Halima Aden gets cozy in new Fall fashion campaign

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Updated 10 October 2020
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Halima Aden gets cozy in new Fall fashion campaign

DUBAI: Luxury US label St. John seems keen to tap into a younger audience with its latest collection — and they are relying on some serious star power to do just that.

Over the weekend, 23-year-old model Halima Aden took to Instagram to share a flurry of campaign photos taken for the fashion house, in which she is seen posing in an ensemble from the Fall collection.

“Ready for the world in my @stjohnknits as we celebrate the launch of their new Fall collection,” the hijab-wearing model captioned one of the posts.

Founded in 1962, the label is best known for its classic wool and rayon yarn knits and Aden showed off a prime example to her 1.2 million Instagram followers on Friday.

The model opted for a high collar, ankle-length knitted dress in a sophisticated shade of cream. The sleek look featured puffed, wrist-length sleeves and was belted at the waist with a thin gold strap. Aden paired the winter-ready look with a matching knotted turban and kept her makeup pared down, smoky and perfect for the fall season.

Sold exclusively online, the new line is a limited-edition capsule collection by former Dior designer Zoe Turner. Turner upped the ante with exaggerated lengths and dramatic drapes while remaining faithful to the fashion house’s core brand pillars — quality fabrics and expert craftsmanship.

“Feeling the power and elegance of femininity with @stjohnknits,” Aden posted on Instagram Stories on Friday.

It has been a busy few weeks for the model, who was recently unveiled as one of the faces of Tommy Hilfiger’s Fall 2020 global campaign. The US-Somali beauty appears in the new ad campaign alongside a diverse cast of other top models, including Dilone, Alton Mason, Soo Joo Park and more.

Aden made her runway debut at Kanye West’s Yeezy Season 5 show during New York Fashion Week in 2017. She went on to become the first Muslim woman wearing a hijab to grace the cover of several publications, including British Vogue, and has walked in various fashion weeks in New York, London and Paris. Aden has also appeared in a number of ad campaigns for prestigious brands, such as Fenty Beauty and Nike. 

Aden, who grew up in a Kenyan refugee camp before immigrating to the United States with her family aged six, was also appointed as the new Chief Coconut Officer for the coconut water brand Vita Coco’s Vita Coco Project, an initiative founded in 2014 which helps to build the communities they source their coconuts from.


Lebanese filmmaker turns archival footage into a love letter to Beirut

Updated 28 February 2026
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Lebanese filmmaker turns archival footage into a love letter to Beirut

LONDON: Lebanese filmmaker Lana Daher’s debut feature “Do You Love Me” is a love letter of sorts to Beirut, composed entirely of archival material spanning seven decades across film, television, home videos and photography.

The film premiered at the 82nd Venice International Film Festival in September and has since traveled to several regional and international festivals.

Pink Smoke (2020) by Ben Hubbard. (Supplied)

With minimal dialogue, the film relies heavily on image and sound to reconstruct Lebanon’s fragmented history.

“By resisting voiceover and autobiography, I feel like I had to trust the image and the shared emotional landscape of these archives to carry the meaning,” Daher said.

A Suspended Life (Ghazal el-Banat) (1985) by Jocelyne Saab. (Supplied)

She explained that in a city like Beirut “where trauma is rarely private,” the socio-political context becomes the atmosphere of the film, with personal memory expanding into a collective experience — “a shared terrain of emotional history.”

Daher said: “By using the accumulated visual representations of Beirut, I was, in a way, rewriting my own representation of home through images that already existed."

Whispers (1980) by Maroun Bagdadi. (Supplied)

Daher, with editor Qutaiba Barhamji, steered clear of long sequences, preferring individual shots that allowed them to “reassemble meaning” while maintaining the integrity of their own work and respecting the original material, she explained.

The film does not feature a voice-over, an intentional decision that influenced the use of sound, music, and silence.

The Boombox (1995) by Fouad Elkoury. (Supplied)

“By resisting the urge to fill every space with dialogue or score, we created room for discomfort,” Daher said, adding that silence allows the audience to sit with the image and enter its emotional space rather than being guided too explicitly.

 The film was a labor of love, challenging Daher personally and professionally.

“When you draw from personal memory, you’re not just directing scenes, you’re revisiting parts of yourself and your childhood,” she said. “There’s vulnerability in that.”