A day at the races: Stylish guests wow at the Saudi Cup

Entrepreneur and influencer Pierette Yammine showed off a regal, ice blue number by Dubai-based label Baruni Fashion. (Huda Bashatah/Arab News)
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Updated 02 March 2020
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A day at the races: Stylish guests wow at the Saudi Cup

RIYADH: All eyes were on Saudi Arabia as the world’s most valuable horse race kicked off over the weekend — and there was something for everyone, including fashion fans.

Style-lovers descended on the Saudi Cup in Riyadh wearing their race day best, with women giving Audrey Hepburn’s character in Hollywood classic “My Fair Lady” a run for her money with their chic abayas and colorful dresses.

Stylish racing gear was on full display in the form of an array of creative headpieces flaunted by some women in the Red Sea Pavilion.

Arab News caught up with Evelyn McDermott, founder of the Evelyn McDermott Millinery, which was the exclusive milliner for the Saudi Cup and had a dedicated booth for those who wanted to pick up a last-minute headpiece.




Milliner Evelyn McDermott (right) boasted a dark green jumpsuit with a signature headpiece. (Huda Bashatah/Arab News)

“My brand is a Dubai-born brand and I’ve been making the hats for about seven to eight years now, she said, before adding, “it’s been the most phenomenal thing ever to be invited here to Saudi Arabia (and) to be the exclusive milliner to the Saudi Cup has just been so wonderful. I mean the first ever Saudi Cup makes it an experience that can never be repeated so it’s been fantastic.”

For her part, McDermott capitalized on one of the style trends of the day — wearing green.

The designer donned a jade green jumpsuit with dramatic tulip sleeves in translucent chiffon and finished off her out-there outfit with a matching head wrap — a fresh take on typical race day headpieces and the feathered looks preferred by many other women at the event.




For her part, McDermott capitalized on one of the style trends of the day — wearing green. (Arab News)

Green seemed to be a popular color, with many style conscious race goers donning various shades of the hue.

Michele Fischer, who flew into the Kingdom from the US, showed off an embroidered blue abaya, complete with tribal designs in white threadwork. Underneath, she boasted a fern green cocktail dress by Ralph Lauren and topped off the look with an ash-and-ebony feathered headpiece by Australian milliner Sonlia Fashion.




Michele Fischer showed off a fern green number. (Huda Bashatah/Arab News)

Fischer told Arab News she handpicked the dark green dress in order to pay tribute to Saudi Arabia.

Meanwhile, entrepreneur and influencer Pierette Yammine showed off a regal, ice blue number by Dubai-based label Baruni Fashion, which is helmed by former petroleum engineer-turned-designer Fadwa Baruni.




Entrepreneur Pierette Yammine showed off a regal, ice blue number by Dubai-based label Baruni Fashion. (Huda Bashatah/Arab News)

Yammine accessorized the floor-grazing gown, with it’s textured cuffed sleeves and sash at the waist, with a demure white Longines watch and an attention-grabbing caramel-colored floral headpiece with wispy filaments that played in the breeze.

Attendee Liz Price followed suit and opted for a gorgeous, crinkled headpiece that resembled piled up gardenias atop her sleek hairdo. The cream-colored piece was designed by London-based milliner Rachel Trevor Morgan, whose hats are favored by Queen Elizabeth II.




Liz Price's The cream-colored piece was designed by London-based milliner Rachel Trevor Morgan. (Arab News)

 


Mona Tougaard wears bridal look at Dior’s Paris show

Updated 27 January 2026
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Mona Tougaard wears bridal look at Dior’s Paris show

  • Rihanna and Brigitte Macron among attendees at show
  • Design part of new director Jonathan Anderson’s vision

DUBAI/ PARIS: Model Mona Tougaard reportedly turned heads in a bridal-inspired look on the Christian Dior runway during the recent Paris Haute Couture Week.

The runway star, who has Danish, Turkish, Somali and Ethiopian ancestry, wore a sculptural white gown with a one-shoulder silhouette and layered petal-like appliques cascading from the bodice to the full skirt.

The asymmetrical bodice featured draped detailing across the torso, while the skirt flared into a voluminous, floor-length shape.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

The look was finished with oversized floral statement earrings that echoed the dress’s petal motif.

The floral elements echoed the wider vision of Dior’s new creative director Jonathan Anderson, who drew inspiration from nature and his love of ceramics for his first Haute Couture collection since being appointed to the role.

The 41-year-old faces the rare challenge of overseeing all three fashion lines at the house — women’s and men’s ready-to-wear and Haute Couture — becoming the first designer to do so since Christian Dior himself.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Just days after presenting his latest men’s collection during Paris Men’s Fashion Week, the Northern Irish designer returned with his first couture offering.

The collection featured floral motifs on fabrics or as accessories, while sculptural bulbous dresses were inspired by the work of Kenya-born ceramicist Magdelene Odundo.

“When you copy nature, you always learn something,” Anderson declared in his show notes, which compared Haute Couture to a living ecosystem that is “evolving, adapting, enduring.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Other noteworthy pieces included dresses with spherical birdcage-inspired silhouettes, while other models wore vest tops with their dresses gathered around their waists.

The front row at the Rodin Museum reflected the scale of anticipation surrounding Anderson’s couture debut. France’s first lady Brigitte Macron arrived early, while Lauren Sanchez Bezos swept in shortly after.

Actor Parker Posey twirled briefly in a trench-style dress, playing to the room before settling in.

Then the space fell into a collective pause as celebrities and editors alike waited for Rihanna. When the pop star finally took her seat, the lights dropped and the show began.

Before the show, Anderson admitted in an interview with the Business of Fashion website that he previously thought couture was “irrelevant,” adding that he never really “understood the glamour behind it.”

“Now, I feel like I’m doing a Ph.D. in couture,” he explained.