Art Jameel, London’s Victoria and Albert Museum announce Jameel Prize shortlist

Jana Traboulsi, Kitab al-Hawamish (Book of Margins), 2017. (Supplied)
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Updated 24 March 2021
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Art Jameel, London’s Victoria and Albert Museum announce Jameel Prize shortlist

DUBAI: Middle Eastern creative organization Art Jameel, in collaboration with London’s Victoria and Albert (V&A) Museum, announced on Tuesday the shortlist for its “Jameel Prize: Poetry to Politics,” the award for contemporary art and design inspired by Islamic tradition. 

Eight finalists have been shortlisted from over 400 applications for the $34,400 prize including Ajlan Gharem from Saudi Arabia, Hadeyeh Badri from the UAE, Kallol Datta from India, Farah Fayyad and Jana Traboulsi from Lebanon, Sofia Karim from the UK, Bushra Waqas Khan from Pakistan and Golnar Adili from Iran.

Organizers will also present an exhibition to showcase works by the eight shortlisted designers on Sept. 18 at the V&A Museum before touring internationally. 




Bushra Waqas Khan, Untitled, 2019. (Supplied)

It will be the first international exhibition to focus on innovative contemporary design inspired by Islamic tradition. 

The contest’s work includes diverse artforms, spanning graphic design and fashion, typography and textiles, and installation and activism.

According to a released statement, “the works in the exhibition will address global events and lived realities, and the legacies of language, architecture and craft.” 

The winner of the award’s sixth edition will be announced at the opening of the exhibition in September.




Hadeyeh Badri, Prayer is my Mail, installation of work at Sullivan Galleries for the SAIC MFA show, 2019. (Supplied)

The international jury for the prize, which selected the shortlist and will choose the winner, includes V&A Director Tristram Hunt as jury chairman; the joint winners of last year’s Jameel Prize, Iraqi artist Mehdi Moutashar and Bangladeshi architect Marina Tabassum; British author and design critic Alice Rawsthorn; and Emirati writer, researcher and founder of the Barjeel Art Foundation, Sultan Sooud Al-Qassemi.

Hunt said in the released statement: “This year’s Jameel Prize is the first iteration to focus on contemporary design and attracted a record number of entries from around the world. From poetry to politics, those on the exceptional and diverse shortlist were selected for their innovative and imaginative projects, with strong links between Islamic traditions and contemporary design.”

“The V&A is delighted to continue its partnership with Art Jameel with this Prize, and celebrate contemporary practitioners inspired by Islamic traditions,” Hunt added. 


Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

Updated 01 February 2026
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Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh

RIYADH: A painting by Saudi artist Safeya Binzagr sold for $2.1 million at Sotheby’s “Origins II” auction in Riyadh on Saturday, emerging as the top lot of the evening and setting a new auction record for a Saudi artist.

The work, “Coffee Shop in Madina Road” (1968), sold for $1.65 million before the buyer’s premium, the additional fee paid by the purchaser to the auction house on top of the hammer price.

The result nearly doubled the previous auction record for a Saudi artist and became the most valuable artwork ever sold at auction in the Kingdom. It also ranks as the third-highest price achieved for an Arab artist at auction.

It was presented as part of “Origins II,” Sotheby’s second auction staged in Saudi Arabia, comprising 62 modern and contemporary lots and bringing together Saudi artists alongside regional and international names.

Collectors from more than 40 countries participated in the auction, with around one-third of the lots sold to buyers within Saudi Arabia.

The sale totaled $19.6 million, exceeding its pre-sale estimate and bringing the combined value of works offered across “Origins” and “Origins II” to over $32 million.

Saudi artists were central to the evening’s results. All nine Saudi works offered found buyers, achieving a combined total of $4.3 million, well above pre‑sale expectations.

Ashkan Baghestani, Sotheby’s head of contemporary art for the Middle East, told Arab News at the auction that “Safeya made more than any other artist tonight, which is incredible.”

He said the results demonstrated Sotheby’s broader objective in the Kingdom.

“The results tonight show exactly what we’re trying to do here. Bring international collectors to Saudi Arabia and give them exposure to Saudi artists, especially the pioneers.”

All nine works by Saudi artists offered in the sale found buyers, generating a combined $4.3 million. Additional auction records were set for Egyptian artist Ahmed Morsi and Sudanese artist Abdel Badie Abdel Hay.

An untitled work from 1989 by Mohammed Al-Saleem sold for a triple estimate of $756,000, while a second work by the artist, “Flow” from 1987, achieved $630,000.

The sale opened with the auction debut of Mohamed Siam, whose “Untitled (Camel Race)” sold for $94,500. Also making his first auction appearance, Dia Aziz Dia’s prize-winning “La Palma (The Palma)” achieved $226,800.

The sale coincided with the opening week of the Contemporary Art Biennale in Riyadh, reinforcing the city’s growing role as a focal point for both cultural institutions and the art market.

Baghestani added that Saudi modern artists are now receiving long‑overdue recognition in the market.

“There’s so much interest and so much demand, and the price is where it should be,” he said.

International highlights included works by Pablo Picasso, Roy Lichtenstein, Andy Warhol and Anish Kapoor, underscoring Saudi Arabia’s growing role as a destination for major global art events and collectors.

Picasso’s “Paysage,” painted during the final decade of the artist’s life, sold for $1,600,000, becoming the second most valuable artwork sold at auction in Saudi Arabia.

Seven works by Lichtenstein from the personal collection of the artist and his wife, including collages, prints, works on paper and sculptures, all found buyers. Warhol was represented in the sale with two works: “Disquieting Muses (After de Chirico),” which sold for $1,033,200, and a complete set of four screenprints of “Muhammad Ali,” which achieved $352,000.

Baghestani said the strength of the results was closely tied to the material’s freshness. “These were not works from the trade. Some of them had not been seen since the 1970s,” he said.