International Film Festival and recently took home three awards at the Gulf Film Festival including Best Feature, Best Actor and Best Cinematography.
The festival will also honor Syrian director, Mohammad Malas, whose work has often been banned in his homeland but is recognized as one of his country’s leading auteurs. His documentary about Palestinian refugee camps in Lebanon, shot in the Eighties, “Al-Manam” was awarded first prize at the first International Documentary Festival in France in 1987.
