Meta targets ‘cyber mercenaries’ using Facebook to spy

Meta has taken down 1,500 Facebook and Instagram pages linked to “cyber mercenary” groups. (AFP)
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Updated 17 December 2021
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Meta targets ‘cyber mercenaries’ using Facebook to spy

  • The social media giant also started warning about 50,000 people it believes may have been targeted by hackers

SAN FRANCISCO, USA: Facebook parent Meta on Thursday banned a series of “cyber mercenary” groups, and began alerting some 50,000 people likely targeted by the firms accused of spying on activists, dissidents and journalists worldwide.
Meta took down 1,500 Facebook and Instagram pages linked to groups with services allegedly ranging from scooping up public information online to using fake personas to build trust with targets or digital snooping via hack attacks.
The social media giant also started warning about 50,000 people it believes may have been targeted in more than 100 nations by firms that include several from Israel, which is a leading player in the cybersurveillance business.
“The surveillance-for-hire industry... looks like indiscriminate targeting on behalf of the highest bidder,” Nathaniel Gleicher, head of security policy at Meta, told a press briefing.
The Facebook parent said it deleted accounts tied to Cobwebs Technologies, Cognyte, Black Cube and Bluehawk CI — all of which were based or founded in Israel.
India-based BellTroX, North Macedonian firm Cytrox and an unidentified entity in China also saw accounts linked to them removed from Meta platforms.
Cytrox was also accused Thursday by researchers at Canadian cybersecurity organization Citizen Lab of developing and selling spyware used to hack Egyptian opposition figure Ayman Nour’s phone.

“These cyber mercenaries often claim that their services only target criminals and terrorists,” said a Meta statement.
“Targeting is in fact indiscriminate and includes journalists, dissidents, critics of authoritarian regimes, families of opposition members and human rights activists,” it added. “We have banned them from our services.”
Black Cube, in a statement to AFP, denied wrongdoing or even operating in the “cyber world.”
“Black Cube works with the world’s leading law firms in proving bribery, uncovering corruption, and recovering hundreds of millions in stolen assets,” it said, adding the firm ensures it complies with local laws.
Firms selling “web intelligence services” start the surveillance process by gathering information from publicly available online sources such as news reports and Wikipedia.
Cyber mercenaries then set up fake accounts on social media sites to glean information from people’s profiles and even join groups or conversations to learn more, Meta investigators said.
Another tactic is to win a target’s trust on a social network and then trick the person into clicking on a booby-trapped link or file that installs software that can then steal information from whatever device they use to go online.
With that kind of access, the mercenary can steal data from a target’s phone or computer, as well as silently activate microphones, cameras and tracking, according to the Meta team.
Bluehawk, one the targeted firms, sells a wide range of surveillance activities, including managing fake accounts to install malicious code, the Meta report said.
Some fake accounts linked to Bluehawk posed as journalists from media outlets such as Fox News in the United States and La Stampa in Italy, according to Meta.
While Meta was not able to pinpoint who was running the unnamed Chinese operation, it traced “command and control” of the surveillance tool involved to servers that appeared to be used by law enforcement officials in China.


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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