YouTube wins user copyright fight in top EU court ruling

In response to the court ruling a YouTube spokesperson said: “YouTube is a leader in copyright and supports rights holders being paid their fair share.” (File/AFP)
Short Url
Updated 22 June 2021
Follow

YouTube wins user copyright fight in top EU court ruling

  • Youtube wins long-running copyright-infringement fight against the European Union.
  • Last year, the EU overhauled law requiring YouTube, Facebook’s Instagram and other sharing platforms to install filters to prevent users from uploading copyrighted materials.

LUXEMBOURG: Google’s YouTube has scored a win in its latest copyright-infringement challenge after Europe’s top court said online platforms are not liable for users uploading unauthorized works unless the platforms failed to take quick action to remove or block access to the content.
The case marks the latest development in a long-running battle between Europe’s $1 trillion creative industry and online platforms, with the former seeking redress for unauthorized works that are uploaded.
It is also part of the wider debate on how much online platforms and social media should do to police the posting of unauthorized, illegal or hateful content, an issue that European Union regulators are targeting with tough new rules that could come into force next year.
“As currently stands, operators of online platforms do not, in principle, themselves make a communication to the public of copyright-protected content illegally posted online by users of those platforms,” the EU Court of Justice said.
“However, those operators do make such a communication in breach of copyright where they contribute, beyond merely making those platforms available, to giving access to such content to the public,” judges said.
The EU court said platforms could also be liable if they do not put in place the appropriate technological tools to tackle copyright breaches by their users or where they provide tools on their platforms for illegal sharing of content.
In response to the court ruling a YouTube spokesperson said: “YouTube is a leader in copyright and supports rights holders being paid their fair share.”
“That’s why we’ve invested in state of the art copyright tools which have created an entirely new revenue stream for the industry. In the past 12 months alone we have paid $4 billion to the music industry, over 30 percent of which comes from monetised user generated content.”
YouTube found itself in the dock after Frank Peterson, a music producer, sued the company and Google in Germany over the uploading to YouTube by users in 2008 of several phonograms to which he holds the rights.
In a second case, publishing group Elsevier took legal action against file-hosting service Cyando in Germany after its users uploaded several Elsevier works on its platform Uploaded in 2013 without its approval.
A German court subsequently sought advice from the EU Court of Justice, which ruled on both cases on Tuesday.
Existing EU rules exempt YouTube and its peers from such liability regarding copyright when they are told of violations and remove them.
The EU last year overhauled its copyright rules for the first time in two decades to help its creative industries by adopting a key provision known as Article 17. This requires YouTube, Facebook’s Instagram and other sharing platforms to install filters to prevent users from uploading copyrighted materials.
But this has drawn criticism from civil rights groups worried about potential censorship by authoritarian governments and risks to freedom of expression.
Several EU countries have yet to transpose the EU law into national legislation, due in part to the COVID-19 pandemic.
The European Commission has also proposed much a more wide-ranging Digital Services Act, which sets stringent obligations on very large online companies, online platforms and hosting services, backed by fines up to 6 percent of a company’s revenue for non-compliance.
This would apply to websites, Internet infrastructure services and online platforms such as online marketplaces, social networks, content-sharing platforms, app stores, and online travel and accommodation platforms.
The draft rules need to be thrashed out with EU countries and EU lawmakers before they can become law, likely to be next year.


Creative tech agency Engage Works to launch in Saudi Arabia

Updated 02 May 2024
Follow

Creative tech agency Engage Works to launch in Saudi Arabia

  • Representation at the Saudi Entertainment and Amusement Expo 2024

DUBAI: Creative technology agency Engage Works has announced its expansion into Saudi Arabia with the acquisition of a new trade license in the Kingdom.

Steve Blyth, founder and group CEO of the agency, told Arab News: “Saudi Arabia feels like the center of the universe right now for the creation of cultural destinations and immersive experiences.

“We get to work on projects that probably wouldn’t happen anywhere else in the world right now. The wealth of untapped cultural assets the Kingdom wants to bring to life — for new, young and international audiences — is unsurpassed.”

The agency will be represented at the Saudi Entertainment and Amusement Expo 2024, which takes place at the Riyadh Front Exhibition and Conference Center from May 7-9.

Alex McCuaig, Engage Work’s strategy director, said: “This is a great opportunity for us to showcase our expertise in creating immersive experiences and to collaborate with other industry leaders to drive innovation and engagement in the region.”

The agency has already won several projects in the Kingdom and will be opening an office in the country in the coming months, he added.

Engage Works currently has premises in London and Dubai, and its clients include Emirates, Accenture, Google, KPMG, Microsoft, and EY.


TikTok announces new safety measures

Updated 02 May 2024
Follow

TikTok announces new safety measures

  • Features aimed at enhancing safer content creation and sharing

DUBAI: TikTok has announced a slew of safety updates to enhance content creation and sharing on the platform.

The company said the features were designed to provide better transparency and help creators learn about its policies and check their account status.

Adam Presser, head of operations, said: “Creators play a fundamental role in helping maintain a safe and entertaining environment for everyone on TikTok.

“We focus on empowering people with information about our policies and tools so they can safely express themselves and connect with others.”

Effective this month, TikTok’s community guidelines have been updated to include refined definitions and more detailed explanations of the platform’s policies, such as those concerning hate speech and health misinformation.

They also feature expanded guidelines on the moderation of features such as Search, Live and the For You feed.

The platform is revising its eligibility standards for the feed. For example, accounts that repeatedly post content that goes against the standards for the feed might become temporarily ineligible for recommendation, making their content harder to find in searches.

The creators behind these accounts will be notified and be able to appeal the decision.

In order to help people better understand its policies TikTok will issue a warning when a creator violates community guidelines for the first time. This will not count toward the account’s strike tally.

The platform will notify creators of any violations and provide details about which rules they have breached and allow them to appeal the decision if needed.

However, policies that are considered zero tolerance, such as incitement to violence, are not eligible for such reminders and accounts violating them will be banned immediately.

Building on the account status page introduced last year, TikTok is launching an account check tool that will allow creators to review their last 30 posts and account status in one place.

It will also roll out a creator code of conduct in the coming weeks, which sets expectations for creators involved in programs, features, events and campaigns to follow both on and off-platform.

Presser said the standards were being introduced because the company “believes that being a part of these programs is an opportunity that comes with additional responsibilities.”

“This code will also help provide creators with additional reassurance that other participants are meeting these standards too,” he said.


Media watchdog says journalists should be allowed to cover college protests safely

Updated 02 May 2024
Follow

Media watchdog says journalists should be allowed to cover college protests safely

  • Journalists said they have been barred from reporting on events

LONDON: Media watchdog Committee to Protect Journalists has called on authorities to allow journalists covering US college protests to do so “freely and safely.”

“Journalists — including student journalists who have been thrust into a national spotlight to cover stories in their communities — must be allowed to cover campus protests without fearing for their safety,” said Katherine Jacobsen, the CPJ’s US, Canada and Caribbean program coordinator.

“Any efforts by authorities to stop them doing their jobs have far-reaching repercussions on the public’s ability to be informed about current events.”

Tensions have escalated between pro-Palestinian demonstrators and law enforcement during recent protests at universities across the US.

On Tuesday night, New York police equipped with anti-riot gear forcibly entered Columbia University’s Hamilton Hall, a focal point of the protests, resulting in the arrest of approximately 300 pro-Palestinian students.

Meanwhile, student journalists at the University of California in Los Angeles reported being assaulted and exposed to gas during violent clashes. In Northern California, local journalists covering college demonstrations were detained and arrested by police.

The CPJ said at least 13 journalists had been arrested or detained since the start of the Israel-Hamas war on Oct. 7 and 11 have been assaulted while covering related protests in the US. 

Those arrested include FOX 7 reporter Carlos Sanchez, who was shoved to the ground last month while covering a protest at the University of Texas in Austin. He is currently facing two misdemeanor charges.


Universal Music Group artists to return to TikTok after new licensing pact

Updated 02 May 2024
Follow

Universal Music Group artists to return to TikTok after new licensing pact

  • New deal to restore label’s song to platform, increase artists’ protection from AI
  • Universal Music says TikTok accounts for 1 percent of its annual revenue in 2023

LONDON: Universal Music Group and TikTok said on Thursday they had reached a new licensing agreement that will restore the label’s songs and artists to the social media platform as well as give musicians more protections from artificial intelligence.
TikTok began removing Universal’s content from its app after their licensing deal expired in January and the two sides failed to reach agreement on royalties, AI and online safety for TikTok’s users.
Describing their new pact as a multi-dimensional deal, the companies said they were working “expeditiously” to return music by the label’s artists to TikTok, and also said they would team up to realize new monetization opportunities from TikTok’s growing e-commerce capabilities.
They will “work together on campaigns supporting UMG’s artists across genres and territories globally,” the two firms said in a joint statement.
The short video app is a valuable marketing and promotional tool for the music industry. TikTok is where 16- to 19-year-olds in the United States most commonly discover music, ahead of YouTube and music streaming services such as Spotify , according to Midia Research.
“Roughly a quarter of US consumers say they listen to songs they have heard on TikTok,” said Tatiana Cirisano, Midia’s senior music industry analyst.
However, Universal Music claimed its artists and songwriters are paid just a fraction of what it receives from other major social media platforms.
The music label says TikTok accounts for 1 percent of its annual revenue or about $110 million in 2023. YouTube, by contrast, paid the music industry $1.8 billion from user-generated content in the 12 months ending in June 2022, according to Midia.
In a move that may well have eroded its bargaining power, Taylor Swift, one of Universal Music’s biggest acts, allowed a selection of her songs to return to TikTok as she promoted her latest album, “The Tortured Poets Department.”
Swift owns the copyrights to her recordings through her 2018 deal with Universal and can control where her songs are available, according to the Financial Times.
As licensing negotiations resumed in recent weeks, AI remained a major point of contention. Universal has claimed TikTok is “flooded” with AI-generated recordings, including songs that users create with the help of TikTok’s AI songwriting tools.
In Thursday’s deal, TikTok and Universal said that they would work together to ensure AI development across the music industry will protect human artistry and the economics that flow to those artists and songwriters.
“TikTok is also committed to working with UMG to remove unauthorized AI-generated music from the platform, as well as (developing) tools to improve artist and songwriter attribution,” the statement said.
Concerns about AI have grown in the creative community. In April, a non-profit group called the Artist Rights Alliance published an open letter urging the responsible use of the technology. The group of more than 200 musicians and songwriters called on technology companies and digital music services to pledge not to deploy AI in a way that would “undermine or replace the human artistry of songwriters and artists or deny us fair compensation for our work.”
The deal comes amid questions over TikTok’s long-term future in the United States. President Joe Biden signed legislation last week that gives TikTok’s Chinese owner, ByteDance, 270 days to sell its US assets. TikTok has vowed to file suit to challenge the legislation, which it calls a ban.
More than 170 million Americans use its video service, according to TikTok. Globally, it has more than 1.5 billion monthly active users, according to research firm Statista.


Arab News awards total reach 125 with three new wins at Newspaper Design competition

Updated 02 May 2024
Follow

Arab News awards total reach 125 with three new wins at Newspaper Design competition

  • Accolades include prestigious Annual SDP, WAN-IFRA Digital Media Awards, European Newspaper Awards

LONDON: Arab News, Saudi Arabia’s first English language daily, won three Awards of Excellence at the sixth Newspaper Design competition, bringing the total number of awards to 125 since its relaunch in 2018.

“The Kingdom’s Bride and Joy”, a special print edition marking the Jordanian royal wedding, won the Best of Page One award, while “Riyadh: A city steeped in history” took home the prize for Best of Double Page Spreads, and “Accession to the British Throne” scooped the Best of Infographics recognition for the special coverage of King Charles III’s coronation last year.

Established in 2009, the distinguished Newspaper Design is Asia’s inaugural newspaper design website, acknowledging outstanding contributions to news design in both print and online media.

Chaired by Mario Garcia, a globally renowned Cuban-American media designer, this year’s jury praised Arab News’ entries for their innovation and visual storytelling prowess.

“The Kingdom’s Bride and Joy” page, commemorating the historic union between Crown Prince Hussein of Jordan and Saudi Arabia’s Rajwa Al-Saif, was lauded for its cinematic illustration capturing the significance of the occasion. The judges said: “This page marks a historic occasion and captures the sweep and significance with a polished illustration that looks more like a well-directed movie poster than just a newspaper centerpiece.”

Similarly, the design spotlighting Riyadh’s National Day and Arab News’ Expo 2030 campaign was commended for its innovative blend of landscape photography and illustration, seamlessly narrating the city’s story.

Arab News’ coverage of King Charles III’s coronation ceremony last May earned recognition for its elegant and celebratory infographics. In December, the page was also recognized within the category Supplements for Special Occasions at the European Newspaper Awards.

The accolades underscore Arab News’ editorial evolution under Editor-in-Chief Faisal J. Abbas, who spearheaded its relaunch in 2018.

Under the guidance of Design Department head Omar Nashashibi, Arab News continues to receive acclaim, recently earning multiple honors at the prestigious 59th Annual Society of Publications Designers, including for its feature opener “Onions’ tears and inflation fears” page and custom feature design for the special investigation “The Kingdom vs Captagon.”

Past recognitions encompass a range of special projects, including multiple international awards for “Saudi’s Animal Kingdom,” “Step by Step Hajj Guide 2023,” and the “FIFA Qatar World Cup 2022” special edition.

For more information about Arab News and its award-winning projects, visit https://www.arabnews.com/greatesthits.