Saudi artist follows in pioneering father’s footsteps with unique painting technique

Najla Mohammed Al-Saleem’s paintings show off an elegant and three-dimensional visual aesthetic. (Social media)
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Updated 20 April 2021
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Saudi artist follows in pioneering father’s footsteps with unique painting technique

  • There were tributes to her father recently for his donations to the King Fahd National Library, and she received an invitation to showcase one of his pieces at the Noor Riyadh Festival

RIYADH: A Saudi artist is following in her pioneering father’s footsteps by adopting the painting technique that he developed and used in his own creations and adding her own touches to it.
Najla Mohammed Al-Saleem is the daughter of the late Mohammad Al-Saleem, one of the founders of the Saudi modern art scene.
His art explored the content and form of the desert, using tones and techniques that conveyed the force of the sun and its effects on nature.  
Najla specializes in the horizonism style of painting which, she said, embodied horizontal lines and desert elements combined with Arabic words. The result is smooth lines that show off an elegant and three-dimensional visual aesthetic.
Al-Saleem recently opened a solo exhibition called “Origin of a Homeland” in Riyadh’s Turaif district, and was invited to display her work by the Royal Commission of Riyadh and Diriyah Gate Development Authority. The pieces reflect the Kingdom’s cultural and historical buildings.
“My father is my first master, the first to influence everything in my life, mostly art,” she told Arab News. “His style was very interesting to me.”

HIGHLIGHTS

• Najla Mohammed Al-Saleem is the daughter of the late Mohammad Al-Saleem, one of the founders of the Saudi modern art scene.

• She specializes in the horizonism style of painting which embodies horizontal lines and desert elements combined with Arabic words.

• Al-Saleem recently opened a solo exhibition called ‘Origin of a Homeland’ in Riyadh’s Turaif district.

There were tributes to her father recently for his donations to the King Fahd National Library, and she received an invitation to showcase one of his pieces at the Noor Riyadh Festival. She said that nobody knew about the chosen artwork until the festival.  She said she hoped to see more museums everywhere, and encouraged local artists to read about talent as well as practice their own.
“We should revive the valuable artistic treasures at museums so that everyone can see them, especially the new generation.”
People had a responsibility to provide artwork that met international standards, she added.


Sotheby’s to bring coveted Rembrandt lion drawing to Diriyah

Updated 18 January 2026
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Sotheby’s to bring coveted Rembrandt lion drawing to Diriyah

DUBAI: Later this month, Sotheby’s will bring to Saudi Arabia what it describes as the most important Rembrandt drawing to appear at auction in 50 years. Estimated at $15–20 million, “Young Lion Resting” comes to market from The Leiden Collection, one of the world’s most important private collections of 17th-century Dutch and Flemish art.

The drawing will be on public view at Diriyah’s Bujairi Terrace from Jan. 24 to 25, alongside the full contents of “Origins II” — Sotheby’s forthcoming second auction in Saudi Arabia — ahead of its offering at Sotheby’s New York on Feb. 4, 2026. The entire proceeds from the sale will benefit Panthera, the world’s leading organization dedicated to the conservation of wild cats. The work is being sold by The Leiden Collection in partnership with its co-owner, philanthropist Jon Ayers, the chairman of the board of Panthera.

Established in 2006, Panthera was founded by the late wildlife biologist Dr. Alan Rabinowitz and Dr. Thomas S. Kaplan. The organization is actively engaged in the Middle East, where it is spearheading the reintroduction of the critically endangered Arabian leopard to AlUla, in partnership with the Royal Commission for AlUla.

“Young Lion Resting” is one of only six known Rembrandt drawings of lions and the only example remaining in private hands. Executed when Rembrandt was in his early to mid-thirties, the work captures the animal’s power and restless energy with striking immediacy, suggesting it was drawn from life. Long before Rembrandt sketched a lion in 17th-century Europe, lions roamed northwest Arabia, their presence still echoed in AlUla’s ancient rock carvings and the Lion Tombs of Dadan.

For Dr. Kaplan, the drawing holds personal significance as his first Rembrandt acquisition. From 2017 to 2024, he served as chairman of the International Alliance for the Protection of Heritage, of which Saudi Arabia is a founding member.

The Diriyah exhibition will also present, for the first time, the full range of works offered in “Origins II,” a 64-lot sale of modern and contemporary art, culminating in an open-air auction on Jan. 31 at 7.30 pm.