Pakistan raises fuel prices after inconclusive IMF talks in Doha

Employees at a fuel station attend to their customers in Islamabad, Pakistan, on February 16, 2022. (AFP/File)
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Updated 26 May 2022
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Pakistan raises fuel prices after inconclusive IMF talks in Doha

  • Finance minister Miftah Ismail says the government has increased petroleum prices by Rs30 per liter
  • Pakistan hopes to reach a staff level agreement with the IMF for the resumption of $6 billion loan facility

KARACHI: Pakistan’s finance minister Miftah Ismail announced on Thursday the government had decided to increase fuel prices by Rs30 per liter after his negotiations with the International Monetary Fund (IMF) for the resumption of a $6 billion loan package remained inconclusive due to subsidies on petroleum products.

The subsidies were part of a relief package provided by former prime minister Imran Khan in February amid rising inflation which he said was going to cost over $2 billion between April and June 2022. The IMF had objected over his decision while refusing to release the next loan installment of about $1 billion.

Pakistan desperately needs external financing to boost its falling foreign exchange reserves which, at the current level of $10 billion, can barely cover two months of import payments. The new government has been seeking the IMF support since assuming the political power of the country, though it remained reluctant to meet the stringent terms and conditions of the international lending agency.

“The government has decided to protect the poor and its details will soon be announced by the prime minister himself in an address to the nation,” Ismail told a news conference in Islamabad. “I have only come here to tell you that the government has decided that from Friday, 27th of May, the prices of petrol, diesel, kerosene oil and light diesel oil will be increased by Rs30 per liter.”

He said that the new price of petrol and diesel would be Rs179.86 and Rs174.15 per liter, respectively.

Ismail hoped the government’s decision would help stabilize markets.

“It will also stabilize the rupee and improve the situation at the stock market,” he continued. “Most importantly, it will bring back some balance within the economy.”

The finance minister maintained it was a difficult decision since increased fuel prices would to negatively impact the government’s political capital.

However, he added it was the right move for the country since it was important for everyone to know that the new administration was truly determined to fix Pakistan’s economic woes.

Responding to a question, he said he was optimistic that Pakistan would soon reach a staff level agreement with the IMF.

The finance minister discussed the possibility of increasing the size of the loan by another $2 billion for an extended period of one year during his meetings with IMF officials in Washington in April.

He later told journalists in the US that the resumption of IMF loan program would also help unlock more funding from multilateral donors.

In the absence of a breakthrough in recent talks with the international lending agency in Doha, however, Pakistan’s national currency hit another all-time low of Rs202.01 against the greenback on Thursday due to increasing demand for the US dollar for import payments.

Pakistani economists criticized the government for not taking tough decisions earlier in the day, saying its indecisiveness was further aggravating the economic crisis.

“With reserves continuing to slide and no signal from the government that it is willing to take tough measures, Pakistan faces a situation where things can very quickly spiral out of control,” Uzair Younus, who works with Pakistan Initiative at Washington-based Atlantic Council, told Arab News. “Once herd mentality kicks in, it will be even more painful to stabilize the economy.”


Pakistan turns to immersive technology to reimagine ancient Gandhara

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Pakistan turns to immersive technology to reimagine ancient Gandhara

  • New gallery uses artificial intelligence and 3D visuals to present Buddhist heritage
  • Visitors can explore archaeological sites digitally rather than through static displays

ISLAMABAD: At the Islamabad Museum, history no longer sits quietly behind glass.

In September 2025, the museum introduced Pakistan’s first Digital Immersive Gallery, an experiment in how ancient civilizations can be narrated in the age of artificial intelligence, 3D projection and virtual environments. Developed in collaboration with the Korea Heritage Agency, Pakistan’s Department of Archaeology and the National Heritage and Culture Division, the gallery marks a shift from object-centered displays to experience-based storytelling.

Rather than beginning with labels and timelines, the gallery opens with movement, sound and light. Visitors are invited to step into a reconstructed visual world shaped around Gandhara, one of South Asia’s most influential yet often under-explained civilizations that developed across what is now northwestern Pakistan and parts of eastern Afghanistan and later played a foundational role in the spread of Buddhism beyond the subcontinent.

“We have shown here in our Immersive Gallery how Buddhism flourished here, how it was introduced, how it declined and how it shifted to China, Korea and Japan from here,” Dr. Abdul Ghafoor, Deputy Director at the Department of Archaeology and Museums, told Arab News.

“In order to make it, the content developed by Korea has fully used AI and IT,” he continued. “AI and IT are common in Korea and other developed countries, but we have done it for the first time in Pakistan.”

A picture taken on December 30, 2025, shows women watching Gandhara history at the Digital Immersive Gallery in Islamabad, Pakistan. (AN photo)

Gandhara flourished between the first century BCE and the fifth century CE in this region, which served as a cultural crossroads, shaped by Greek, Central Asian, Persian and South Asian influences.

It was here that artists first began depicting the Buddha in human form, a visual language that later traveled along trade routes to Central Asia, China, Korea and Japan. This transmission of ideas, beliefs and artistic styles forms the core narrative of the immersive gallery.

“Inside the gallery, visitors are drawn into a world of interactive experiences, heritage documentaries they can zoom in and out of, Gandhara artifacts explored up close and photo zones where they can capture themselves against Pakistan’s most iconic sites,” Muhammad Azeem, Project Director at the Department of Archaeology and Museums, said.

A picture taken on December 30, 2025, shows map of Gandhara civilization at the Digital Immersive Gallery in Islamabad, Pakistan. (AN photo)

While Gandhara anchors the gallery, the experience expands outward to place it within a longer and wider historical arc. One section is dedicated to Pakistan’s six UNESCO World Heritage Sites, offering visitors a compressed journey across centuries and regions.

“The main hall takes it further with a fully immersive 3D journey,” Azeem added. “Each seven-minute segment transports audiences to treasures like Mohenjo-Daro, Makli Necropolis, Lahore’s Shalimar Gardens and Sheesh Mahal, and the historic landscapes of Taxila and Takht-i-Bahi, making the past feel vivid, unforgettable and alive.”

For many visitors, the gallery’s appeal lies in how it lowers the barrier to understanding. Instead of long explanatory panels, history is introduced through visuals, motion and guided narrative.

“I saw different historical sites on big screens which was very exciting for me,” Fatima Nawaz, a government employee, said. “After that, I watched a complete documentary in the gallery, which was about 20 minutes long, and in which different historical sites related to Gandhara were highlighted.”

“Overall, it was a very good experience,” she added.

A picture taken on December 30, 2025, shows visitors watching Gandhara history at the Digital Immersive Gallery in Islamabad, Pakistan. (AN photo)

Researchers see the initiative as part of a broader global shift in how museums function.

“My topic is Cultural Heritage Museum, and with this research, I am studying and visiting museums,” Abdul Khaliq, an M.Phil. student at Quaid-e-Azam University, said. “One thing I have not seen in Pakistan before is the shift toward virtual reality.”

He added that it was a good step while calling the immersive gallery “very educational and gives us a lot to learn.”

For the officials involved in the project, the gallery is a starting point rather than a finished model.

“The response we have received from the public in Islamabad makes me feel that this should be done in all the museums, in all four provinces of Pakistan,” Dr. Ghafoor, the senior archaeology department official, said. “This is because it can make it easier to follow history.”

“I think such immersive galleries should be there in all the museums,” he added.