#HelpTurkey: Hashtag sparks culture war over Turkish fires

In Turkey, at least eight people have been killed and dozens more hospitalised as the country struggles against its deadliest wildfires in decades. (AFP)
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Updated 08 August 2021
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#HelpTurkey: Hashtag sparks culture war over Turkish fires

  • “A terror of lies is being spread from America, Europe and certain other places,” President Recep Tayyip Erdogan said about the #HelpTurkey campaign
  • The state media regulator threatened to fine TV channels that continued airing live footage of the fires or running stories “that provoke fear and worries in the public”

ISTANBUL: It looked innocent enough.
As Turkey burned, ravaged by its deadliest and most destructive wildfires in living memory, #HelpTurkey began trending on Twitter, supported by sympathetic celebrities and traumatized Turks.
But in a deeply divided country where even minor events spark culture wars between President Recep Tayyip Erdogan’s supporters and opponents, the hashtag turned into a scandal, leading to a prosecutors’ probe.
The powerful Turkish leader, unexpectedly facing one of the most serious challenges of his 18-year rule, sounded scandalized by the idea that his country needed help, even as the government revealed it no longer had functioning firefighting planes.
“In response to this, there’s only one thing we can say: Strong Turkey,” Erdogan said after Friday prayers, mentioning a hashtag being circulated by his voters.
“A terror of lies is being spread from America, Europe and certain other places,” he said about the #HelpTurkey campaign.
Acting on Erdogan’s anger, the prosecutors’ office said it would investigate whether the posts were designed “to create anxiety, fear and panic in the public, and to humiliate the Turkish government.”
Around the same time, the media regulator threatened to fine TV channels that continued airing live footage of the fires or running stories “that provoke fear and worries in the public.”
Most stations complied, minimizing their coverage of a disaster that has killed eight people, destroyed forests across vast swathes of the Mediterranean and Aegean coasts, and upturned the lives of a generation of farmers.
The uproar stemmed in part from Erdogan’s proud nationalism, and in part from a perception among his opponents that cronyism and corruption were taking root.
Erdogan’s fiercest critics charge that he sacked capable leaders from top positions in the purges that followed a failed coup attempt in 2016, replacing them with friends and allies who were not up to the job.
An energetic, hands-on leader who rose to power on a popular anti-graft campaign, Erdogan’s own actions suddenly seemed out of touch.
Twitter exploded in outrage when he went on tour of the damaged region under heavy police escort, tossing bags of tea to locals out of a moving bus in the middle of the night while a megaphone announced his presence.
“Help us!!!!!” Turkish comedian Enis Arikan tweeted hours after Erdogan’s visit in a typical #HelpTurkey post. “We need planes urgently. We only have one world.”
In self-defense, the government is promoting a narrative that #HelpTurkey is being fanned by “sock puppets” — fake accounts designed to manipulate public opinion.
Marc Owen Jones, an assistant professor at Hamad bin Khalifa University in Qatar, told a media event organized by the presidency that his analysis showed up to five percent of the #HelpTurkey tweets being spread by such accounts.
“I don’t know the purpose of it. What I can say is that I guess the manipulation is happening of the hashtag... It looks fishy,” the British academic said.
“If it was started as a manipulation campaign it was very clever because #HelpTurkey is a really innocent message, you can understand why people tweeted. Why wouldn’t an average person want to help?“
Gareth Jenkins, a veteran Turkey analyst, said this criticism cuts both ways.
Erdogan’s government “oversees thousands of fake accounts, which they use to troll and try to intimidate into silence anyone who questions its narratives,” Jenkins told AFP.
“But I think a much greater problem is that a large number of Turks, including many of those around Erdogan, actually believe the regime’s propaganda.”
The battle over #HelpTurkey comes with the screws tightening on social media, which had remained an area of spirited debate in a country dominated by pro-government media and newspapers.
After initial resistance, Twitter, Facebook and others have complied with a new law requiring platforms to appoint local envoys who can handle court orders to take down contentious posts.
Erdogan says his government will submit another bill to parliament in October to further regulate social media, although he has not explained how.
Yaman Akdeniz, a digital rights expert who questions the strength of Jones’s “sock puppet” analysis, said Turks’ pleas for outside assistance were “real and not a hoax.”
“While the hashtag wars continue on the social media platforms, the fires continue in real life,” Akdeniz told AFP.
“In reality, we have a seriously malfunctioning government machinery which in turn will undoubtedly introduce a new crime and law on disinformation to further silence critical voices on social media platforms,” he said.


KFC Arabia and TBWA\RAAD’s Saudi campaign wins big at TikTok Ad Awards 2025

Updated 23 January 2026
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KFC Arabia and TBWA\RAAD’s Saudi campaign wins big at TikTok Ad Awards 2025

DUBAI: TikTok announced the winners of the TikTok Ad Awards 2025 at a ceremony held at the King Abdullah Financial District Conference Center in Riyadh on Wednesday, celebrating advertising campaigns on the platform from across the Middle East.

The top honor, G.O.A.T. (“Greatest of All Time”), which celebrates the best overall campaign combining creativity, media performance and proven effectiveness, went to the Saudi campaign “Om Bdr — 12th Ingredient,” developed by TBWA\RAAD for KFC Arabia.

The campaign was born out of Saudi user behavior on TikTok, which saw users dusting a seasoning created by a local cook named Om Bdr onto their KFC chicken. Picking up on this trend, KFC partnered with Om Bdr, adding her seasoning as its unofficial 12th spice.

Instead of focusing on trends or virality, the brand listened to its audience and “made the creator a partner,” said Ahmed Arafa, chief marketing officer at KFC Arabia.

He added: “This campaign was about respecting where the idea came from, crediting the community that discovered it, and turning cultural momentum into something real. Om Bdr’s seasoning belonged on our menu because our customers put it there first.”

The campaign emphasized authenticity, moving away from high-production studio shoots to filming inside actual KFC outlets, with minimal setup and featuring Om Bdr as herself.

As a result, KFC Arabia recorded its highest sales mix to date, while Om Bdr sold out of her own seasoning following the campaign.

“Om Bdr — 12th Ingredient” also won Gold in the Goal Digger category, which celebrates work that delivers measurable results, and Silver in the Community Core category, which highlights campaigns driven by creator and community collaborations.

The two firms also collaborated on another campaign, “Nuggets — Nugg it. Dip it. Crunch it.”, which ran across Saudi Arabia, the UAE and Qatar, and won Bronze in the Sound On category.

The campaign centered on a looping audio track paired with videos focusing on picking, dipping and eating a nugget.

TikTok said the campaign promoted creator participation, with users adapting and reworking the audio in ways that felt native to the platform.

Saudi-based creative agency Habbar’s campaign, “14 Feb: Judgement Day!”, for online gift delivery service Floward, won Silver in the Goal Digger category.

The campaign took a humor-led approach to reflect the pressure and last-minute decision-making often associated with Valentine’s Day gifting, using creator collaborations and video formats designed to encourage sharing and commenting.

Other notable campaigns included “My Like First” by Lux, which ran in Saudi Arabia and the UAE and won Gold in the Community Core category, as well as “How I Crunch It” by Bugles, created by MRM and UM, which won Bronze in the Sound On category.

“The Ad Awards winners of this year show what’s possible when brands embrace TikTok not just as a media platform, but as a creative canvas,” said Shadi Kandil, general manager of global business solutions for the Middle East, Turkiye, Africa, Central and South Asia at TikTok.