LONDON: CNN President Jeff Zucker resigned abruptly after nine years at the media company after acknowledging a consensual relationship with a co-worker.
Zucker said he acknowledged the relationship when asked about it as part of an investigation into Chris Cuomo, the former CNN anchor who was fired after it was discovered he aided his brother, then-New York Gov. Andrew Cuomo, as he navigated a sexual harassment investigation.
“I was required to disclose it when it began but I didn’t,” Zucker wrote. “I was wrong.”
Chris Cuomo actively helped craft his his brother’s responses to sexual harassment charges, according to emails and a transcript of his testimony to investigators working for state Attorney General Letitia James. Her office found Andrew Cuomo sexually harassed at least 11 women; the former governor resigned in August to avoid a likely impeachment trial.
In a statement Zucker said he had wished that his tenure had ended differently but, “it was an amazing run. And I loved every minute.”
Jeff Zucker was named Chairman, WarnerMedia News and Sports in March, 2019. He has also served as President of CNN Worldwide since 2013.
Zucker oversees all of WarnerMedia’s live programming, including all divisions of CNN Worldwide and Turner Sports. At CNN, that includes the US television network, CNN International, HLN, and CNN’s digital properties. His sports portfolio includes Turner Sports, and Bleacher Report.
CNN’s President Jeff Zucker resigns after relationship with co-worker
https://arab.news/w7qpz
CNN’s President Jeff Zucker resigns after relationship with co-worker
To infinity and beyond: Grendizer’s 50 years of inspiring Arabs
- 50 years after its creation, the Grendizer anime series continues to capture Arab imagination
- Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet
LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.
Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.
But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.
The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.
Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.
Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.
The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.
By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.
Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.
Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.
Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.
