Stars of ‘Top Gun: Maverick’ discuss Paramount film, working with Tom Cruise

US actor Tom Cruise (2nd R) speaks with fellow actors upon arrival for the UK premiere of the film "Top Gun: Maverick" in London, on May 19, 2022. (AFP)
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Updated 19 December 2023
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Stars of ‘Top Gun: Maverick’ discuss Paramount film, working with Tom Cruise

LOS ANGELES: “Top Gun: Maverick” takes audiences back to the danger zone with more high-flying action and the return of US actor Tom Cruise to his 1986 star-making role.

Similar to the pilots it showcases, critics are calling the movie the best of the best and an exceptional successor to the original.

American actor Jon Hamm, who joined the cast as Vice Admiral Beau “Cyclone” Simpson, said that the team working on the movie had “tremendous respect for the original and a real deep desire to make a second chapter of the story that’s just as compelling as the first.”

Hamm recalled watching the first film when he was 15 years old. “I remember immediately after seeing it, I wanted to see it again.”

After decades of avoiding promotion, Navy test pilot “Maverick” Mitchell is ordered to train a squad of young Top Gun pilots.

Cruise and the cast of newcomers bring charm and emotion to the film particularly in the strained relationship between Maverick and Rooster, the son of his late best friend.

The actors in the movie credited Cruise’s well-established career saying that his 40-year experience helped them shoot the flick smoothly.

Actor Glen Powell, who stars as Lt. “Hangman” Seresin, said: “Tom Cruise put together our entire flight training program based on his experience on the first movie.

“So, the first movie they threw actors up there trying to get shots, but the problem is they’re vomiting and passing out and they’re just limp dolls in the back of a plane. So, you can’t use any of that footage.

“That’s only something Tom Cruise can ask for after a 40-year career of doing it at the highest level, so we get to look cool in the back of these F-18s,” Powell added.

Actor Miles Teller, who plays Lt. Bradley “Rooster” Bradshaw, said: “What an audience has been feeling for two hours, he can sum up in one look, and that is something that Tom really is a master of.

“He’s just been doing it at such a high level for such a long time and so I would just find myself sitting back and watching him,” Teller added.

“Top Gun: Maverick” premiered this week at the Cannes Film Festival, where Tom Cruise was lauded with a surprise Palme d’Or.

The movie will be released in Saudi Arabia on May 26.


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.