Actress Lily Collins stuns in Georges Hobeika gown at 2021 SAG Awards

Lily Collins wearing Georges Hobeika for the 27th SAG Awards. Instagram --
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Updated 05 April 2021
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Actress Lily Collins stuns in Georges Hobeika gown at 2021 SAG Awards

DUBAI: Awards season is here and while it does bring the glamour and glitz back to fashion, this year things are a little different. Due to the ongoing pandemic and strict safety restrictions in place, celebrities are dressing up to the nines in the comfort of their own backyards and posting their glamorous get-ups via social media. The award season continues with the Screen Actors Guild Awards 2021, and the one-hour pre-taped ceremony had some memorable fashion moments despite the lack of a physical red carpet.

First up, there was British-American actress Lily Collins who presented an award wearing a pastel pink mini dress from Lebanese couture house Georges Hobeika that we could easily picture her “Emily in Paris” character wearing.

 The A-line gown featured a high collared neckline with short sleeves. The heavily-embellished dress also featured an explosion of pale pink jewels and floral embroidery that shone bright. Upon closer inspection, there was a pair of beaded wings stitched on the waistline. 

She completed the look with strappy Casadei heels and Cartier jewels.

“Puttin’ on the glitz for the @sagawards,” wrote Collins, who appeared from her home ahead of the pre-taped ceremony. “Might be a little dressed up for the location, but so excited to be a (virtual) presenter tonight! See you soon,” she added.

The sparkling gown was plucked from the Beirut-based brand’s Spring 2018 couture collection and was the brainchild of the label’s co-creative director Jad Hobeika, who reposted the 32-year-old actress on his Instagram feed and wrote: “@lilyjcollins wearing one of the first dresses I drew for @georgeshobeika.”

The fashion house’s Spring 2018 couture offering paid tribute to the cultural richness of ancient Greek civilization. Presented during Paris Fashion Week, the collection spilled over with strategically-placed laurel leaf appliques, crystal embroidery evoking Icarus’s wings and ultra-feminine diaphanous gowns.

Collins wasn’t the only star to champion Lebanese talent during the awards show, however.

American actress Jurnee Smollett wore a bordeaux taffeta, off-the-shoulder, high-low gown from Lebanese designer Zuhair Murad’s Pre-fall 2021 ready-to-wear collection. She paired the dramatic, plunging gown with diamond and ruby jewelry by Bulgari.

Elsewhere, Broadway star Merle Dandridge opted for a heavily-embellished Georges Chakra jumpsuit with a bright blue bow tied around the waist.


Review: ‘Roofman’ Movie

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Updated 23 December 2025
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Review: ‘Roofman’ Movie

  • The film follows Jeff, a man on the run, living out of sight inside a Toys “R” Us store, and constantly improvising his survival

I went into “Roofman” with no expectations, and that turned out to be the best possible way to experience the 2025 comedy-drama based on a true story.

Gripping and unexpectedly moving, it is one of those rare character-driven stories that stays with you long after the credits roll.

Channing Tatum delivers what may well be the strongest performance of his career. Stripped of the bravado he is often known for, Tatum plays Jeffrey Manchester — a former US army veteran and struggling dad who turns to a life of crime — with a raw vulnerability that feels lived-in rather than performed.

His portrayal balances charm, desperation and weariness in a way that makes the character both flawed and sympathetic. It is the kind of performance that reminds you how effective he can be when handed a script that trusts stillness as much as spectacle.

The film follows Jeff, a man on the run, living out of sight inside a Toys “R” Us store, and constantly improvising his survival. Without giving anything away, “Roofman” unfolds as a tense cat-and-mouse story, but one that resists becoming purely a thriller.

The pacing is deliberate and assured, allowing moments of humor, warmth and connection to surface naturally amid the suspense.

What “Roofman” does exceptionally well is maintain an undercurrent of unease. Even in its lighter, more playful moments, there is a persistent sense of claustrophobia and impending doom.

The script understands that tension does not always rise from action; sometimes it is born simply from the fear of being seen. “Game of Thrones” actor Peter Dinklage’s flawless portrayal of the store’s stern and authoritarian manager sharpens that anxiety.

Kirsten Dunst brings a grounded, affecting presence to the story, offering moments of tenderness and emotional clarity that deepen its human core. Her character anchors Jeff’s world with something real to reach for.

Despite its thrills, “Roofman” is ultimately a reflective film that asks, without judgment, how people arrive at the decisions that shape their lives, and why some feel trapped into making the wrong ones.

Underrated and surprisingly heartfelt, “Roofman” is a reminder that some of the most compelling stories are about the resilience of hope even when the odds are stacked against you.