Jeddah artist on upcycling mission finds beauty in waste 

1 / 5
Jordanian American artist and activist Meedo Creisat (C), Saudi interior designer Dima Al-Rifai (second from right) and other members of the House of Arts. (Supplied)
2 / 5
3 / 5
4 / 5
5 / 5
Short Url
Updated 27 March 2022
Follow

Jeddah artist on upcycling mission finds beauty in waste 

  • Creisat, born in Jordan and raised in the US, works as an interior designer in Jeddah
  • He has taken part in art exhibitions around the world, including in the Kingdom

JEDDAH: Jordanian American artist and activist Meedo Creisat is on a mission to transform recycling into art in Saudi Arabia, with a belief that there are “no limits” to creating beauty from waste.

Creisat, born in Jordan and raised in the US, works as an interior designer in Jeddah, but prefers to label himself an “activist by passion,” with his specialty lying in making recycled art through a process known as upcycling.

He has taken part in art exhibitions around the world, including in the Kingdom. He also moved to Bristol, England, and took part in a select educational program offered by the UN.

Creisat began crafting beautiful structures from an early age. He now uses materials that others throw away to make sculptures, paintings and furniture.

His typical working materials include oil cans, toys, cables, plastic cutlery, scrap metal and colored pieces of plastic.

Arab News caught up with Creisat during his solo event at the Eco-Friendly Exhibition, which concluded on Saturday.

The event was organized by the Saudi Environment Society at the Saudi Arabian Society for Art and Culture.

Creisat said: “Basically, it started when my wife, who works as a professor at Jeddah University, and I rented a place with an empty roof, and by that time, our social life was very limited. We thought to use our free time in something positive and also make use of our rooftop. So we started to go out to the streets of our neighborhood and stop by garbage cans to pick up trash to upcycle these wasted items.

“Artists can use just about any material to create a masterpiece — and by any, I mean even junk. It is called recycled art and is created using common things that you usually throw in the junk, which makes recycled art not just beautiful, but also eco-friendly as well,” he added.

He said that the Kingdom has faced huge issues with waste and that his initiative aims to promote eco-friendly behaviors to tackle the problem.

“With this exhibition, I simply thought to myself that I’m going to have to do something visually appealing, so people will look at it and explore the story afterward and discover what it’s made from,” he said.

“I wanted to make sure it didn’t look like rubbish. I hope, in some small way, I can help communicate to others the issue and emphasize the issue of waste in the streets, and in our neighborhood,” he added.

While living for 15 years in the Kingdom, Creisat focused on projects that reflect his love of history and passion for environmental sustainability.

Against the historical backdrop of the ancient Al-Hajr site in AlUla, Creisat helped develop the AlUla Trails experience at the 2019/2020 Winter at Tantora Festival.

He created environmentally friendly installations for the trails, including furniture, shelters and enclosures using locally sourced, reclaimed materials.

In May-July 2021, Creisat further explored the potential of reclaimed materials in his solo Meedo/Redo art exhibit at the Qaf Gallery in Jeddah.

The exhibit featured numerous artworks made from reclaimed shipping pallets, motor oil cans, site-specific lighting and furniture pieces to create a fully immersive environment that encouraged visitors to reflect on themes of consumerism, waste, ecology and recycling.

Saudi interior designer and art activist Dima Al-Rifai, a member of the House of Arts, played a major role in organizing Creisat’s exhibition and spreading the message of the House of Arts to all people.

She told Arab News that the House of Arts has volunteer expats who work in international schools, King Abdullah University of Science and Technology, private universities in Jeddah, as well as government ministries.

“We are social people. We all help each other to collect these wasted items and materials from trash cans. We focus on rebuilding these items to have a function rather than throw them away. We believe that manufacturers have a hard time creating these items, so we took the initiative to upcycle these wasted items for a creative art exhibition to convey our message to people,” she said.

She added that instead of adding to existing waste or ignoring it, artists like Creisat give waste a “new, sophisticated form” for everyone to admire and enjoy.

“Our vision is to make a workshop to teach children who are the targets of our initiative, because knowledge is planted in children better than adults,” Al-Rifai said.

In addition to donating waste items and material to artists, members of the House of Arts also contributed to an open music night on the sideline of Creisat’s exhibition.

His exhibition featured local singers such as Lucy & Andy, DJ Barrystrew, Golda, Diem & Andy, Farhan, Abdulaziz, Zeo_Bas, The Pineapples, and Walter & Andy.


Ramadan routines around the Kingdom 

Updated 58 min 26 sec ago
Follow

Ramadan routines around the Kingdom 

RIYADH: Saudi Arabia is home to a diverse array of Ramadan customs, with each region boasting time-honored traditions. Here  is how the holy month is celebrated in various parts of Saudi Arabia.

NAJD 

One of the most significant Ramadan traditions in parts of Najd is Isha Al-Walidayn (the ‘parents’ dinner’), in which families prepare meals that are shared with relatives, neighbors and those in need. Often organized by neighborhood groups, the gatherings take place during iftar or after taraweeh. Families either invite relatives, neighbors and passersby to share the meal at home or send dishes to surrounding households and those in need. 

While rooted in charity, the tradition is equally about memory and community, offering a way to honor loved ones while strengthening social ties.  

In places including Qassim, the practice may be repeated several times throughout the month. The custom has been passed down through generations and remains part of Najd’s social fabric, reflecting the family-centered rhythm of Ramadan in the area.  

Hajar Alqusayer 

HIJAZ 

For more than a century, the chant of “Sidi Shaheen” has echoed through the narrow alleys of Madinah, marking the approach of Ramadan and signaling one of Hijaz’s most cherished folk traditions. Observed in the second half of Sha’ban — the month preceding Ramadan — the custom sees groups of boys walking through neighborhoods, singing traditional verses in celebration of the holy month’s imminent arrival. The practice remains particularly strong in Madinah, though it is also known across the wider Hijaz region. 

As part of the tradition, children carry a small container known as a quff, used to collect sweets, nuts and coins offered by households they visit. Moving from door to door, they chant in unison, their songs met with open doors and generous smiles. 

In preparation, families stock up on treats — particularly nuts and traditional sweets such as mushabak (pictured) — ensuring they are ready to share in the joy. 

Nada Hameed 

EASTERN PROVINCE 

Gargee’an, a traditional festival which is primarily celebrated mid-Ramadan in Gulf countries; specifically Kuwait, Bahrain, Iraq, the UAE, and in Saudi Arabia’s Eastern Province. It is not commonly observed in other parts of the Kingdom.  

Traditionally, boys in crisp white thobes and girls adorned in intricate jalabiyas go door-to-door in their neighborhoods and collect sweets and goodies in their handwoven baskets. It is a chance for them to reconnect with the community and spread colorful cheer. 

In recent years, however, the King Abdulaziz Center for World Culture (Ithra) in Dhahran has staged its own Gargee’an, providing candies for the kids as well as numerous indoor and outdoor activities for youngsters of all ages — including the young at heart — alongside performances of traditional folk songs and other live shows. 

The main plaza at Ithra, the Library and Energy Exhibit will each have Instagram-worthy moments. Entry to the center is free, though certain events — such as those at The Children’s Museum — require you to purchase tickets on the premises. 

Jasmine Bager 

JAZAN 

In Jazan, Ramadan is scented with wood smoke and freshly baked bread. Across villages and coastal towns, families still use the traditional mifa — a clay oven — to prepare corn and millet breads to eat at iftar. A staple of the season is mafalt (pictured), a creamy mixture of flour and milk often eaten at suhoor, valued for its simplicity and ability to sustain you through long fasting hours.  

Another distinctive feature of Ramadan in Jazan is the communal spirit of preparation. Neighbors exchange dishes before sunset, ensuring no table is without the region’s signature flavors. Evenings often extend into open-air gatherings where stories are shared and elders recount how Ramadan was observed generations ago. In Jazan, the holy month is less about extravagance and more about preserving culinary heritage and close-knit community bonds.  

Rahaf Jambi 

HAIL 

Since Ramadan this year is taking place while the weather in Hail is still relatively cool, it has been common to see dozens of people gathering along the banks and beds of nearby valleys — particularly in Mashar, Tuwaren, and Naqbin in the late afternoon, setting up seating and making arrangements for iftar. 

Coffee and tea are typically brewed over a fire, and participants often bring homemade dishes including lamb or chicken soups, vegetable or meat pastries, and Hail-style keubaiba —square-folded vine leaves filled with rice and a blend of spices, including cumin, black pepper, and dried lime. Sometimes, participants pool resources to buy a young lamb to eat. The liver is seasoned and cooked with onions, while the rest of the meat is prepared with rice for consumption at suhoor. 

Between iftar and suhoor, people socialize or play volleyball — a favorite activity for many Saudis during Ramadan. 

Hebshi Alshammari 

QATIF 

On the fifteenth night of Sha’ban, and again in the middle of Ramadan, children run through the streets of Qatif in traditional dress, going from house to house in celebration of Nasfa, a holiday celebrated in cities across the Arab world, but, in Saudi Arabia, only in Qatif (although it is practically identical to Gargee’an).  

“This celebration is not a fleeting ritual; it is a collective memory, a bridge connecting past to present,” Ismail Hejles, a Saudi researcher of traditional architecture from Qatif, told Arab News. “It teaches that religion was never meant to be stern, and that joy can be part of worship when it is pure.” 

Historians suggest the custom of children going door to door to receive gifts developed in tightly knit urban neighborhoods, where strong community bonds allowed the practice to flourish. And Nasfa is not just a distribution of sweets; it is a distribution of joy.  

“On that night, homes are equal,” Hejles said. “The rich give, and the poor give. The child is not asked who they are or which family they belong to.” 

Tamara Aboalsaud