If Saudi Arabia is forced to put the Hajj on hold, it will not be without precedent

An aerial view shows an empty white-tiled area surrounding the Kaaba in Makkah's Grand Mosque on March 6, 2020. (Photo by Bandar Aldandani / AFP)
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Updated 05 April 2020
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If Saudi Arabia is forced to put the Hajj on hold, it will not be without precedent

  • Saudi minister's remarks have called into question viability of this year's Hajj amid coronavirus crisis
  • The annual Islamic pilgrimage has a history of disruptions and cancellations going back centuries

JEDDAH: Will the Hajj, which draws millions of Muslims annually to Islam’s birthplace in Saudi Arabia, be suspended this year owing to the global coronavirus pandemic?
That question had been uppermost in the minds of millions of Muslims worldwide even before a Saudi official asked them to put on hold any plans to perform the obligatory pilgrimage, scheduled to begin in late July.
“We’ve asked our Muslim brothers around the world to wait” before making Hajj plans “until there’s clarity,” Dr. Muhammad Salih bin Taher Banten, minister of Hajj and Umrah, told state-run Al-Ekhbariya TV in comments on March 31 that quickly bounced around the world.
He added: “We've asked the world not to rush with regards to Hajj groups until the path of the epidemic becomes clear, keeping in mind the safety of pilgrims and public health as a priority.”
Saudi Arabia’s Ministry of Health has taken the whole gamut of precautionary measures to control the spread of COVID-19 infection in Makkah and Madinah, yet a total of more than 480 active cases have been reported in the two holy cities so far.
Last month, the Kingdom suspended the Umrah pilgrimage until further notice, halted all international passenger flights indefinitely, and blocked the entry and exit to several cities, including Makkah and Madinah.
There have been 25 deaths reported among more than 2,000 COVID-19 cases in Saudi Arabia.

Globally, more than 1,000,000 people have been infected and nearly 59,000 of them have died.
Against this backdrop, a decision to suspend the Hajj may seem at once inevitable and unprecedented.
In actual fact, the pilgrimage has experienced disruptions through the centuries due to circumstances beyond the control of Hajj authorities.
According to a report published by the King Abdul Aziz Foundation for Research and Archives (Darah), the first time the Hajj was interrupted was in 930 AD when the Qarmatians, a syncretic branch of Sevener Ismaili Shiite Islam that revolted against the Abbasid Caliphate, attacked pilgrims on the eighth day of Hajj.
The report says the Qarmatians, convinced that performing the Hajj was an act of idolatry, killed more than 30,000 pilgrims that year, desecrated Makkah’s Zamzam well with corpses, and ran off with the Black Stone of the Kaaba back to Hajr (Qatif nowadays), their capital on the Arabian Gulf at that time.
On account of the bloody assault, the Hajj was not performed for another 10 years, according to the Darah report.
The next disruption happened in 968 AD, says the report, citing Ibn Kathir’s book “Al-Bidaya wan-Nihayah.” It said a disease spread inside Makkah and claimed the lives of many pilgrims.

The Prophet Muhammad said, ‘If you hear of an outbreak of a plague in a land, do not enter it.’


At the same time, camels used for transporting pilgrims to Makkah died owing to a scarcity of water.
“Many of those who managed to reach Makkah safely could not live long after Hajj for the same reason,” according to the Darah report
Among those who came to Makkah to perform the Hajj in significant numbers were Egyptians.
But in 1000 AD, they could not afford to undertake the journey because of the high cost of living in the country that year.
Some 29 years later, no pilgrims from the East or Egypt came for the Hajj. According to the Darah report, in 1030 only a few Iraqi pilgrims managed to reach Makkah to perform the Hajj.
Nine years later, Iraqi, Egyptian, Central Asian and north Arabian Muslims were unable to perform the Hajj.
Dr. Emad Taher, head of the history department at King Abdul Aziz University, said the reason was political unrest and sectarian tensions.
Similarly, no one performed the Hajj in 1099 owing to fear and insecurity across the Muslim world as a result of wars.

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Some five years before the Crusaders seized Jerusalem in 1099, lack of unity among Muslim rulers of the Arab region meant that no Muslims could manage to reach Makkah to perform the Hajj.
In 1168, Egyptians found themselves locked in confrontation with Kurdish Commander Asaduddin Shirkuh, who was hoping to extend the Zangid dynasty to Egypt. The situation naturally did not allow Egyptians to perform the Hajj.
The pilgrimage was again disrupted in the 13th century. The Darah report says no people from outside the Hijaz region could perform the Hajj between 1256 and1260.
French leader Napoleon Bonaparte’s military campaign in the Ottoman territories of Egypt and Syria from 1798 to 1801 made the standard routes to Makkah unsafe for pilgrims.
More than two centuries on, a global pandemic has cast a huge shadow of uncertainty on the Islamic pilgrimage.
Hani Nasira, an Egyptian academic and writer, said if COVID-19 cases worldwide continue to increase, a decision to halt the Hajj should come as no surprise.
“If imposed, such a decision will be wise and in full compliance with the Islamic Shariah, which basically aims to protect and preserve peoples’ lives,” he told Arab News.
“In the Holy Qur’an, Allah says, ‘and do not kill yourselves.’ Also, the Prophet Muhammad warned his companions against epidemics.




Muslims visit the Kaaba during a pilgrimage to Makkah in 1954. (AP)

“Abdulrahman bin Awf narrated that the Prophet Muhammad had said, ‘if you hear of an outbreak of a plague in a land, do not enter it; but if that epidemic breaks out in a place while you are in it, do not leave that place.’ This Hadith shows the significance of avoiding plagues.”
Nasira noted that the COVID-19 outbreak has claimed thousands of lives across the world and shows no sign of abating.
“The whole world is suffering from the swift spread of the coronavirus, which has filled people everywhere with unprecedented dread,” he told Arab News.
“With scientists having little information about the virus, a cure isn’t likely to come out soon, so the continuation of the situation makes suspending the Hajj necessary to protect lives.”
Nasira drew attention to the fact that some Muslim countries, including Iran and Turkey, are among the biggest casualties of the pandemic.
“We don’t want to add fuel to the fire. It’s illogical, and Islam also never accepts or approves that. If I were a mufti, I wouldn’t hesitate to call for a suspension,” he said.
Ahmed Al-Ghamdi, a researcher of Islamic studies, pointed out that the Hajj is not a limited ritual in the sense that it can be carried out at least once in the lifetime of an adult Muslim.
“Performing the Hajj isn’t limited to a specific time. An adult Muslim can perform the Hajj whenever he or she likes once they’ve reached the age of discretion,” he told Arab News.
“Prophet Muhammad, for instance, didn’t perform the pilgrimage in the first year the Hajj became a duty. He made his Hajj a year later,” said Al-Ghamdi, who specializes in Hadith and Islamic sciences. Like Nasira, he maintains that Islamic Shariah strongly backs public interest and wellbeing.
“In case of dire necessity, such as because of the spread of the coronavirus disease, political reasons or security compulsions, the Hajj can be suspended and this doesn’t contradict Islamic teachings,” Al-Ghamdi said. “The Almighty has ordered us to not expose ourselves to danger.”
Moreover, Al-Ghamdi said, the Hajj is founded in reason and logic, so if health officials find that a contagious sickness can cause deaths, preserving people’s lives is more important than the pilgrimage itself. “Nothing is wrong with this line of reasoning in Islamic Shariah,” he added.

 


New initiative to train young innovators in nanotechnology

Updated 7 sec ago
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New initiative to train young innovators in nanotechnology

  • Program structured in 3 phases for Saudi graduates and entrepreneurs 

RIYADH: The Nanotechnology Association, supported by the Misk Foundation, is set to launch the Nanohub Program, aimed at inspiring and equipping the next generation for careers in the sector to help support a brighter future and a thriving economy.

Nanohub, a nonprofit initiative, is structured in three phases to train Saudi graduates and entrepreneurs aged between 20 and 26. It provides workshops and sessions to develop personal skills, gain hands-on experience with nanotechnology, and receive guidance from industry experts.

The program partners with leading local and international organizations to ensure participants are prepared for the workforce.

Nanotechnology is expected to transform business and innovation in various sectors. Understanding its economic impact and the potential benefits of partnerships are of crucial importance for young entrepreneurs.

The program aims to equip participants with the skills and knowledge needed to excel in nanotechnology and inspire them to drive innovation in their industries.

The first phase of the program will focus on soft skills and leadership development. It is scheduled for three days, starting on April 28.

The second phase, which starts on May 5, explores applications of nanotechnology. It runs for five days, covering topics like the fundamentals of nanotechnology, its use in medicine, energy, and renewable energy, as well as sustainability.

The third phase, beginning on May 12 and ending on May 16, provides hands-on laboratory experience through a series of sessions called “Shadowing and Lab Tours.” This phase has two key tracks: the Shadowing Track and the Lab Tours Track.

The Lab Tours Track will give participants an in-depth look at cutting-edge nanotechnology research. They will visit world-class laboratories where nanotechnology innovations are being developed.

Participants will observe advanced equipment and complex techniques central to nanotechnology research. They will see live experiments and dynamic processes that reveal the workings of nanotechnology. This track is more than just a tour as it enhances understanding by connecting academic concepts to real-world applications, giving participants a closer look at the research and development process.

The Nanohub Program is “a transformative initiative designed to elevate the skills and competencies of graduates and new hires with STEM (science, technology, engineering and mathematics) backgrounds,” said Dr. Turki Almugaiteeb, chairman of the board of the Nanotechnology Association.

“This unique initiative aims to enrich participants’ soft skills and technical expertise through curated activities.”

Almugaiteeb added that participants would “have the opportunity to delve into the intriguing realms of medicine and energy, witnessing firsthand how nanotechnology is revolutionizing these industries.”

He added: “By immersing themselves in this dynamic program, individuals will not only broaden their knowledge but also cultivate the multidisciplinary skills needed to thrive in today’s competitive and rapidly evolving STEM landscape.”


An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

Updated 8 min 32 sec ago
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An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

  • Tariq Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh
  • Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages

RIYADH: The Arabian horse and hunting falcon are important historical and cultural symbols for the Arab world, both ancient and modern.

Now a Riyadh gallery is highlighting this enduring bond with a series of portrait studies of both creatures by Tariq Dajani, a Jordanian photographer and printmaker.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages.

However, Dajani, an owner of Arabians, chose to reflect his love of these creatures through photography and artworks.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

Over the years he spent many sessions photographing horses in his native Jordan, as well as the UAE and Saudi Arabia. Later, toward the end of the project, he added the hunting falcon, another symbol of cultural heritage and pride among Arabs.

Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh. 

Entitled “Drinkers of the Wind,” the exhibition is the result of 16 years’ work creating portraits of these magnificent creatures.

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

Dajani told Arab News that he is delighted to be able to display his work in Saudi Arabia, “a country that is deeply connected to the horse and the falcon.”

Ahlam Gallery is the perfect place to showcase these artworks, he added.

Dajani’s treatment of his subjects is not in the usual natural or romantic manner. Instead, and this is partly what sets his art apart, he uses a studio portrait approach, where he takes his studio to the stables or falcon sheds, and spends time carefully working on portrait studies of the creatures.

“My aim is to find a connection of sorts with the horse or the birds,” he said. “I am not interested in documenting the creature; I try to go deeper, to express something emotionally if I can.

“I was living in Sweden when I decided to photograph the Arabian horse. So I had to return to the Middle East, and I started with Jordan, my home country.

“The way I approach the work is to present the horse on a backdrop where all my focus — and thus the viewers of the final picture — will be on the animal itself and not on the environment that it is in.”

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

While photographing in Jordan, Dajani met Princess Alia Al-Hussein, eldest daughter of the late King Hussein of Jordan. He presented some of his work to her, and received her enthusiastic approval. 

Princess Alia gave him permission to photograph the horses of the Royal Jordanian Stud, and has continued to support his work over the years, opening his first two exhibitions in Jordan.

“I had access to some of the most beautiful horses in Jordan when I first started my project. My first exhibition solely of Jordanian Arabians was a great success,” Dajani said.

“Encouraged by the reception, and by now totally absorbed in this project, I went to Dubai, then Abu Dhabi, then Saudi Arabia, where I was presented with some of the most magnificent Arabian horses to photograph. Along the way, I introduced portrait studies of the hunting falcon. They, too, are strikingly beautiful and have a special place in Arab culture and heritage.

“I will always remain very grateful to Princess Alia for her initial support, and to many others for encouraging the work and opening doors for me along the way.”

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

One of his most striking photographs shows two mares bringing their heads together in a gentle greeting.

“This incredible and totally unanticipated greeting happened while I was photographing at the King Abdulaziz Arabian Horse Center in Dirab, south of Riyadh. The two mares were led out onto my backdrop studio space from opposite sides, and when they approached each other, they gently and courteously touched their heads as if to say hello,” he said.

“It was so special. No one had ever witnessed this before. We all held our breath as we watched in amazement. I frequently think that it would be nice if these sensitive, clever creatures could teach us humans a little bit of gentleness and respect.”

Dajani’s exhibition features high-quality photographic color prints, and a smaller collection of photogravure prints, produced by manually pulling an inked metal plate, engraved with the photographic image, through a traditional printing press — a slow and difficult process that produces prints with a special feel and texture.
 


Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

Updated 41 min 12 sec ago
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Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

  • The event included films by young Saudis and their peers from around the world, plus seminars and workshops presented by industry insiders

JEDDAH: Effat University’s School of Cinematic Arts in Jeddah welcomed aspiring filmmakers and cinephiles to the 11th Showreel Effat International Student Film Festival this week.

The theme for the three-day event, which concluded on Thursday, was “Behind the Seen,” reflecting the aim of organizers to shed light on the creative process and less-visible aspects of filmmaking. The program included a diverse range of cinematic offerings celebrating the work and talent of student filmmakers, not only those studying at the school but also their peers around the globe.

Mohammed Ghazala, head of the School of Cinema Arts, set the scene with an overview of the works featured during the festival, at the heart of which were films created by students and graduates of the school, which has been a pioneer in film and animation education in the Kingdom.

Alongside the home-grown talent, the festival provided a showcase for an impressive selection of international student films. These were carefully curated from a pool of 2,150 submissions from more than 115 countries, which were whittled down to a final selection of 57 exceptional works from 27 nations: Saudi Arabia, Egypt, Lebanon, Tunisia, Yemen, Morocco, Turkey, France, Belgium, Japan, Italy, Estonia, the Czech Republic, the US, China, New Zealand, Singapore, Canada, Taiwan, Russia, Greece, Spain, Poland, India, Indonesia, Mexico and Pakistan.

The chosen films competed for awards in seven categories, including Best Saudi Feature Film, Best International Animated Film, and the prestigious Audience Award.

In addition to providing a platform for emerging filmmakers to showcase their talent and creativity, organizers said the festival also aims to foster cultural exchanges and celebrate the art of cinema on a global scale.

Integral to this is a commitment to nurturing talent and encouraging dialogue within the industry, which was reflected in a series of seminars and workshops led by industry professionals. Effat University lecturer and festival coordinator Marina Ivanseva gave an overview of the sessions, which offered insights into a wide spectrum of topics key to the craft.

They included sessions on a creative cinematic post-production workshop supported by video-streaming service Netflix, cinematography workshops conducted by film camera manufacturer ARRI, and a visual effects workshop backed by specialist studio VFX Mojo.

They were presented by renowned figures and industry insiders such as Saudi artist Sarah Taibah, Oscar-winning German director Thomas Stelmach, British professor Rut Luxemburg, American visual effects artist Matt Beck, and cinematographer James Niehaus.

There were also lectures on animation and experimental film presented by the Royal College of Arts in London, while Stellmach offered insights into his professional journey that led to the Oscars. Saudi producer Nadia Malaika shared valuable career insights, Egyptian lawyer Khaled Al-Arabi discussed legal rights in filmmaking, and Mohammed Sobeih looked at the creation of animated films using Toon Boom software. The festival concluded with a session focusing on animated cinema presented by Synergy University.

“We were thrilled to welcome numerous local and international guests who shared their cinematic experiences with us … during the 11th Showreel Effat International Student Film Festival,” said Asmaa Ibrahim, the dean of Effat College of Architecture and Design.

“Students from Dar Alhekma, King Abdulaziz, and Princess Noura (universities) in Riyadh joined us in celebration. It was a delight to host guests from prestigious institutions such as the Royal College of Art, Netflix, Maflam, Film Association and VFX Mojo, who conducted exceptional workshops. The interactive discussions were engaging and we appreciate the participation of everyone.”

Karim Sahai, a visual effects professional from France, said: “I’m proud to have been a part of this incredible festival, with such a fantastic audience and remarkable guests from all over.

“The quality of their engagement and the depth of their questions during my workshop surpassed my expectations. I truly believe I’ll return to bask in this energy once more; it’s truly inspiring.”

Beyond artistic appreciation, organizers said another aim of the festival is to help forge academic and strategic partnerships, and Effat University has built alliances with institutions such as the University of Southern California and the Red Sea Film Festival Foundation with the goal of fostering collaboration and exchange of knowledge on a global scale.


Investigation clears coalition on claims of rights violations at Yemen sites

Updated 25 April 2024
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Investigation clears coalition on claims of rights violations at Yemen sites

  • Report details three incidents, including claims that coalition forces targeted two houses in the Sha’aban area, a civilian house in Al-Hudaydah governorate, and Al-Ghail Health Center
  • Investigation concluded that the coalition carried out an air mission on a military target, 4.5 km away from the coordinates of the claimed two houses, using one guided bomb that hit its target

RIYADH: The Joint Incident Assessment Team held a conference in Riyadh on Wednesday to announce the results of investigations into allegations against coalition forces in Yemen. 

The report details three incidents, including claims that coalition forces targeted two houses in the Sha’aban area, a civilian house in Al-Hudaydah governorate, and Al-Ghail Health Center in Al-Ghail. 

Team spokesman Mansour Al-Mansour said that “with regards to what was stated in the ninth periodic report on the works of the National Commission to Investigate Alleged violations to Human Rights in Yemen (NCIAVHR) on Dec 11, 2017, the Coalition Forces targeted G.J house and M.J. house in Sha’aban area in Razih directorate of Sa’ada governorate, the targeting resulted in the destruction of the two houses, killing and injuring number of people, and the destruction of two cars.” 

Al-Mansour, said that the investigation had concluded that the coalition forces carried out an air mission on a military target, 4.5 km away from the coordinates of the claimed two houses, using one guided bomb that hit its target. 

Regarding the allegation that the coalition targeted a civilian house in Al-Jirahi directorate of Al-Hudaydah governorate on Dec. 1, 2021, and that one man and two children were injured in the strike, JIAT found that the coalition did not carry out any air missions in the whole of the governorate. 

JIAT also exonerated the coalition over a report issued by Physicians for Human Rights which stated that on Feb. 24, 2016, coalition forces aircraft dropped three munitions on Al-Ghail Health Center in Al-Ghail directorate of Al-Jawf governorate.

At the time, Houthi militia were occupying the site and using it as a military center. The building was partially destroyed in the attack. 

In response to the allegation, JIAT found that coalition forces carried out an air mission on a military target, consisting of a gathering of fighter elements belonging to the Houthi militia, in a vacant area, 2.9 km away from Al-Ghail Health Center, using one guided bomb that hit its target.


Foreign minister of Yemen’s internationally recognized government received by Saudi counterpart

Saudi FM Prince Faisal bin Farhan receives his Yemeni counterpart Shaya Mohsin Al-Zindani in Riyadh on Thursday. (SPA)
Updated 25 April 2024
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Foreign minister of Yemen’s internationally recognized government received by Saudi counterpart

  • Yemen’s internationally recognized Presidential Leadership Council appointed Al-Zindani as foreign minister in late March

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan received his Yemeni counterpart Shaya Mohsin Al-Zindani in Riyadh on Thursday.

Prince Faisal congratulated Al-Zindani on his recent appointment as foreign minister by Yemen’s internationally recognized Presidential Leadership Council at the end of March, and wished him success in the role. 

During the meeting, the two ministers reviewed aspects of bilateral relations and ways to strengthen and develop them in various fields. They also discussed topics of common interest.