Models Bella Hadid, Nora Attal show support for England players after racist abuse

Part-Palestinian model Bella Hadid re-shared a post that 23-year-old player Marcus Rashford published apologizing to his fans and teammates for having a “difficult season.”  (AFP)
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Updated 13 July 2021
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Models Bella Hadid, Nora Attal show support for England players after racist abuse

 DUBAI: After a number of Black English football players faced a torrent of racist abuse online following the team's loss to Italy in the Euro 2020 final on Sunday, part-Arab models have taken to social media to show their support for the young players. 

On Tuesday, part-Palestinian model Bella Hadid re-shared a post that 23-year-old player Marcus Rashford published apologizing to his fans and teammates for having a “difficult season.” 

“I felt as if I’d let everyone down. A penalty was all I’d been asked to contribute for the team,” he wrote on Instagram, referring to his missed penalty shot during the game. 

“All I can say is sorry. I wish it had gone differently,” he added. 

Moroccan-British model Nora Attal took to her Instagram Stories to share a post by TV personality Vas J. Morgan that called for an end to racism.  

Morgan shared pictures of players Rashford, Bukayo Saka and Jadon Sancho and said: “WE MUST END RACISM. WE ARE SO PROUD OF ALL OF YOU. To these three KINGS, WE SUPPORT you.”

“The racial abuse they’ve endured throughout their entire careers has magnified tremendously since last night. The comments, as seen on my next few slides are disgraceful and extremely damaging. We have to protect our players!! We have to do more,” his message added.

Morgan’s post showed some of the racist comments the players have been getting on their social media accounts. 


Riyadh exhibition to trace the origins of Saudi modern art

Updated 07 January 2026
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Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.