As the Undertaker enters WWE Hall of Fame, Middle East fans pay tribute to ‘the Phenom’

1 / 8
The real Undertaker famously defeated his impersonator during a head-to-head at the SummerSlam of August 1994. (Supplied )
2 / 8
Mark Calaway, known to fans worldwide as the Undertaker, has pioneered some of WWE’s most theatrical moves. (Supplied)
3 / 8
Mark Calaway, known to fans worldwide as the Undertaker, has pioneered some of WWE’s most theatrical moves. (Supplied)
4 / 8
Mark Calaway, known to fans worldwide as the Undertaker, has pioneered some of WWE’s most theatrical moves. (Supplied)
5 / 8
Mark Calaway, known to fans worldwide as the Undertaker, has pioneered some of WWE’s most theatrical moves. (Supplied)
6 / 8
Mark Calaway, known to fans worldwide as the Undertaker, has pioneered some of WWE’s most theatrical moves. (Supplied)
7 / 8
Mark Calaway, known to fans worldwide as the Undertaker, has pioneered some of WWE’s most theatrical moves. (Supplied)
8 / 8
The clash with Shawn Michaels set new standards for the promotion. (Supplied)
Short Url
Updated 01 April 2022
Follow

As the Undertaker enters WWE Hall of Fame, Middle East fans pay tribute to ‘the Phenom’

  • Mark Calaway is one of the most recognized superstars in the history of World Wrestling Entertainment
  • Saudis who grew up watching “the Deadman” in action on TV are among the Undertaker’s biggest fans

RIYADH: World Wrestling Entertainment superstar the Undertaker will be inducted into the WWE Hall of Fame on April 1 at American Airlines Center in Dallas, Texas, as part of WrestleMania Week, in a ceremony that will be streamed live worldwide.

Mark Calaway, better known to fans by his ring name the Undertaker, is one of the most recognized superstars in the history of WWE and a pop culture icon, having made his WWE debut at the 1990 Survivor Series as the mystery partner for WWE Hall of Famer Ted DiBiase’s Million Dollar Team.

“I remember I was 11 when I watched him debut at Survivor Series in 1990,” Sultan Alobaid, a Saudi media professional, told Arab News, echoing the sentiments of many Saudi millennials who grew up watching “the Deadman” on their TV screens.

The man who earned the moniker “the Phenom” went on to hold nearly every major championship in WWE, and has competed in some of its most memorable matches during his illustrious 30-year career.

A year into his journey with the promotion, he defeated the legendary Hulk Hogan to win his first (what was then) WWF Championship at the 1991 Survivor Series, and became the youngest ever champion at that time. 

The Undertaker has established a historic 21-year undefeated streak at WrestleMania that is yet to be broken. Guinness World Records Gamer’s Edition recognized him as having the most consecutive victories at WrestleMania in 2016.




Triple H, left, fights with The Undertaker. (Supplied)

“I remember every year I watched WrestleMania just to see who the Undertaker was going to beat,” Ahmed Al-Jassim, a Saudi cellphone shop owner, told Arab News. “It started with Jimmy Snuka and we saw it extend to other legends like King Kong Bundy, Triple H, Kane, and Shawn Michaels.”

The Undertaker’s fights with Shawn Michaels and Triple H are considered among the best in the history of WWE’s biggest marquee event.

Recalling the time when Brian Lee stepped in as an Undertaker impersonator for several weeks in 1994, one Saudi WWE fan said: “I still remember the two Undertakers incident. Of course, at the time, there was no internet or satellite television, so I was following the build-up of excitement through newspaper and magazine articles over weeks. All that my friends and I would wonder was if this was true, and whether WWE would actually pull off two identical wrestlers or would use special effects.”




The real Undertaker famously defeated his impersonator during a head-to-head at the SummerSlam of August 1994. (Supplied )

The Saudi fan, now in his forties, added: “I remember rushing to the video store and back home when I heard that SummerSlam video had been released and there it was: Undertaker Vs Undertaker, identical in their looks and even their moves. It was sports entertainment history in the making and a truly memorable moment.”

The real Undertaker famously defeated his impersonator during a head-to-head at the SummerSlam of August 1994.

FASTFACT

Did you know that, for a short period of time in 1994, there were two Undertakers? This happened when the real Undertaker was away on his break. The WWE officials introduced Brian Lee to impersonate the Undertaker. Brian looked just like the real Undertaker with wet, long hair and sinister looks.

“The Undertaker was a big part of all of our childhoods,” Tamaraah Al-Gabaani, a Saudi Arabia-based fashion influencer, told Arab News. Recalling the ‘fake’ Undertaker episode, she said: “It obviously didn’t sit well with me as a loyal fan.”

Throughout his career, the Undertaker was involved in many first-of-a-kind matches, a notable one being against Mankind in the first Boiler Room Brawl at SummerSlam 1996. Memorably, as the name suggests, the two wrestling legends spent 20 minutes brawling in the Cleveland Gund Arena’s boiler room.

The Undertaker took his rivalry with Mankind to a new level with another unprecedented specialty match with the main event of In Your House: Buried Alive. 




The Undertaker of younger days. (Supplied)

At the Badd Blood event in 1997, the Undertaker challenged Shawn Michaels to a first-ever Hell in a Cell match, which would become a mainstay for WWE.

“Well, you know, you have to prepare mentally,” the Undertaker told Arab News in a 2020 interview, looking back at these career highlights.

“When you’re thinking about your match, you have to look at everything that you’ve done, that led up to that particular match, because obviously if you’re going to have a Buried Alive match, there’s had to have been some serious things happen along the way to get to the point where you want to bury somebody alive.




The Undertaker, left, and Shawn Michaels. (Supplied)

The Undertaker and Mankind’s macabre feud was revived in 1998, taken to a graphic new height, and decisively resolved when they faced each other in a Hell in a Cell match at King of the Ring.

“You know, if there’s a lot of those matches like Buried Alive and Hell in a Cell, and the Inferno match, that one was interesting. There wasn’t any rehearsing anything on that one, believe me, that was just out there doing it and hoping that I wasn’t one that got caught on fire. As morbid as that sounds, I guess it fits with what I do.”

The match became one of the most famous in professional wrestling history when the Undertaker threw Mankind off the roof of the 4.9-meter cell onto a broadcast table below.

“I blame the Undertaker for the times I got in trouble for copying his wrestling moves on my friends and brothers,” Joel Huffman, an American expat in Saudi Arabia and a co-founder of Arabius, told Arab News.




Posing with his champion's belt. (Supplied)

Indeed, the Undertaker has been responsible for some of the most theatrical moments in WWE history. At the 1992 Summer Slam, held for the first and only time out of the US at London’s Wembley Stadium, he entered the arena riding on the back of a hearse.

At the 2005 Survivor Series, druids delivered a casket that was struck by lightning and went up in flames. The Undertaker then burst from the flaming casket in a rage and brutalized an entire ring full of superstars as a message to his next victim Randy Orton.

In 2011, promotional videos aired showing the Undertaker entering and standing in a Western-style old house on a rainy desert. Each promo ended with the date 2–21–11 being “burned into” the screen.

 

 

On that year’s Feb. 21 edition of Raw, the Undertaker returned. But before he could speak, Triple H also returned and challenged him to a confrontation at WrestleMania XXVII, which was later made under no-holds-barred rules. The Undertaker won, but he had to be carried away from the ring on a stretcher.

“I thank him for his example of hard work and dedication throughout his legendary 30-year career and well-deserved place in the Hall of Fame among the greatest sports entertainment icons in history,” said Huffman.

The Undertaker featured in the lineup of wrestling giants who participated in Saudi Arabia’s first televised WWE event in April 2018, where 60,000 fans packed out the King Abdullah Stadium in Jeddah.

The event was the first in a 10-year partnership between WWE and the Saudi General Sports Authority in support of Saudi Vision 2030, Saudi Arabia’s social and economic reform agenda.

WWE announced on Nov. 4, 2019, that it had expanded its partnership with the Kingdom until 2027, under which it would hold two large-scale events in the country per year.

Saudi Arabia first announced WWE would be holding shows in the Kingdom in Dec. 2013, with the first house shows taking place at Riyadh’s Green Halls Stadium in April 2014.

“I’m glad WWE has come to Saudi Arabia now,” Atallah Al-Ghamdi, a Saudi who works in transportation logistics, told Arab News.




The Undertaker at Wrestlemania with John Cena. (AN Photo/Huda Bashatah)

“My favorite time was when the Undertaker and Goldberg wrestled. It was truly great to see these two legends in person. I grew up watching both,” he added, referring to the 2019 Super ShowDown in Jeddah.

On Nov. 22, 2020, exactly 30 years after making his ring debut, the Undertaker announced his retirement to a crowdless arena in Orlando, Florida — emptied due to that year’s COVID-19 lockdown restrictions.

The Undertaker’s WWE Hall of Fame induction, therefore, marks an ideal opportunity to give “the Phenom” the dramatic send-off he deserves.

“Never in my wildest dreams did I think I’d be 41 when he retired,” said Saudi fan Alobaid, reflecting on his hero’s monumental life in the ring.

“What a career! Forever the Undertaker.”


Metal bands battle it out in Jeddah

Updated 04 May 2024
Follow

Metal bands battle it out in Jeddah

  • Saudi band Wasted Land emerged as champions of the 2024 Wacken Metal Battle Middle East

JEDDAH: Wacken Metal Battle Middle East arrived in Jeddah’s Makan Music Center on Friday night, providing a platform for local metal bands to showcase their musical prowess.

The battle of the bands event featured Jaheem, Volfram, Kaizer, and Wasted Land aiming for top spot, creating a memorable experience for regional metal fans.

The battle of the bands event featured Wasted Land, Jaheem, Volfram, and Kaizer aiming for top spot, while 2023 winner, Egyptian band Erasing Mankind, took to the stage as guest performers. (AN photos/Supplied)

Wacken Metal Battle Middle East — supported by the German Consulate in Jeddah and European Weeks in Saudi, and a competition connected with Germany famous Wacken music festival — featured a jury of music experts and international guests, including judges from Germany, who evaluated the bands based on technical ability, song composition, and musical interpretation. They also took into account the band’s uniqueness, stage presence, audience interaction, execution of sound checks, communication, punctuality, and overall attitude.

HIGHLIGHTS

• Wacken Metal Battle Middle East was supported by the German Consulate in Jeddah and European Weeks in Saudi Arabia, and a competition connected with Germany’s famous Wacken music festival.

• Saudi band Volfram described the night as a ‘unique and unforgettable experience.’

The jury selected Wasted Land as the champions of the competition, meaning they now have the chance to perform at the Wacken festival, which takes place annually in Hamburg. Adding to the excitement, the winners of the 2023 event, Egyptian band Erasing Mankind also took to the stage as guest performers.

The battle of the bands event featured Wasted Land, Jaheem, Volfram, and Kaizer aiming for top spot, while 2023 winner, Egyptian band Erasing Mankind, took to the stage as guest performers. (AN photos/Supplied)

Promoter Monika Bremer said, “Since its inception 10 years ago, Metal Battle Middle East has provided numerous emerging bands with the opportunity to showcase their talent and advance their careers. This anniversary edition is an important milestone for the regional metal scene.

“Thanks to the support of our partners, emerging metal bands have the opportunity to participate in this competition and gain valuable experience,” she added.

Emad Ashor, guitarist and vocalist of Jeddah-based death metal outfit Immortal Pain and one of the judges at the event, said, “Talent, passion, and professionalism are key. This platform allows all bands to explore new experiences and pursue their dream of victory.”

Karim Mounir, composer and bassist of Erasing Mankind, who was also a judge at the event, said: “Wacken is all about embracing the present moment and fostering camaraderie between bands and the audience. Live performances truly distinguish bands, and the Saudi metal scene’s exceptional talent and musicianship have demonstrated their worthiness for such a significant event.

“The band that can most effectively captivate Wacken’s lively and inclusive crowd would be a perfect representative from the Middle East.”

Saudi band Volfram described the night as a “unique and unforgettable experience.”

Reflecting on the band’s journey to the final of the Wacken Metal Battle, a member of Kaizer said, “Being part of this competition is an honor in itself, and sharing the stage with incredible bands is an experience we will always treasure.

“Kaizer is just beginning and has so much more to offer. Our goal is to represent the Saudi metal scene in the most intense and impactful way possible. Earning the title of Jeddah’s Heaviest Music from the crowd is a recognition we deeply appreciate.”

 


London’s Arab Film Club launches podcast focusing on Palestine 

Updated 03 May 2024
Follow

London’s Arab Film Club launches podcast focusing on Palestine 

DUBAI: The Arab Film Club, a monthly gathering in London celebrating Arab cinema, launched a podcast on May 1.  

Spearheaded by the club’s founder, Sarah Agha, an Irish Palestinian actress and writer, the inaugural five-episode season of the interview-based podcast will focus on Palestinian filmmakers and cinema’s role in cultural resistance. 

The debut episode features Darin J. Sallam, director of “Farha,” Jordan’s Oscars entry in 2022. In other episodes, Agha interviews Lina Soualem, (“Bye Bye Tiberias”), Ameen Nayfeh (“200 Metres”) Annemarie Jacir (“Wajib”) and Farah Nabulsi (“The Teacher”). 

Sarah Agha is an Irish Palestinian actress and writer. (Supplied)

Agha told Arab News, “It is so urgent right now to do anything and everything we can to keep talking about Palestine. So I thought, ‘Why not do some interviews with some of my favorite Palestinian directors and put them online so everyone can listen to them?” 

Reflecting on Sallam’s episode, Agha highlighted the transformative potential of cinema. “She is linking educational talks with her film, and I do believe her film is like a tool of change,” the presenter said. 

Agha said she found Soualem’s documentary particularly intriguing, due to its departure from the scripted films typically showcased at the Arab Film Club.  

“The Teacher” by Farah Nabulsi. (Supplied)

“I wanted to make an exception for Soualem’s film because it’s another portrayal of the Nakba, but in very different terrains — like, totally different,” she explained. “My father is from Tiberias, so I was also attracted to it for that reason.” 

Agha believes her podcast is launching at a time when Palestinians are being censored in the arts. 

“200 Metres” by Ameen Nayfeh. (Supplied)

“There’s been a lot of cancellations of events to do with Palestine and Palestinian narratives,” she said. “So I think the best thing that we can do is not succumb to hopelessness. The fact that they’re trying to silence voices means those voices are significant. You don’t silence something that’s irrelevant. For example, the fact that the Israeli government tried to pressure Netflix into removing Darin’s film shows that it’s important.”  

Agha hopes the podcast will appeal to a diverse audience, including non-Arabs.  

“That, for me, is a really big thing. If we just talk to ourselves all the time, we won’t really get any further with reaching a wider audience,” she said.  


Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters

Updated 02 May 2024
Follow

Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters

  • Footage shared online was scene from upcoming Netflix series, Stan Rosenfield says
  • ‘Someone copied the post and fabricated an entirely different and bogus meaning,’ he says

DUBAI: Robert De Niro’s publicist has shut down a rumor that a video clip widely shared online shows the 80-year-old actor confronting pro-Palestinian protesters in New York.

The 34-second clip has been shared on social media with the caption: “Robert De Niro stands with Israel!”

But publicist Stan Rosenfield told CNN that the Hollywood veteran was actually rehearsing a scene for his upcoming series in which he plays a former president.

“What you saw was a direct scene from the Netflix series ‘Zero Day,’ with Robert De Niro reading lines as written in the script,” he said.

The video was shot on the streets of New York on Saturday and in the clip, De Niro’s character was confronting a crowd of people, he said.

“Someone copied the post and fabricated an entirely different and bogus meaning,” he said.

Netflix supported the story, according to a report by Just Jared.

In the clip, De Niro yells at the crowd: “This is not a movie! This is not a movie! Move behind the barricade. You like talkin’ nonsense? Then you gotta go home!

“That’s dangerous and they say they’re gonna do it again! Again! You don’t want that. You don’t want that. None of us want that. C’mon. Let’s all get serious.”

The footage was shared by various pro-Israel accounts on social media with some claiming the words “They say they’re gonna do it again” were a reference to the Hamas attack on Israel on Oct. 7.
 


Action! Saudi Film Festival returns for 10th edition

Updated 02 May 2024
Follow

Action! Saudi Film Festival returns for 10th edition

  • Everything you need to know about Ithra’s celebration of cinema 

DHAHRAN: The 10th Saudi Film Festival will begin May 2 at the King Abdulaziz Center for World Culture (Ithra) in Dhahran.  

This year’s eight-day event — organized by the Cinema Society in partnership with Ithra and with support from the Ministry of Culture — will feature 76 film screenings and 53 titles vying for 36 awards. The red carpet will be rolled out on both opening and closing nights, with filmmakers, actors and film buffs in attendance. There will be workshops and book signings and, of course, the opportunity for filmmakers from the Kingdom and the wider region to come together. 

The festival will open with “Underground,” a feature-length documentary by Saudi director Abdulrahman Sandokji about the Kingdom’s music industry. (Supplied)

The festival will open with “Underground,” a feature-length documentary by Saudi director Abdulrahman Sandokji about the Kingdom’s music industry. 

Festival director Ahmed Al-Mulla said at a press conference: “This event is fast developing into a must-attend festival across the GCC film community. This year’s 10th edition is shaping up to be the biggest and best yet.” 

“We have come a long way over the past decade and are pleased to see Saudi Film Festival’s importance and popularity across the region’s film community growing each passing year,” added SFF vice president, Mansour Al-Badran. “(It) has become a portal for cultural exchange and exploration, providing an avenue for cultural openness for the Kingdom and building bridges beyond borders for new programs and experiences.” 

Syrian filmmaker Mohammad Malas will be honored at this year’s Saudi Film Festival. (AFP)

The festival’s colorful history — back to its debut in 2008 — will be on display at the Cinema Society’s “Saudi Encyclopedia of Cinema,” which includes 20 books covering all aspects of film.  

This year’s edition has two main themes: Indian cinema and sci-fi films. The Spotlight on Indian Cinema program will explore India’s rich film industry beyond Bollywood and showcase Indian indie movies, which rarely get the chance to run in the Gulf region. Practical workshops and cultural seminars will be included for both the main themes, as well as programming designed especially for children.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@saudifilmfestival)

The Plaza at Ithra will bring the future to the present by providing a Virtual Production Experience (NeoCyb) experience. Combining live-action film with digital environments or elements in real-time, virtual production uses advanced technologies such as real-time rendering engines and motion-capture to create immersive virtual environments that performers can interact with, enabling filmmakers to visualize and capture scenes with complex visual effects more efficiently and cost-effectively, by reducing the need for extensive post-production work. 

And speaking of production, the festival also includes a production market where people can meet up to work towards a common goal: making more movies. Filmmakers, producers, funders — and those seeking funding — will be present. The market is designed, the organizers say “to enhance the film industry in Saudi Arabia by encouraging collaboration between artists, producers, and investors in the cinema industry.” 

A total of 53 features, shorts and documentaries, nominated by the festival’s technical committee, will compete for 36 prizes at this year’s SFF. They will be displayed at the festival in three categories: the Film Competition, the Unexecuted Screenplay Competition, and the Production Market Projects Competition.  

There will also be a new category of prizes up for grabs: The Golden Palm, which will be presented to the best Saudi documentary about the environment as well as a second-place award for the best animated short film on the topic. 

On the sidelines of all the high-profile screenings, the festival also includes a myriad of activities for film professionals, including 10 training workshops, two of which will focus on production market participants and short- and long-scenario development. There will also be a symposium and a total of 13 masterclasses covering a wide range of topics. More details are available on Ithra’s website. 

SFF will also continue to celebrate the achievements of film pioneers in the Kingdom and the Gulf region. This year, the festival will honor Saudi actor Abdulmohsen Al-Nemer, who hails from nearby Al-Ahsa.  

Al-Nemer has starred in numerous films over his decades-long career, including “The Sun” (1990), “Shadows of Silence” (2006), “Thobe: The Wedding” (2016) and “Long Road” (2022). 

He also starred in last year’s award-winning “Hajjan,” an Ithra Film Production that premiered at the 2023 Toronto International Film Festival and recently took home three awards at the Gulf Film Festival including Best Feature, Best Actor and Best Cinematography. 

The festival will also honor Syrian director, Mohammad Malas, whose work has often been banned in his homeland but is recognized as one of his country’s leading auteurs. His documentary about Palestinian refugee camps in Lebanon, shot in the Eighties, “Al-Manam” was awarded first prize at the first International Documentary Festival in France in 1987. 


Sci-fi franchise ‘Planet of the Apes’ gets new instalment 

Updated 02 May 2024
Follow

Sci-fi franchise ‘Planet of the Apes’ gets new instalment 

  • Wes Ball directs as dystopic series jumps centuries ahead 

DUBAI: Wes Ball, known for directing dystopic flicks including “Maze Runner” and “Ruin,” wasn’t fully on board when he was first approached to helm “Kingdom of the Planet of the Apes”, the latest instalment in the sci-fi franchise that has spawned 10 films. 

“I was skeptical,” Ball told Arab News. “I’m a big fan of this franchise. I grew up on the original (1968) one. I love the previous three movies (the reboot series that began in 2011). What Andy Serkis did and what Matt Reeves did in those movies, they're distinct; they're incredible movies. And I was questioning whether there was a need for a follow up. 

“I wasn't really into the idea until we figured out this concept that allowed us to be brave enough to go our own direction and not feel the need to be so tied to the previous movies,” he continued. “Of course, there's a lot of love and respect (for) the previous movies, but we wanted to do something new and fresh and original — have a reason to exist, and not just to do another one for the sake of it. So we tried really hard to come up with a story and a group of characters that felt new and different and would be a worthy addition to what's now been 10 movies over 35 years.” 

“Witcher” star Freya Allan plays Mae (centre). (Courtesy of 20th Century Studios)

“Kingdom” is intended as a sequel to 2017’s “War of the Planet of the Apes” — the third film in the rebooted series — but is set nearly 300 years after its events. 

Over those three centuries, ape civilizations have grown and they have become the dominant species on Earth. Humans, meanwhile, have faded and become an “echo” of their ancestors, regressing into a more feral, primitive form. 

Against this backdrop, “Kingdom” tells the coming-of-age story of a young ape called Noa (Owen Teague) as he goes up against the tyrannical ape leader Proximus Caesar (Kevin Durand), aided by a young woman named Mae (Freya Allan). 

The tyrannical ape leader Proximus Caesar is played by Kevin Durand. (20th Century Studios)

Before filming commenced, the cast attended six weeks of ape school, spearheaded by movement coach Alain Gauthier. Teague also spent some time observing chimpanzees. 

“I learned how much like an ape I am. I might be more ape than human,” Teague said. “One of the most fascinating things to me was how political they are, and how complicated their social hierarchy is; it's not entirely vertical, there's this kind of intermingling. Two apes will form a coalition and try to take down another, and the one who's in power will go and campaign. There's all these strategies they use to get where they want to be socially. And I had no idea that they could lie or deceive or backstab the way they do. It makes a lot of sense that we come from them.” 

“Witcher” star Allan — who plays the only significant human role in the film — says her time on the sets of the fantasy Netflix show helped with some of the stunts for this movie. 

“I have gained confidence from doing so much on ‘Witcher.’ And I've done dance in the past. I enjoy doing that physical stuff. I find it really exhilarating to do a stunt well. But there was stuff I did in this film that I haven't done in other things. There was some water stuff that was really fun to do. And just a lot of falling over. I was always bruised,” she said. 

Filmmaker Wes Ball on the set of  ‘Kingdom of the Planet of the Apes.’ (20th century Studios) 

A film set centuries after the fall of human civilization is familiar territory for Ball, who directed all the “Maze Runner” films. 

“I just kind of fall into these worlds for whatever reason,” he said. “But I didn’t come up with the world for ‘Maze Runner,’ it was in the books. I just had to implement and execute it. But that’s a world you don't want to go into: It's dirty. It's dangerous. Whereas this ‘Apes’ world… it's beautiful. It's nature reclaiming the Earth and it's becoming a new Eden in a way. I hope people don't use the word dystopian for this movie. I hope they use words like, ‘a lost world.’ 

“So much time has passed that all signs of humanity have almost been wiped away. I love the idea that it becomes a lovely world that you would like to explore,” he continued. “And the cool thing about it is, underneath all that beauty and tranquility, there's this haunting idea of the mistakes that mankind made.”