Actress Sophia Bush dons Andrea Wazen heels in podcast teaser

The US actress gained prominence for her role in 'One Tree Hill.' File/Getty Images
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Updated 03 April 2021
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Actress Sophia Bush dons Andrea Wazen heels in podcast teaser

DUBAI: US actress Sophia Bush has joined forces with independent podcast network Wondery to launch new episodes of her podcast, “Work in Progress.” The “One Tree Hill” actress announced the news this week, after uploading her podcast’s artwork for her 3.7 million Instagram followers to see. In the poster, Bush can be seen reclining on an orange chair and wearing heels from Lebanese footwear label Andrea Wazen.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sophia Bush (@sophiabush)

Bush opted for the Denver pumps in nude, a pair of mesh pointed-toe heels that were also recently championed by the likes of Kylie Jenner, Emma Roberts and Millie Bobbie Brown, to name a few.

The 38-year-old actress elevated her strappy pumps with a white blouse tucked into a pair of high-waisted orange trousers.

Since launching her brand in 2013, the designer, who is the younger sister of Lebanese fashion blogger Karen Wazen, has quickly made a name for herself in the fashion industry.

In addition to boasting an impressive list of celebrity clientele that covers a broad spectrum of stars, from Hailey Bieber to Tracee Ellis Ross and Jennifer Lopez to Addison Rae, Wazen is also an award-winning fashion designer.

The Lebanese footwear designer recently won the Emerging Talent prize at the Footwear News (FN) Achievement Awards in December.

Wazen was trained by the leading footwear brands Rupert Sanderson and Christian Louboutin in London before launching her namesake brand. Her shoes are now designed and produced in Beirut.

She is not the only member of her family who has made headlines. Her sister, Karen, launched an edgy eyewear line in December 2018 that has been championed by A-listers like Dua Lipa and Becky G.

Andrea took to her Instagram Stories to repost Bush’s post, writing: “Love her!”

Meanwhile, Bush’s podcast, which will return in mid-April, features exclusive interviews with guests who inspire the actress, including Hillary Clinton, Diane von Furstenberg, Brittany Packnett Cunningham, Jose Andres and more.

Conversations explore how her guests have gotten to where they are, and where they think they’re still going.

Previous guests on “Work in Progress” include Natalie Portman, Mary Trump and Damon Lindelof.

It will be available on Apple Podcasts and Spotify.


Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

Updated 01 February 2026
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Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

RIYADH: A painting by Saudi artist Safeya Binzagr sold for $2.1 million at Sotheby’s “Origins II” auction in Riyadh on Saturday, emerging as the top lot of the evening and setting a new auction record for a Saudi artist.

The work, “Coffee Shop in Madina Road” (1968), sold for $1.65 million before the buyer’s premium, the additional fee paid by the purchaser to the auction house on top of the hammer price.

The result nearly doubled the previous auction record for a Saudi artist and became the most valuable artwork ever sold at auction in the Kingdom. It also ranks as the third-highest price achieved for an Arab artist at auction.

It was presented as part of “Origins II,” Sotheby’s second auction staged in Saudi Arabia, comprising 62 modern and contemporary lots and bringing together Saudi artists alongside regional and international names.

Collectors from more than 40 countries participated in the auction, with around one-third of the lots sold to buyers within Saudi Arabia.

The sale totaled $19.6 million, exceeding its pre-sale estimate and bringing the combined value of works offered across “Origins” and “Origins II” to over $32 million.

Saudi artists were central to the evening’s results. All nine Saudi works offered found buyers, achieving a combined total of $4.3 million, well above pre‑sale expectations.

Ashkan Baghestani, Sotheby’s head of contemporary art for the Middle East, told Arab News at the auction that “Safeya made more than any other artist tonight, which is incredible.”

He said the results demonstrated Sotheby’s broader objective in the Kingdom.

“The results tonight show exactly what we’re trying to do here. Bring international collectors to Saudi Arabia and give them exposure to Saudi artists, especially the pioneers.”

All nine works by Saudi artists offered in the sale found buyers, generating a combined $4.3 million. Additional auction records were set for Egyptian artist Ahmed Morsi and Sudanese artist Abdel Badie Abdel Hay.

An untitled work from 1989 by Mohammed Al-Saleem sold for a triple estimate of $756,000, while a second work by the artist, “Flow” from 1987, achieved $630,000.

The sale opened with the auction debut of Mohamed Siam, whose “Untitled (Camel Race)” sold for $94,500. Also making his first auction appearance, Dia Aziz Dia’s prize-winning “La Palma (The Palma)” achieved $226,800.

The sale coincided with the opening week of the Contemporary Art Biennale in Riyadh, reinforcing the city’s growing role as a focal point for both cultural institutions and the art market.

Baghestani added that Saudi modern artists are now receiving long‑overdue recognition in the market.

“There’s so much interest and so much demand, and the price is where it should be,” he said.

International highlights included works by Pablo Picasso, Roy Lichtenstein, Andy Warhol and Anish Kapoor, underscoring Saudi Arabia’s growing role as a destination for major global art events and collectors.

Picasso’s “Paysage,” painted during the final decade of the artist’s life, sold for $1,600,000, becoming the second most valuable artwork sold at auction in Saudi Arabia.

Seven works by Lichtenstein from the personal collection of the artist and his wife, including collages, prints, works on paper and sculptures, all found buyers. Warhol was represented in the sale with two works: “Disquieting Muses (After de Chirico),” which sold for $1,033,200, and a complete set of four screenprints of “Muhammad Ali,” which achieved $352,000.

Baghestani said the strength of the results was closely tied to the material’s freshness. “These were not works from the trade. Some of them had not been seen since the 1970s,” he said.