REVIEW: Riz Ahmed-starring ‘Sound of Metal’ makes all the right noises

“Sound of Metal” stars Riz Ahmed. (Supplied)
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Updated 22 April 2021
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REVIEW: Riz Ahmed-starring ‘Sound of Metal’ makes all the right noises

  • Delayed Oscar-nominated drama proves worth waiting for

LONDON: In a peculiar twist of pandemic-related fate, it’s been almost two years since “Sound of Metal” premiered at the Toronto Film Festival — and two years of whisperings (from those lucky enough to have seen it) that director Darius Marder and star Riz Ahmed had made a film that was very special indeed.

Those rumblings were only heightened when the movie was nominated for six Oscars ahead of this month’s ceremony, and now, with Amazon Prime finally bringing the film to audiences around the world, it’s possible to say whether or not it lives up to the hype.




“Sound of Metal” premiered at the Toronto Film Festival. (Supplied)

It’s a resounding yes. Marder (co-writer of “The Place Beyond the Pines”) has made a movie that is sometimes abrasive, sometimes shocking, and sometimes heartwarming. At the center of these contradictory moods is Ahmed, who plays drummer Ruben Stone with a sense of practiced nihilism (yet rough-around-the-edges decency) upon which the whole story relies.

Ruben and his girlfriend Lou (Olivia Cooke) are a metal duo called Blackgammon. As they gig round the US in their RV, Ruben’s hearing suddenly drops out before a show. Worried that he might relapse (due to a history of addiction), Lou takes him to a deaf shelter run by Joe (Paul Raci), who tries to show Ruben that his outlook isn’t quite as catastrophic as he fears.

Marder and his sound team (who quite rightly received one of the movie’s six Oscar nods) put us right there with Ruben, as the audio flits from vibrant and busy to muffled and indistinct. It’s a discombobulating experience, but one that relies on Ahmed’s spectacular performance as a musician struggling to find any positives after his world changes overnight.

Ahmed (who learned sign language and drumming for the part) displays a sensitivity and an awareness that Ruben can only dream of at the start of the movie. He is utterly captivating as the beating heart of the film. Cooke and Raci deserve credit for the richness they bring to complex characters, but it is Ahmed who brings “Sound of Metal” to life — a movie that deserves all the plaudits surely heading its way.


‘Palestine 36’ set for Saudi cinemas in January

Updated 04 January 2026
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‘Palestine 36’ set for Saudi cinemas in January

DUBAI: Filmmaker Annemarie Jacir’s “Palestine 36,” which screened at Jeddah’s Red Sea International Film Festival, is scheduled for release in Saudi cinemas on Thursday.

The sweeping historical epic — Palestine’s official entry to the Oscars this year, which made it to the official longlist — is a deep exploration of resistance, resilience and the struggle of the Palestinian people. 

“Palestine 36” is set during the 1936 Arab Revolt and follows five interconnected narratives as villages across Palestine confront British colonial rule.

With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting against Britain’s 30-year dominion, all sides spiral toward inevitable collision in a decisive moment for the British Empire and the future of the entire region. 

The film won the Best Film award at the Tokyo International Film Festival.

Jacir — whose three previous feature films “Salt of this Sea,” “When I Saw You,” and “Wajib” were also official Palestinian Oscar entries — hopes “Palestine 36” will provide a mirror for audiences, particularly those from colonized or war-affected countries.  

“I hope people see themselves in the film,” she told Arab News in December. “I don’t want to teach anyone anything. There’s a lot of history in the film and there’s a lot of history that’s been erased. I hope that’s something that comes through.” 

The film features an ensemble cast, including Oscar-winner Jeremy Irons, “Game of Thrones” star Liam Cunningham, and Tunisian actor Dhafer L’Abidine, alongside Palestinian talents Hiam Abbass, Yasmine Al-Massri, Kamel El Basha, and Saleh Bakri.

At the Red Sea International Film Festival premiere of the film in December, Jacir walked the red carpet with Palestinian Jordanian designer Reema Dahbour, who dressed the director for the event.

Dahbour created a custom piece titled “From the River to the Sea,” which she described on social media as “a dress born from our narrative, our symbols, and our enduring connection to the land. A garment that mirrors the spirit showcased so powerfully in the film.”