Kendall Jenner dons Arab design at BRIT Awards afterparty

The “Keeping Up With the Kardashians” star stepped out in glass slingbacks by Amina Muaddi this week. Getty Images
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Updated 19 February 2020
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Kendall Jenner dons Arab design at BRIT Awards afterparty

DUBAI: US model Kendall Jenner arrived at the 2020 BRIT Awards afterparty with fellow model pal Bella Hadid this week wearing the plexiglass Begum slingbacks by half-Jordanian half-Romanian designer Amina Muaddi. Ensuring all eyes were on her, the 24-year-old paired the Cinderella-worthy footwear with an all-green look that featured a neon sequin embellished, long-sleeved top and matching cigarette trousers.

It’s not the first time Jenner has donned a pair of heels by the part-Jordanian designer. In fact, over the past few months, Muaddi’s eponymous footwear label has become a mainstay in the model and reality TV star’s wardrobe. 




Kendall Jenner is known for championing designers on the cusp of reaching stardom. Getty

Jenner has been photographed wearing the brand’s designs on several occasions, including the Begum and Gilda shoes, including during Miami Art Basel, where she championed Amina Muaddi at numerous events. 

More recently, the “Keeping Up With the Kardashians” star stepped out in New York last week wearing a coordinating hot pink I Am Gia top and trousers accessorized with gem-encrusted Begum slingbacks, that was reminiscent to her lime-colored BRIT afterparty look on Tuesday night.

After being seen on Kendall as well as Hailey Bieber, Muaddi’s Gilda heels were ranked among Lyst’s hottest pieces of 2020. The fanciful footwear sparked an average of 60,500 monthly searches between October and December, while the brand saw a 73 percent rise in views according to the quarterly report that analyzes the online shopping behavior of more than nine million shoppers a month searching, browsing and buying fashion across 12,000 designers and e-stores.

The 33-year-old designer, who grew up in Italy, launched her eponymous footwear line in August 2018, approximately one year after departing from her role as co-founder and creative director of luxury footwear label Oscar Tiye.



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Rih & me

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Her distinctive designs have a famous list of celebrity fans that includes British hitmaker Dua Lipa, actress Millie Bobby Brown, singer Mariah Carey and Rihanna. In fact, singer-turned-entrepreneur Rihanna loves Muaddi’s designs so much that she recently tapped her to help design the footwear for the new Fenty collection.

In addition to spearheading her own label, Muaddi also collaborates on shoes with French designer Alexandre Vauthier for his runway shows.


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.