Last straw: Pakistani artist employs dying Chinese technique to create Saudi crown prince’s portrait

Syed Abid Shah arranges wheat stalks into a straw painting of Saudi Crown Prince Mohammed bin Salman in Peshawar, Pakistan, on June 15, 2021. (AN photo)
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Updated 17 June 2021
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Last straw: Pakistani artist employs dying Chinese technique to create Saudi crown prince’s portrait

  • Syed Abid Shah has for decades practiced straw painting, Chinese folk art that dates back two thousand years to Han dynasty
  • The laborious technique requires artists to trim, dye and polish dried wheat stalks and weave them into images on a canvas

PESHAWAR: Known for his calligraphy and Mughal imagery, a master craftsman from northwestern Pakistan has recently turned to an ancient technique rarely used in portraiture to create an image of Saudi Crown Prince Mohammed bin Salman.
For decades, Syed Abid Shah from Peshawar has been practicing and developing straw painting — a Chinese folk art that dates back at least two thousand years to the Han dynasty. The laborious technique, which today has few practitioners, requires the artist to trim, dye and polish dried wheat stalks and then weave them into an image on a canvas.
Shah learnt the art in Karachi at the age of 12 when he was introduced to a straw painter by an artistically inclined uncle.
After serving two years as the artist’s apprentice, he started introducing innovations to the art, focusing mostly on architecture, Islamic ornaments or stories from the Mughal era. He did not venture into portraiture as the straw medium was rarely used for that.
But for the Saudi crown prince, Shah, now 60, says he has decided to create a detailed straw portrait.




Syed Abid Shah adds final touches to a straw painting of Saudi Crown Prince Mohammed bin Salman in Peshawar, Pakistan, on June 15, 2021. (AN photo) 

“I had long wanted to draw a sketch of a Saudi royalty, but it was only recently that I finally decided to draw the image of the prince who rose to fame across the world,” Shah told Arab News at his home in Achar village on the outskirts of Peshawar. “It takes more than 3,000 straws and at least two weeks to create a 30 by 24-inch portrait of a human face. The straws are flattened, made smooth, cut into extremely tiny pieces and glued one by one to the canvas.”
“I pray the prince accepts my gift.”
Shah’s highest-profile work to date was making the family tree of Pakistani Religious Affairs Minister Noor-ul-Haq Qadri, commissioned by the official’s father in 2012. It was also his most expensive piece, selling for Rs50,000 ($320).




Syed Abid Shah prepares wheat stalks for straw painting at his house in Peshawar, Pakistan, June 15, 2021 (AN photo)

But such orders are rare. Shah normally sells small, 8 by 12-inch paintings on the footpaths of Peshawar’s bustling Saddar market.
“On a lucky day, I manage to sell four or five pieces, which earns the bread and butter for my family,” he said.




Syed Abid Shah shows his artwork at his house in Peshawar, Pakistan, on June 15, 2021. (AN photo)

One painting costs about Rs450 ($3) and takes him six hours to complete. Preparing the straw takes at least three days.
While Shah says he always knew there would not be big money in straw painting, his 23-year-old son, Shah Fahad, his bigger dreams. He wants to follow in his father’s footsteps and one day open a gallery to display his father’s work, as well as his own.




Syed Abid Shah trims a wheat stalk for straw painting at his house in Peshawar, Pakistan, June 15, 2021. (AN photo)

Fahad has been patiently learning the craft for the past four years.
“It is a slow learning process,” he said, “but I am lucky to spend more time with my father.”


Women traders face ruin as years of work turn to ash in deadly plaza inferno

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Women traders face ruin as years of work turn to ash in deadly plaza inferno

  • Traders estimate losses of over $53 million, more than 100 women workers, dozens of women-led businesses wiped out in Gul Plaza fire
  • In Pakistan, where women run a fraction of formal enterprises, disasters like Gul Plaza fire can erase decades of efforts overnight

KARACHI: Yasmeen Bano stood on the edge of MA Jinnah Road, staring at the blackened remains of Gul Plaza, a shopping center that for decades had been a gateway to financial independence for small traders in Pakistan’s commercial capital.

For Bano, a 55-year-old businesswoman, the charred structure represents far more than a shopping mall. It held the labor of two decades, the savings of a lifetime and the fragile economic security of her family, all wiped out in a deadly fire that tore through the multi-story plaza last week.

Bano began her ladies’ undergarments business in the mid-2000s, gradually expanding to own three shops in the bustling market, a rare achievement in a country where women face steep barriers to entrepreneurship. 

That progress vanished in hours as a blaze broke out on Jan. 17, trapping workers and shoppers inside and burning for more than 24 hours before being brought under control. Recovery operations are still underway as teams sift through unstable debris at the site, which housed over 1,200 shops.

“For 20 years, we worked day and night to build this business,” Bano told Arab News, standing near the wreckage. “I had three shops above, which were my own. All of them have been destroyed.”

Like many traders at Gul Plaza, she had restocked heavily ahead of the wedding season and the holy fasting month of Ramadan starting next month, when sales typically peak. Her inventory, worth around Rs15 million ($53,800), was entirely destroyed.

“All the season’s goods came on loan. Everything is finished,” she said. “Now we have nothing [left], we are insolvent financially.”

FRAGILE FOOTHOLD ERASED

Women entrepreneurs were among the hardest hit by the blaze, traders say. Many had invested personal savings, borrowed informally or relied on family credit to run small businesses that served as their households’ sole source of income.

In Pakistan, women own or lead only a small share of businesses. According to the World Bank and government data, fewer than 5 percent of women participate in formal entrepreneurship, with most operating in the informal sector, where access to insurance, credit protection and safety nets is minimal. In cities like Karachi, markets such as Gul Plaza have long offered women one of the few accessible entry points into commerce.

That precarious foothold has now collapsed.

Kainat Memon, an 18-year-old medical student, ran an undergarments shop with her widowed mother. Both were present when the fire broke out in the building, which housed around 1,200 shops selling garments, luggage, crockery and household goods.

“It was time to close the shop. Everyone was closing their shops... Suddenly there was a loud noise. People started saying that there is a fire,” she recalled.

“We were crying and our eyes were burning. We were having a hard time talking.”

The losses are devastating.

“We have incurred a loss of Rs7–8 million ($28,600) because we had stocked up. Ramadan was coming,” Memon said. “The goods are all burnt. We had invested all our savings. Now we are jobless. All our business is gone.”

For women traders, the losses extended beyond their own families. Many employed other women, often from low-income households, who depended on daily wages or monthly salaries.

“From the basement to the fourth floor, women work here. There are more than a hundred women working here,” said Aisha Farrukh, a 37-year-old trader whose family also lost its business in the blaze.

“Our workers are jobless. We can’t do anything for them now.”

Karachi has a long history of deadly fires in markets and factories, often linked to faulty wiring, overcrowding, illegal construction and weak enforcement of safety regulations. Police have said the Gul Plaza fire may have been triggered by a short circuit, though investigations are ongoing.

Farrukh questioned how quickly the fire spread through the building, saying safety measures were inadequate.

“The government would have to compensate for the financial losses but at this moment, it is difficult to understand how in 10 minutes the entire Gul Plaza turned to ash,” she said. 

“In front of our eyes, our 20 years of hard work turned to ash in under 20 minutes.”

LONG ROAD BACK

The scale of the losses has pushed many traders into insolvency. Tanveer Pasta, president of the Gul Plaza Market Association, said all shops in the plaza were destroyed, estimating total losses at up to Rs15 billion ($53.6 million).

“There were big importers sitting here,” he said. “Just three days before this fire, 31 [shipping] containers were unloaded.”

For women like Bano, Memon and Farrukh, the fire has stripped away not just income but autonomy, turning business owners into debtors overnight in an economy already strained by inflation and slow growth.

The traders are now appealing for government support, warning that without assistance, many women-led enterprises will never reopen.

“We are ruined now,” Farrukh said. “Whether it happened accidentally or because of someone, we need a solution.”