‘People more scared about economy than COVID-19,’ says creative chairman of McCann Worldgroup

The ‘Fearless Girl’ bronze sculpture is seen near the New York Stock Exchange building. (AFP/File)
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Updated 01 September 2020
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‘People more scared about economy than COVID-19,’ says creative chairman of McCann Worldgroup

  • McCann Worldgroup’s Rob Reilly shares his views about the pandemic, creativity and everything in between

DUBAI: Remember “Fearless Girl”? A 4-foot high statue of a girl installed in New York City in 2017 to symbolize female empowerment that took the world by storm. The agency behind it? McCann.

In a time plagued by fear and panic, it seems only appropriate to check in with the minds behind the fearless girl.

Rob Reilly, global creative chairman of McCann Worldgroup, talked to Arab News about the pandemic, creativity and everything in between.

Q. Do brands really need to address the pandemic in their advertising or communications?

A. I think brands need to be strong. Our belief that the government, especially in America, is going to solve our problems is pretty low. So more and more brands are stepping up and doing the right things. We’re not front-liners but we’re second-liners; our job is to keep brands in business, and it’s an important job.

People are more scared about the economy than they are about COVID! So if brands start faltering and going out of business, it’s going to be scary for a lot of people. When you work at a network like McCann that has all these large corporations around the world and brands that are meaningful in people’s lives, you have a duty to try to keep those brands in business and keep the economy strong.

People are still eating and drinking and enjoying entertainment … It’s just that we have a new reality. I don’t know if brands staying silent is the right move; I think brands need to be out there telling their story, whether it’s about their products or their beliefs. To back that up, we have a lot of brands doing the right thing … General Motors is making ventilators, and Verizon donated a lot of money in the technology sector. But we’re also selling their cars and their phone plans, so I think it’s important that brands are strong.

Q. You said two interesting things here — one is that you have to help brands sell for the economy, and the other is that you do not think it is a good time for brands to stay silent. Are those two necessarily the same thing?

A. I’m not sure they mean the same thing but you know, brands can decide whether they want to make a statement about what’s happening in the world. However, the brands that people are really remembering are the brands that did something.

Early on, every brand was making commercials about these challenging times, and I think it has been made fun of a bit, but that’s advertising people talking to advertising people. The general public needed to hear messages from brands that understood that people are going through a tough time and how to stay together. At the very least, you (as a brand) go out and say something that’s supportive, then you move on to what you’re actually doing, and how to ensure the economy doesn’t falter.




Global Creative Chairman McCann Worldgroup Rob Reilly. (Supplied)

Q. Was there a correlation between brands that were sending out supportive messages and those that were performing well in terms of sales?

A. I don’t know; it depends on what kind of business they’re in. Obviously yes if they’re an essential business brand like Walmart or Verizon. Cars (automotive brands) were struggling for some time but now people might not be traveling by planes, so they might just want to get in a car and drive away for a vacation. Also, streaming services like Netflix are going crazy.

Some brands might not even have to come out and make statements; they just have to be there. If you’re a brand that sells toilet paper, for instance, you don’t have to say too much. One of the advice I give brands is make sure you do the thing people expect you to do first. For Verizon, it’s making sure people are connected. For Nestle, make sure there’s enough food.

Q. As everything has become more digital, people are spending more time on social media platforms, but brands have paused social advertising due to concerns over hate speech and fake news, especially on Facebook. What is your take on that?

A. We advise our clients privately. No one is a fan of hate speech, but as an ad agency, first and foremost I think of how to support our brands. I certainly don’t support hate speech, but I also know that it’s a very complicated thing they’re trying to navigate. I hope Facebook survives through this because I know how important it is to people. I’d hate for it to go away because I think it (social media) has changed our lives for the better and a lot of small businesses use it.

I don’t think it (pausing advertising) is an issue for large brands. It’s the small businesses that rely on these social platforms to stay in business and survive, and that’s a very important thing that no one’s really talking about.


CNN rules for first US presidential debate: no props, muted microphones

Updated 16 June 2024
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CNN rules for first US presidential debate: no props, muted microphones

  • CNN said candidates eligible to participate must appear on a sufficient number of state ballots to reach the 270 electoral vote threshold needed to win and receive at least 15 percent in four separate national polls

WASHINGTON: The first US presidential debate between incumbent Joe Biden and Republican rival Donald Trump on June 27 will include two commercial breaks, no props and muted microphones except when recognized to speak, CNN said Saturday. In May, the candidates agreed to face off in two debates including one this month that will be moderated by CNN anchors Jake Tapper and Dana Bash in Atlanta, while the other on Sept. 10 will be hosted by ABC.
CNN said Saturday both candidates will appear at a uniform podium during the 90-minute debate, podium positions will be determined by a coin flip and candidates will be given a pen, a pad of paper and a bottle of water but cannot use props.
“Microphones will be muted throughout the debate except for the candidate whose turn it is to speak,” CNN said.
CNN, a division of Warner Bros Discovery, said the moderators “will use all tools at their disposal to enforce timing and ensure a civilized discussion.”
During the two commercial breaks, campaign staff may not interact with their candidate, and there will be no studio audience.
CNN said candidates eligible to participate must appear on a sufficient number of state ballots to reach the 270 electoral vote threshold needed to win and receive at least 15 percent in four separate national polls. CNN said it is “not impossible” Robert F. Kennedy Jr., who is running as an independent, could qualify, saying he has received at least 15 percent in three qualifying polls to date and has qualified for the ballot in six states, making him eligible for 89 electoral college votes.
Debates, which will draw a US live television audience in the tens of millions, are fraught with risks for both candidates, who face a close race. Biden has three preferred debate topics, according to a campaign memo viewed by Reuters: abortion rights, the state of democracy and the economy.
Trump refused to debate his rivals during the Republican nominating race. His team has pointed to immigration, public safety and inflation as key issues ahead of the debate.

 


Indonesia minister threatens to shut down X over adult content

Updated 14 June 2024
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Indonesia minister threatens to shut down X over adult content

  • X has recently updated its policies to permit consensually produced adult content
  • Minister Budi Arie Setiadi said it had sent a letter to X to demand revision of policy

JAKARTA: Indonesia is prepared to shut down social media platform X if it does not comply with a regulation barring adult content, the country’s communications minister said on Friday.
Indonesia, the world’s biggest Muslim-majority country, has strict rules that ban the sharing online of content deemed obscene.
Minister Budi Arie Setiadi told Reuters he had sent a warning letter to X related to this matter.
“We will certainly shut its services down,” he said, pointing to Indonesia’s electronic information and transaction (ITE) law that can carry a six-year jail sentence if someone spreads pornographic content.
His comments in an interview come after the social media platform recently updated its policies to permit consensually produced adult content.
X, owned by billionaire Elon Musk, has not responded to Indonesia’s warning letter, Budi said, adding the government would send more letters before deciding on a potential closure.
X, formerly known as Twitter, did not immediately respond to a request by Reuters for comment.
Indonesians are big users of social media and X has 24.85 million users in the country, according to data gathering business Statista.


New ‘Million Dollar Island’ seasons to be produced at NEOM

Updated 14 June 2024
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New ‘Million Dollar Island’ seasons to be produced at NEOM

  • Talpa Studios recommissions hit reality show for MBC in the Middle East, NET5 in the Netherlands

DUBAI: Talpa Studios, which was founded by John de Mol, the creator of popular shows “The Voice” and “Big Brother,” has recommissioned its reality show “Million Dollar Island” for new seasons in the Middle East and the Netherlands.

The new seasons — titled “Million Dollar Land” or “Ard Al-Million” for MBC in the Middle East and “Million Dollar Desert” for NET5 in the Netherlands  — will be produced at Saudi Arabia’s NEOM production hub, in collaboration with regional production house Blue Engine Studios.

This will be the second season of “Ard Al-Million.” The first season aired on MBC Group’s TV channels MBC1, MBC IRAQ, and Shahid last May.

Produced by Monday Media, “Million Dollar Island” also ran for two seasons in the Netherlands. The new season, however, marks a shift to the desert-oriented format and will be shot at NEOM.

Blue Engine Studios played a key role in facilitating the deal between Talpa Studios and NEOM’s media sector and aims to bring more countries to NEOM’s production hub.

Its work on the Dutch edition included facilitating Monday Media’s production of the latest season, such as sourcing suppliers, permits and equipment as part of the studio’s commitment to establish a hub for the show at NEOM.

Ziad Kebbi, CEO at Blue Engine Studios, said that the “collaboration with NEOM and Talpa Studios underscores our commitment to producing high-quality entertainment that resonates with audiences.”

Unlike previous seasons, which featured 100 contestants, the new seasons will see 30 contestants test their endurance as they navigate the challenges of life in the desert.

There will be other changes to the format revealed when the new seasons go on air.

“These spin-offs preserve “the core principles that have made the original so compelling, while introducing innovative new elements that are perfectly suited to NEOM’s stunning desert scenery,” said Sebastian van Barneveld, director of international distribution at Talpa Studios.

Partnerships such as these ensure “a robust pipeline of productions and afford opportunities to accelerate our media ecosystem while training the next generation of talent,” said Wayne Borg, managing director of NEOM Media Industries.

The broadcast date of the new seasons is yet to be announced. “Ard Al-Million” will air on MBC1 and Shahid.


Al Habtoor scraps plans for Beirut-based TV channel over ‘severe security challenges’

Updated 13 June 2024
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Al Habtoor scraps plans for Beirut-based TV channel over ‘severe security challenges’

  • The Emirati company says it was targeted by ‘orchestrated campaigns including accusations, slander and threats’ against staff
  • ‘We have encountered insurmountable obstacles that exceed what can reasonably be borne regarding the safety and security of our team,’ says boss Khalaf Ahmad Al-Habtoor

LONDON: Emirati business Al Habtoor Group has abandoned its plans to launch a TV channel in Beirut due to what it described as “severe security challenges,” including physical threats against the company and its employees.

“Following the project announcement, the group encountered a barrage of orchestrated campaigns including accusations, slander, and threats,” the company said.

Those responsible have not been identified but the group said it has filed criminal and civil complaints in Lebanon. It thanked the Lebanese minister of information, Ziad Makary, for his support.

Chairperson Khalaf Ahmad Al-Habtoor confirmed on Tuesday that the launch of the TV channel, which would have focused on cultural, social and sporting content, had been canceled.

“We have encountered insurmountable obstacles that exceed what can reasonably be borne regarding the safety and security of our team,” he said.

“We find ourselves compelled to seek an alternative to launching the project from Lebanon.”

The company, which is based in Dubai, said it is considering alternative locations in “countries that offer a more stable and secure environment supportive of such initiatives.”

The group’s businesses operate in various sectors, including construction, real estate and hospitality in the Middle East, Europe and the US.

It said the aim of the new TV channel was to “spread positivity, success and good stories” from Lebanon. It was expected to create about 300 jobs and the plans included construction of a 100,000-square-meter studio city.

“Our goal has always been to support the Lebanese people and provide content that inspires hope and positivity,” the company said.

“The current situation has left us no choice but to step back from this initiative and abandon the launch of our television station from Lebanon.”


Photojournalist Mohammed Salem discusses award-winning shot  ‘A Palestinian Woman Embraces the Body of Her Niece’

Updated 13 June 2024
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Photojournalist Mohammed Salem discusses award-winning shot  ‘A Palestinian Woman Embraces the Body of Her Niece’

DUBAI: The photojournalist discusses the photograph that won him the 2024 World Press Photo of the Year Award.

I was born in Gaza and have been working in journalism for 20 years. Like my three brothers, I’ve loved photography ever since I was little, and it was my dream to become a photographer. At times like this, photography allows us to share our message with the world. It allows people to see us and what is happening to us. 

I regard this ongoing war on Gaza as something we have never seen before. I cannot imagine anything more difficult happening to us. It has left nothing untouched — not a rock, not a tree, not a human, not a child. The difficulties that we have endured are unimaginable.  

I was working when I was informed that my brother — my support system — had been martyred. Most of my cousins were martyred too, and my siblings’ homes were destroyed. Death was so close to us.  

This photograph was taken at the Nasser Hospital in Khan Younis. I was actually living in the hospital, because I had been displaced. Wrapped in white cloth, the killed child that you see is being embraced by her aunt. She came to the hospital to see who was alive from her family. There was a lot of blood on the floor and she was running around in a maddened way. When she found the child, she carried her to the corner of a room and embraced her tightly. I have never such as a strong embrace before. It felt like true love — just the two of them.  

Many violent pictures have come out of Gaza, but a picture like this enters people’s hearts. You look at it and your heart aches. The award came at a moment of sadness: I was not happy, because there was no time for happiness given the environment I am in. But my biggest joy is that this image reached people around the world.