BUSAN, South Korea: Acclaimed director David Michod’s epic “The King” was one of four major Netflix productions screened at Asia’s largest film festival this week, underlining how streaming services are increasingly challenging Hollywood and traditional media for the attention of artists — and viewers.
Asia is seen as an important part of the global streaming industry’s growth plan. In conjunction with the main event, Busan International Film Festival also hosted its first Asia Contents Awards reflecting how the market is rapidly changing.
“They gave us the resources and the freedom to make this properly,” Michod said of working with Netflix.
“I like that I don’t feel I am sacrificing myself at the altar of the box office,” he added.
So called over-the-top (OTT) platforms or video-on-demand (VOD) — online services that viewers can access directly such as Amazon Prime, YouTube, Hulu and Apple TV — are booming.
Hollywood stars including Julia Roberts, Rooney Mara, Brad Pitt and Will Smith, have embraced streaming as audiences grow.
“If people want to can go see (films) on the big screen they can, but my TV at home is amazing,” Michod explained.
Disney and Apple are set to launch their platforms across Asia Pacific this year, capitalizing on growing mobile usage and rapidly improving access to faster speed Internet.
Vivek Couto, executive director at research group Media Partners Asia, believes the region is “crucial” to the plans of global streaming platforms as there are “massive prospects to go after.”
Online video revenue — predominantly from film and TV subscriptions as well as advertising — in the region will increase by 24 percent in 2019, making it worth $27 billion annually, according to a report by Couto’s firm.
That figure is predicted to hit $50 billion by 2024.
China accounts for around 59 percent of revenue for the region in 2019, according to the report — but its strict regulations make access difficult for outside players with local platforms iQIYI, Tencent Video and Youku dominating.
Google-owned YouTube earns the largest share of revenues in Asia, but Netflix, Amazon Prime and Disney’s Indian platform Hotstar have all experienced significant growth in the past few years.
“Local content has historically been the preserve of large incumbent TV networks in markets such as India, Japan and Korea but as content and consumption moves online the availability and creation of premium local content becomes important,” said Couto.
He added this would drive up demand, and create opportunities for subscription streaming and for advertisers.
HBO Asia had the world premiere of its star-studded Malaysian co-production “The Garden of Evening Mists” at BIFF.
The film is pan-Asian by design — starring Malaysian Lee Sinjee, Japan’s Hiroshi Abe, and Taiwan’s Sylvia Chang — but global in ambition.
“VOD platforms widen the distribution and amplify the presence of these Asian films to global audiences,” the film’s producers said in a statement to AFP.
Netflix is rolling out 17 Asian productions, with the platform’s first series from Thailand expected to debut by the end of the year.
Despite the arrival of global giants, local platforms believe they can hold their own.
The Southeast Asian HOOQ platform this week announced 19 productions were in the works all made by film-makers from the region.
“As a company that is built in Asia for Asians, we believe that local stories are best told by locals,” argued Jennifer Batty, the company’s chief content officer.
Singapore-based documentary streaming service iwonder recently expanded into eight new southeast Asian markets
“As we expand our offerings, a key focus will be finding documentaries from within those markets, accessing local voices who shine their own unique light on their world,” said the platform’s co-founder James Bridges.
Adapting content to audiences needs will be vital to success.
Around 250 million people regularly watch films on their mobile devices in India.
In response, Netflix introduced a mobile-only version of its streaming, but Asian firms may have the edge on understanding what local audiences want.
“Where I think companies like ours in Asia have the edge is that we are up with the trends out here instantly. We are addressing the way people watch content in Asia,” said Indian producer Ekta Kapoor, managing director of the VoD service ALT Balaji.
She added: “We are making shows designed to be watched on mobile devices, not adapted for them. Shorter-form, about local characters and issues. That puts us ahead.”
Online streaming giants battle for Asian audiences
Online streaming giants battle for Asian audiences
Live video of man who set himself on fire outside court proves challenging for news organizations
- The man, who distributed pamphlets before dousing himself in an accelerant and setting himself on fire, was in critical condition
- The incident tested how quickly the networks could react, and how they decided what would be too disturbing for their viewers to see
NEW YORK: Video cameras stationed outside the Manhattan courthouse where former President Donald Trump is on trial caught the gruesome scene Friday of a man who lit himself on fire and the aftermath as authorities tried to rescue him.
CNN, Fox News Channel and MSNBC were all on the air with reporters talking about the seating of a jury when the incident happened and other news agencies, including The Associated Press, were livestreaming from outside the courthouse. The man, who distributed pamphlets before dousing himself in an accelerant and setting himself on fire, was in critical condition.
The incident tested how quickly the networks could react, and how they decided what would be too disturbing for their viewers to see.
With narration from Laura Coates, CNN had the most extensive view of the scene. Coates, who at first incorrectly said it was a shooting situation, then narrated as the man was visible onscreen, enveloped in flames.
“You can smell burning flesh,” Coates, an anchor and CNN’s chief legal analyst, said as she stood at the scene with reporter Evan Perez.
The camera switched back and forth between Coates and what was happening in the park. Five minutes after the incident started, CNN posted the onscreen message “Warning: Graphic Content.”
Coates later said she couldn’t “overstate the emotional response of watching a human being engulfed in flames and to watch his body be lifted into a gurney.” She described it as an “emotional and unbelievably disturbing moment here.”
Fox’s cameras caught the scene briefly as reporter Eric Shawn talked, then the network switched to a courtroom sketch of Trump on trial.
“We deeply apologize for what has happened,” Shawn said.
On MSNBC, reporter Yasmin Vossoughian narrated the scene. The network showed smoke in the park, but no picture where the body was visible.
“I could see the outline of his body inside the flames,” Vossoughian said, “which was so terrifying to see. As he went to the ground his knees hit the ground first.”
The AP had a camera with an unnarrated live shot stationed outside the courthouse, shown on YouTube and APNews.com. The cameras caught an extensive view, with the man lighting himself afire and later writhing on the ground before a police officer tried to douse the flames with a jacket.
The AP later removed its live feed from its YouTube channel and replaced it with a new one because of the graphic nature of the content.
The news agency distributed carefully edited clips to its video clients — not showing the moment the man lit himself on fire, for example, said executive producer Tom Williams.
Russian war correspondent for Izvestia killed in Ukraine
- Izvestia said Semyon Eremin, 42, died of wounds from a drone attack in Zaporizhzhia region
- Eremin had reported for the Russian daily from hottest battles in Ukraine during the 25-month-old war
Semyon Eremin, a war correspondent for the Russian daily Izvestia, was killed on Friday in a drone attack in southeastern Ukraine, the daily said.
Izvestia said Eremin, 42, died of wounds suffered when a drone made a second pass over the area where he was reporting in Zaporizhzhia region.
Izvestia said Eremin had sent reports from many of the hottest battles in Ukraine’s eastern regions during the 25-month-old war, including Mariupol, besieged by Russian troops for nearly three months in 2022.
He had also reported from Maryinka and Vuhledar, towns at the center of many months of heavy fighting.
WhatsApp being used to target Palestinians through Israel’s Lavender AI system
- Targets’ selection based on membership to some WhatsApp groups, new report reveals
- Accusation raises questions about app’s privacy and encryption claims
LONDON: WhatsApp is allegedly being used to target Palestinians through Israel’s contentious artificial intelligence system, Lavender, which has been linked to the deaths of Palestinian civilians in Gaza, recent reports have revealed.
Earlier this month, Israeli-Palestinian publication +972 Magazine and Hebrew-language outlet Local Call published a report by journalist Yuval Abraham, exposing the Israeli army’s use of an AI system capable of identifying targets associated with Hamas or Palestinian Islamic Jihad.
This revelation, corroborated by six Israeli intelligence officers involved in the project, has sparked international outrage, as it suggested Lavender has been used by the military to target and eliminate suspected militants, often resulting in civilian casualties.
In a recent blog post, software engineer and activist Paul Biggar highlighted Lavender’s reliance on WhatsApp.
He pointed out how membership in a WhatsApp group containing a suspected militant can influence Lavender’s identification process, highlighting the pivotal role messaging platforms play in supporting AI targeting systems like Lavender.
“A little-discussed detail in the Lavender AI article is that Israel is killing people based on being in the same WhatsApp group as a suspected militant,” Bigger wrote. “There’s a lot wrong with this.”
He explained that users often find themselves in groups with strangers or acquaintances.
A lot of difficult questions for Meta before that trust can be rebuilt, and I don't honestly believe that Meta can or will answer them pic.twitter.com/vaeLbg9hx3
— Paul Biggar (@paulbiggar) April 16, 2024
Biggar also suggested that WhatsApp’s parent company, Meta, may be complicit, whether knowingly or unknowingly, in these operations.
He accused Meta of potentially violating international humanitarian law and its own commitments to human rights, raising questions about the privacy and encryption claims of WhatsApp’s messaging service.
The revelation is just the latest of Meta’s perceived attempts to silence pro-Palestinian voices.
Since before the beginning of the conflict, the Menlo Park giant has faced accusations of double standards favoring Israel.
In February, the Guardian revealed that Meta was considering the expansion of its hate speech policy to the term “Zionist.”
More recently, Meta quietly introduced a new feature on Instagram that automatically limits users’ exposure to what it deems “political” content, a decision criticized by experts as a means of systematically censoring pro-Palestinian content.
Responding to requests for comment, a WhatsApp spokesperson said that the company could not verify the accuracy of the report but assured that “WhatsApp has no backdoors and does not provide bulk information to any government.”
Eastern European mercenaries suspected of attacking Iranian journalist Pouria Zeraati
- UK security services believe criminal proxies with links to Tehran carried out London knife attack
LONDON: Police said on Friday that a group of Eastern European mercenaries is suspected to have carried out the knife attack on Iranian journalist Pouria Zeraati in late March.
Zeraati was stabbed repeatedly by three men in an attack outside his south London home.
The Iran International presenter lost a significant amount of blood and was hospitalized for several days. He has since returned to work, but is now living in a secure location.
Iran International and its staff have faced repeated threats, believed to be linked to the Iranian regime, which designated the broadcaster as a terrorist organization for its coverage of the 2022 protests.
Iran’s charge d’affaires, Seyed Mehdi Hosseini Matin, denied any government involvement in the attack on Zeraati.
Investigators revealed that the suspects fled the UK immediately after the incident, with reports suggesting they traveled to Heathrow Airport before boarding commercial flights to different destinations.
Police are pursuing leads in Albania as part of their investigation.
Counterterrorism units and Britain’s security services leading the inquiry believe that the attack is another instance of the Iranian regime employing criminal proxies to target its critics on foreign soil.
This method allows Tehran to maintain plausible deniability and avoids raising suspicions when suspects enter the country.
Zeraati was attacked on March 29 as he left his home home to travel to work. His weekly show serves as a source of impartial and uncensored news for many Iranians at home and abroad.
In an interview with BBC Radio 4’s “Today” program this week, Zeraati said that while he is physically “much better,” mental recovery from the assault “will take time.”
Court orders release of prominent Palestinian professor suspected of incitement
- Nadera Shalhoub-Kevorkian was under investigation after questioning Hamas atrocities, criticizing Israel
- Insufficient justification for arrest, says court
- Detention part of a broader campaign, says lawyer
LONDON: The prominent Hebrew University of Jerusalem professor, Nadera Shalhoub-Kevorkian, was released on Friday after a court order rejected police findings.
The criminologist and law professor was arrested the previous day on suspicion of incitement. She had been under investigation for remarks regarding the Oct. 7 attacks by Hamas and for saying Israelis were committing “genocidal crimes” in the Gaza Strip and should fear the consequences.
On Friday, the court dismissed a police request to extend her remand, citing insufficient justification for the arrest, according to Hebrew media reports.
Protesters gathered outside the courthouse to demonstrate against Shalhoub-Kevorkian’s arrest.
Israeli Channel 12, which first reported the news, did not specify where Shalhoub was arrested but her lawyer later confirmed she was apprehended at her home in the Armenian Quarter of Jerusalem.
“She’s not been in good health recently and was arrested in her home,” Alaa Mahajna said. “Police searched the house and seized her computer and cellphone, [Palestinian] poetry books and work-related papers.”
Mahajna described Shalhoub-Kevorkian’s arrest as part of a broader campaign against her, which has included numerous threats to her life and of violence.
The professor was suspended by her university last month after calling for the abolition of Zionism and suggesting that accounts of sexual assault during the Hamas-led attacks on Israel were fabricated.
The suspension was initially criticized by the university community as a blow to academic freedom in Israel. However, the decision was later reversed following an apology from Shalhoub-Kevorkian and an admission that sexual assaults took place.
Since hostilities began last year, numerous dissenting voices in Israel have faced arrest for expressing solidarity with victims of the bombardment in Gaza.
In October, well-known ultra-Orthodox Israeli journalist Israel Frey was forced into hiding following a violent attack on his home.
Bayan Khateeb, a student at the Technion-Israel Institute of Technology, was arrested last year for incitement after posting an Instagram story showing the preparation of a popular spicy egg dish with the caption: “We will soon be eating the victory shakshuka.”
