REVIEW: ‘Coda’ hits all the right notes

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Updated 18 August 2021
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REVIEW: ‘Coda’ hits all the right notes

LONDON: “Coda” is a remake of 2014 French movie “La Famille Bélier,” but there is no sense of going over old ground in this truly lovely comedy-drama, streaming now on Apple TV+.

Ruby Rossi is a teenager who lives in Massachusetts with her family. She works on their fishing trawler with her father and brother, drags herself to school (dodging the mockery of the popular girls) and moons over a boy she likes from afar. She loves to sing, but fears drawing too much attention to herself, so shuns the spotlight until an impulsive decision to join the choir brings her to the attention of flamboyant and charismatic teacher Bernardo Villalobos.




“Coda” is a remake of 2014 French movie “La Famille Bélier.” Supplied

So far, so cinematically predictable. But Ruby is also what is known as a CODA — a child of deaf adults — and thus must act as the glue that holds her family’s professional and personal lives together, connecting them with the outside, hearing world.

This significant story beat adds a whole new dimension to the film and is one that director Sian Heder handles with sensitivity and aplomb. For while Ruby’s family are often regarded as something of an oddity by their neighbors and coworkers, the movie avoids doing the same.

“Coda” stars deaf actors Troy Kotsur, Marlee Matlin and Daniel Durant as Ruby’s father, mother and brother. All three are excellent, but even they are eclipsed by English actor Emilia Jones as Ruby. Considering her family don’t speak, Ruby’s life can be deafening. She is surrounded by noise, yet is the only one able to hear it, and Jones portrays this unique situation with sensitivity and grace that is staggering in its complexity.

“Coda” is a much-needed cinematic hug. It’s a film that has engaging performances from a talented cast, but more than that, it boasts a genuinely heartwarming story about people who care about each other so much that they struggle to notice when family obligation tips over into stifling overreliance. One not to be missed.


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
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Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”