Gal Gadot ‘so honored’ to appear as Wonder Woman on Dubai’s Burj Khalifa

Gal Gadot plays the role of Wonder Woman. (File/AFP)
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Updated 17 December 2020
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Gal Gadot ‘so honored’ to appear as Wonder Woman on Dubai’s Burj Khalifa

DUBAI: Ahead of what is for many the most anticipated film of the year, Wonder Woman herself took over Dubai’s Burj Khalifa on Tuesday night, two days before the theatrical release of “Wonder Woman 1984” in both the UAE and Saudi Arabia.

Stars Gal Gadot, Chris Pine and Kristen Wiig all appeared on the world’s tallest building as part of a unique video experience created for a one-time-only event. Inspired by the film’s 1980s setting, the video made use of a static glitch effect that echoed the aesthetics of the time period, while also incorporating footage from the film’s trailer.

Gadot, ahead of her appearance on the Burj Khalifa, spoke to Arab News about the special occasion.

“I’m so excited! Please take a photo and send it. I saw the model of what it should be looking like and it’s insane. I’m so, so honored,’ Gadot told Arab News.

Gadot also expressed her thanks to the people of Dubai for giving her the chance to appear on the iconic structure, expressing her wishes to visit the UAE as soon as she’s able to.

“I would love to (visit Dubai) and I wish all of you guys happy holidays and I wish you all health and happiness,” said Gadot.

Gadot also stressed the cultural significance of the character, a female role model who projects both strength and moral courage for young girls across the world. Having hero like Wonder Woman projected onto the Burj Khalifa, for example, lets young girls looking up at the image know that there is no limit to what they can become themselves.

“I realized the power of these movies. I’m a big believer that when you see it, you think you can be it, and then you become it. I didn’t have the opportunity to see all of these strong female characters (growing up). Now I’m seeing the way that it affects my daughters, and also boys and men, and all different type of people. It’s so powerful, and it’s so strong, and I feel very grateful that I have the opportunity to be a part of this,” says Gadot.

While Jo Blankernburg’s theme from the initial “Wonder Woman 1984” trailer, entitled “The Magellan Matrix” accompanied the Burj Khalifa display, the film itself is scored by Academy Award-winning composer Hans Zimmer.

Zimmer replaces the composer Rupert Gregson-Williams, who scored the first Wonder Woman film in 2017. Zimmer has a long history in the DC Comics world, scoring Christopher Nolan’s entire Dark Knight Trilogy, Man of Steel (2013), and Batman v Superman: Dawn of Justice (2016), which itself marked the debut of Gadot as Wonder Woman.

“I loved working with Rupert Gregson-Williams. There was nothing wrong with [him], my first experience was incredible. But we’re working with Hans’s themes so much,” said Patty Jenkins, referring to the film’s use of the music Zimmer created for the character in “Batman v Superman: Dawn of Justice.”

 “Hans really is, I think, the greatest composer of our times. Getting him to take on his own theme and this new shape of the world was just something I couldn’t pass up. We had a great time. He’s a genius. When he puts his spirit onto something, what comes out of him is pretty incredible. What a thrill! Watching him, he took the Wonder Woman theme that he had written, which is very ‘battle cry’, and he actually morphed it into this grand heroic superhero theme, which I didn’t think he could do, but he proved me wrong. So getting him to do that as well was pretty amazing,” Jenkins continued.


Riyadh exhibition to trace the origins of Saudi modern art

Updated 6 sec ago
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Riyadh exhibition to trace the origins of Saudi modern art

  • Features painting, sculpture and archival documents
  • Open from Jan. 27-April 11 at Saudi national museum

DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.

The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.

On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.

It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.

The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.

These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.

Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.

The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.

The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.

It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.

A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.