Saudis proudly showoff their regional attires on Founding Day

Kholod Bakur showcased a traditional Saudi outfit with her 252,000 Instagram followers.
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Updated 30 June 2022
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Saudis proudly showoff their regional attires on Founding Day

RIYADH: Thousands of people showed up in their best cultural clothes to celebrate Saudi Arabia’s first Founding Day. 

Lama Al Akeel, a Saudi influencer, wore a red traditional dress with golden floral decoration with golden crown and transparent embroidered veil.  The dress is a prominently from the Hijaz region ( the western region of the Kingdom), — more specifically from the city of Madinah. 

Another Saudi influencer, Bella Model, and her husband, Faris, also dressed up as a traditional Hijazi couple. Faris wore an orange headband called Ummah, whereas Bella wore a white traditional dress called Alzaboon with flower-like embroidery with a matching headpiece along with multilayered pearl necklaces and some gold adornments. 

Najla Al-Wadaani, also an influencer, created a look inspired from 1727 and got a lot of positive feedback from the viewers for making it look authentic. She wore a traditional Najdi style dress with colorful sadu embroidery on the sleeves, along with a veil, and large pieces of jewelery.  =

Noufnouva, a fashion model, wore a pretty western style dress with lots of intricate details, and complimenting hat. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Nova (@noufnouva)

Eithar, a personal blogger, wore a traditional, white two-piece garment with golden embroidery. Her look was inspired by how wealthy women usually dressed themselves in the past. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Eithar (@the.eith)

Shaima Waleed, a makeup artist, wore a green dress decorated with beautiful golden threads with complimenting jewelery. Her father also sported a traditional Saudi dress with an authentic golden dagger.

Kenda Nabeel, a fashion designer, said that the Founding Day cultural dresses made grandmothers teary-eyed as they reminisced the good, old days. “Seeing how excited the people were on this Founding Day has been such a breath of fresh air. It helped people reconnect with their heritage in a way I've never seen,” she said. 

Nabeel added: The Saudi citizens have proved themselves to be extremely creative not only with their clothing but the way they represented themselves in public and on social media platforms. I wholeheartedly believe that the Founding Day would be the day many people look forward to where future generations will learn about their own history time and time again.”


Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

Updated 01 February 2026
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Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

RIYADH: A painting by Saudi artist Safeya Binzagr sold for $2.1 million at Sotheby’s “Origins II” auction in Riyadh on Saturday, emerging as the top lot of the evening and setting a new auction record for a Saudi artist.

The work, “Coffee Shop in Madina Road” (1968), sold for $1.65 million before the buyer’s premium, the additional fee paid by the purchaser to the auction house on top of the hammer price.

The result nearly doubled the previous auction record for a Saudi artist and became the most valuable artwork ever sold at auction in the Kingdom. It also ranks as the third-highest price achieved for an Arab artist at auction.

It was presented as part of “Origins II,” Sotheby’s second auction staged in Saudi Arabia, comprising 62 modern and contemporary lots and bringing together Saudi artists alongside regional and international names.

Collectors from more than 40 countries participated in the auction, with around one-third of the lots sold to buyers within Saudi Arabia.

The sale totaled $19.6 million, exceeding its pre-sale estimate and bringing the combined value of works offered across “Origins” and “Origins II” to over $32 million.

Saudi artists were central to the evening’s results. All nine Saudi works offered found buyers, achieving a combined total of $4.3 million, well above pre‑sale expectations.

Ashkan Baghestani, Sotheby’s head of contemporary art for the Middle East, told Arab News at the auction that “Safeya made more than any other artist tonight, which is incredible.”

He said the results demonstrated Sotheby’s broader objective in the Kingdom.

“The results tonight show exactly what we’re trying to do here. Bring international collectors to Saudi Arabia and give them exposure to Saudi artists, especially the pioneers.”

All nine works by Saudi artists offered in the sale found buyers, generating a combined $4.3 million. Additional auction records were set for Egyptian artist Ahmed Morsi and Sudanese artist Abdel Badie Abdel Hay.

An untitled work from 1989 by Mohammed Al-Saleem sold for a triple estimate of $756,000, while a second work by the artist, “Flow” from 1987, achieved $630,000.

The sale opened with the auction debut of Mohamed Siam, whose “Untitled (Camel Race)” sold for $94,500. Also making his first auction appearance, Dia Aziz Dia’s prize-winning “La Palma (The Palma)” achieved $226,800.

The sale coincided with the opening week of the Contemporary Art Biennale in Riyadh, reinforcing the city’s growing role as a focal point for both cultural institutions and the art market.

Baghestani added that Saudi modern artists are now receiving long‑overdue recognition in the market.

“There’s so much interest and so much demand, and the price is where it should be,” he said.

International highlights included works by Pablo Picasso, Roy Lichtenstein, Andy Warhol and Anish Kapoor, underscoring Saudi Arabia’s growing role as a destination for major global art events and collectors.

Picasso’s “Paysage,” painted during the final decade of the artist’s life, sold for $1,600,000, becoming the second most valuable artwork sold at auction in Saudi Arabia.

Seven works by Lichtenstein from the personal collection of the artist and his wife, including collages, prints, works on paper and sculptures, all found buyers. Warhol was represented in the sale with two works: “Disquieting Muses (After de Chirico),” which sold for $1,033,200, and a complete set of four screenprints of “Muhammad Ali,” which achieved $352,000.

Baghestani said the strength of the results was closely tied to the material’s freshness. “These were not works from the trade. Some of them had not been seen since the 1970s,” he said.