Saudi Culinary Arts Commission signs pact with orphans’ charity
Updated 10 November 2021
SPA
RIYADH: The Saudi Culinary Arts Commission has signed a memorandum of understanding with the Kingdom’s Charity Foundation for the Care of Orphans.
The memorandum, which comes under the framework of the commission’s social responsibility to increase economic development with social impact on culinary arts in the Kingdom, was signed in the presence of Mayada Badr, CEO of the Saudi Culinary Arts Commission, and Saleh bin Khalif Al-Dahmashi, secretary-general of the association.
In line with the MoU, both organizations will work together to enable “orphans with special circumstances” to benefit from the services provided by the commission. It will give them the chance to participate at events held by the commission and make use of sales outlets to display their products after fulfilling criteria set by the commission.
SPEEDREAD
In line with the agreement, both organizations will work together to enable ‘orphans with special circumstances’ to benefit from the services provided by the commission.
In addition, the MoU provides a framework to prepare a number of qualified students to benefit from the commission’s scholarship programs, training sessions and workshops, to develop and refine their career in the culinary arts sector.
This initiative is a part of the commission’s strategy to provide the necessary skills and opportunities for students interested in the culinary arts as well as strengthening the skills of those who are already working in the field in the Kingdom.
The Saudi Culinary Art Commission falls under the Saudi Ministry of Culture’s umbrella, as a part of its endeavors to develop and organize the culinary sector in the Kingdom and empower its practitioners.
Jeddah Historic District, Cruise Saudi team up to boost visitor numbers, economy
Sides sign memorandum of understanding to ‘drive economic growth’
Partnership ‘pivotal’ in regeneration of district, Cruise Saudi CEO says
Updated 12 May 2024
Arab News
JEDDAH: The Jeddah Historic District Program and Cruise Saudi have agreed to work together to increase the number of international cruise visitors to the city while preserving its cultural and historical integrity.
The program, established in 2018 under the auspices of the Ministry of Culture, oversees various initiatives within the so-called Historic Jeddah region with the aim of promoting it as a cultural center.
Cruise Saudi is owned by the Public Investment Fund and manages cruise-related services and infrastructure, including the development of terminals and operation of shore excursions.
Since its creation it has welcomed more than 300,000 cruise passengers.
The two sides signed a memorandum of understanding to boost economic activity and promote the region, using private sector expertise to improve the visitor experience.
The initiative is expected to create jobs, support small businesses and promote long-term economic activities that benefit the entire community.
“The tourism sector is experiencing growth and prosperity, which contributes to enhance the Kingdom’s presence on the global tourism map in line with Saudi Vision 2030,” Abdulaziz bin Ibrahim Al-Issa, director general of the Jeddah Historic District Program, said.
“Our strategic partnership with Cruise Saudi is not only to drive economic growth but also to actively engage in the regeneration of the district. We are committed to protecting both the tangible and intangible heritage that earned the district its UNESCO status.”
Cruise Saudi CEO Lars Clasen said: “This partnership is pivotal in the strategic regeneration and sustainability of the district. With this alliance, we are dedicated to presenting Cruise Saudi tourists with an experience that inspires the visitors with the district's enriched heritage.
“Jeddah’s Historic District is one of our most popular Shorex destinations and we continue to witness just how much international passengers enjoy exploring its unique historic sites through the tours and experiences we offer.
“This MOU represents our shared vision and marks an exciting new chapter, paving the way for collaborative efforts to draw even more visitors to this enchanting destination while protecting its heritage and authenticity.”
The summit will bring together international ministers, organization heads, CEOs of major tech companies, and AI experts
Topics at the conference will include AI innovation, industry trends, and fostering human talent in AI and other key areas
Updated 12 May 2024
Arab News
RIYADH: The Saudi Data and Artificial Intelligence Authority will host the third Global AI Summit from Sept. 10 to 12 at the King Abdulaziz International Conference Center in Riyadh, the Saudi Press Agency reported on Sunday.
Abdullah Al-Ghamdi, president of SDAIA, highlighted Crown Prince Mohammed bin Salman’s dedication to advancing the national data and artificial intelligence agenda, aiming to bolster the Kingdom’s global presence in these fields.
The summit will bring together international ministers, organization heads, CEOs of major tech companies, and AI experts to discuss global AI developments and announce initiatives and agreements, advancing international efforts in data and AI under the Kingdom’s banner.
Topics at the conference include AI innovation, industry trends, shaping a better future with AI, fostering human talent in the field, and other key areas.
This summit, under the crown prince’s leadership, is a testament to the successes of Vision 2030, which position Riyadh as a global hub for cutting-edge AI developments, the SPA said.
Swiss artist pays homage to heritage in Riyadh show
‘From Roots to Vision’ by Vlad Pocol is inspired by Saudi Vision 2030 and his own personal journey
Updated 12 May 2024
Nada Alturki and Sulafa Alkhunaizi
RIYADH: In Ahlam Gallery’s latest solo exhibition, Swiss painter Vlad Pocol examines the ties that link past, present and future — with Saudi Arabia’s Vision 2030 as a reference point.
“If you could explain your artworks in one word, what would it be?” one listener asked. “Intuition,” Pocol replied, explaining the basis of his first show in the Kingdom.
The artist relied on intuition when he decided only a few months ago that Saudi Arabia would be his new home, leading him to create an exhibition based around three ideas: heritage, transition, and vision.
The immersive exhibition titled “From Roots to Vision: A Migration” urges observers to think about heritage, and challenge the possibilities of the future as we weave our past legacy for generations to come.
Ambassador of Switzerland to the Kingdom Yasmine Chatila and Pocol discussing a patched installation made of discarded materials salvaged from artwork waste. (Supplied/AN photo by Huda Bashatah)
Pocol told Arab News: “It’s great to evolve, but it’s also important to stay rooted in our own heritage. I’ve taken Saudi Arabia as an example. Everyone is so excited with what’s happening with the Vision (2030), but everyone is still so rooted and respectful and inspiring in a collective way … that can also inspire us in an individual way.”
Within the “Heritage” collection, “Identites” delves into the themes of self-reflection and outsider perceptions. Four papier mache panels woven together by rope encourage the viewer to see alternative versions of themselves as they are layered in complexity with oil paint.
It is great to evolve, but it is also important to stay rooted in our own heritage.
Vlad Pocol, Swiss artist
“Legacite” is a series of six artworks that explores the themes of circularity, continuity, and generational cycles. In a single dot, each painting prompts a reflection on the viewer’s part within these continuous loops.
Swiss artist Vlad Pocol based the exhibition in Riyadh around three ideas: heritage, transition, and vision. (Supplied)
The highlight of the show, “Sans Fin,” is a mirage of moving images constructed by strokes of paint. The piece is inviting, yet mysterious, prompting us to question our capability to grow using the metaphor of a black hole — you never know what may lie in the unknown.
In 2018, when Pocol was a lawyer, he was invited by a colleague to a workshop centered around recreating the work of a contemporary artist. After an accident that resulted in a damaged painting, he developed a technique to repair the artwork.
Swiss artist Vlad Pocol based the exhibition in Riyadh around three ideas: heritage, transition, and vision. (Supplied)
“My technique gives structural movement. When you see my paintings, you enter a world … it’s moving. My energy also comes up in the artwork,” he said.
In “Transition,” the works invite viewers to consider what lies beneath the surface, with more sculptural works coming into play.
Another installation is made of discarded materials salvaged from artwork waste. What we deem as undesirable is turned into something valuable, and even beautiful, challenging us to reconsider sustainability practices and our role in global consumption.
In the “Vision” collection, the artist’s optimism about the future is linked to the promise of Saudi Arabia’s Vision 2030.
His work “Dessen” is based on a childhood memory of winning his first drawing contest, and celebrates the impact of early creative expressions on future artistic development.
While “Elles” is a tribute to femininity and the women in his family, nearby twin works are inspired by the artist’s migration from Romania to Switzerland.
Pocol describes the green-colored “Ja Deu Tu Certo” as “one of the most personal” works in the collection.
“Any pieces I’ve offered to my mom have been green because I really believe in the power of healing and the green (color). My mother has been fighting metastatic cancer for two years now,” he said. The work conveys his belief that “she will be well.”
He said the color also holds significant meaning in Saudi culture, as it stands for pride and patriotism.
Reflecting on showcasing his works in the Kingdom, Pocol said: “It’s so significant to have my exhibition here. While I have roots from Romania, 30 percent of my genes are Middle Eastern. Being here in Saudi Arabia is very subconscious. I feel at peace, like I’m coming back to something.
“I’ve traveled a lot in my life and it’s the first time I’m able to find a new home outside of Switzerland … once you follow your intuition, it gets you to whatever is meant for you. That’s why I’m here in Saudi Arabia. It’s meant to be.”
Saudi commission explores impact of biennales on artists
Shahad Al-Blihed analyzed Manal Al-Dowayan’s work “Shifting Sands: A Battle Song,” emphasizing its reflection of Saudi women amid cultural shifts
Updated 12 May 2024
Arab News
RIYADH: Various experts recently took part in a virtual meeting to consider the role of biennales in visual art.
The event was organized by the Visual Arts Commission as part of its ongoing review of the sector, the Saudi Press Agency reported on Sunday.
Biennales are large-scale exhibitions held every two years that provide a platform for artists to engage with specific themes. The meeting outlined the criteria for artist participation, focusing on career robustness and foundational achievements.
Shahad Al-Blihed gave her insights into curating the Saudi pavilion at the 60th Venice Biennale.
She analyzed Manal Al-Dowayan’s work “Shifting Sands: A Battle Song,” emphasizing its reflection of Saudi women amid cultural shifts.
The Venice event demonstrated the commission’s commitment to boosting local artists internationally, the report said.
Sharifa Al-Ghamdi, owner of Al-Ayed Heritage Guesthouse, revealed that she has worked hard over the years to acquire as many historic houses as possible to be able to give tourists an authentic taste of what life was like in the past
Updated 12 May 2024
Arab News
RIYADH: Al-Baha is a region of the Kingdom blessed with a rich legacy of ancient architecture, with heritage lodges playing a big role in luring tourism to the city.
According to the Saudi Press Agency, heritage lodges or guesthouses in the region play an important role in attracting more investment. They provide local and international visitors with a look into the past, a taste of a simpler time that many people long for.
Baha’s lodges provide visitors with a look into the past, a taste of a simpler time that many people long for. (SPA)
The guesthouses are a reflection of the region’s heritage. Al-Baha’s residential buildings, castles and fortresses were designed to suit not just environmental variables such as topography and climate, but also social circumstances such as local customs and ancient traditions.
FASTFACTS
• Heritage lodges or guesthouses in the Baha region play an important role in attracting more investment.
• One of the most enticing elements of these heritage guesthouses is their deep connection with nature.
One of the most enticing elements of these heritage guesthouses is their deep connection with nature.
Baha’s lodges provide visitors with a look into the past, a taste of a simpler time that many people long for. (SPA)
They are constructed using stones and trees from the region, typically granite and basalt boulders adorned with quartz, and roofed with mud-coated juniper trees.
Sharifa Al-Ghamdi, owner of Al-Ayed Heritage Guesthouse, revealed that she has worked hard over the years to acquire as many historic houses as possible to be able to give tourists an authentic taste of what life was like in the past.
Baha’s lodges provide visitors with a look into the past, a taste of a simpler time that many people long for. (SPA)
She said that, with the assistance of her family, she was able to realize her lifelong dream and passion and invest her post-retirement time in establishing heritage tourist guesthouses.
She has transformed the old houses in her village from dilapidated structures into a tourist and environmental attraction for people in search of tranquility and relaxation.
