Lebanese choreographer Nadim Cherfan on Mayyas, Britain’s Got Talent, and dancing for Beyoncé

Mayyas won 2019’s “Arab’s Got Talent.” (Supplied)
Updated 17 September 2019
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Lebanese choreographer Nadim Cherfan on Mayyas, Britain’s Got Talent, and dancing for Beyoncé

DUBAI: Overnight success doesn’t take 24 hours; it takes years of hard work and dedication. But hard work pays off when TV mogul Simon Cowell calls your craft “genius” in front of an average television audience of 6.7 million viewers.

For Lebanese dancer Nadim Cherfan – now founder and choreographer of the dance troupe Mayyas, who have just appeared on Britain’s Got Talent (BGT): The Champions – his journey began 21 years ago at the age of nine.

“(Back then) I knew exactly what I wanted to be,” he tells Arab News. “Unfortunately, in the Middle East at that time the dancing scene was shy, and not many dance schools existed.

“I couldn’t get the proper training at a young age, though I was fully aware of my talent and spent hours daily in front of my mirror in my room figuring out body movements imitating what I watched on TV.”




Lebanese dancer Nadim Cherfan is the founder and choreographer of the dance troupe Mayyas. (Supplied)

But perseverance pays off. Relatively unknown a year ago, Cherfan, now 30, is making his mark in the industry, while also creating the opportunities for Lebanon’s next generation of dancers that he didn’t have.

Lebanon’s Got Dance Talent




Mayyas performed a spectacular dance at the second audition of Arab's Got Talent. (Supplied) 

Mayyas is an all-female group that became Lebanon’s very first champions of Arab’s Got Talent (AGT). Crowned winners in April of this year, it’s hard to believe that the act was only created around nine months ago, prior to AGT’s season six premiere in February.

“(I was 14 when) I started taking classes with professionals in Lebanon and attending workshops in the US, the UK and India,” Cherfan says. “And I fell more and more in love with dancing and I am still falling deeper daily.”

He was 20 when he began to teach others; his first class having only three girls.




Mayyas performed wearing Indian costumes during the third Arab's Got Talent. (Supplied) 

“I continued to do so, and have raised a large number of students that have grown with me. Today, 200 students are currently taking classes with me.”

From those 200, Mayyas was born.

“Mayyas was created for Arab’s Got Talent once I made the decision of (applying for) season six,” Cherfan continues. “The crew consists of 50 professional dancers.”

Mesmerising Arabia




Najwa Karam awarded the dancers fast entry to the grand finale with the ‘golden buzzer’. (Supplied)

Mayyas captured fans right away after their debut performance on AGT, one of whom was judge and Lebanese singing superstar Najwa Karam who awarded them fast entry to the grand finale with the ‘golden buzzer’.

“You can tell just how much work they put into it,” she said at the time. “I pressed the golden buzzer, because I genuinely, genuinely believe they deserve it.”

Fast forward to the finale, and they were crowned champions by the Middle Eastern voting public.




MBC Group Spokesman Mazen Hayek and Nadim Cherfan at Arab's Got Talent rehearsals. (Supplied)

While the wins were a great moment for Cherfan and the crew, he also admits feeling extremely anxious.

Calling them challenges instead of highlights, he explains: “The golden buzzer and standing ovation; the beautiful comments of the judges, and winning the title itself are challenges, because they are stress and responsibility – in those moments (all I am thinking is) ‘What’s  next? How can I do better?’

“But becoming the first Lebanese to win AGT makes me so happy and proud.”

Heading to London




Mayyas won the 2019 Arab's Got Talent. (Supplied) 

Fast forward a few months, and Mayyas bagged the opportunity to compete in BGT: The Champions, a spin-off of BGT which features notable winners, finalists and participants from across the history of BGT and other international versions of the ‘Got Talent’ franchise.

The group became the first and only act from the Middle East to participate, and the response by the judges and venue’s audience was overwhelming.

“Absolutely genius, brilliant, inventive, (I’ve) never seen a dance like this ever on one of these shows,” stated Cowell, with fellow judge David Walliams commenting: “It was absolutely magical from start to finish. I can totally see why you won AGT. It was just one of the most beautiful things I have ever seen on BGT.”

Judge Amanda Holden added: “It was absolutely beautiful – the choreography was so intricate and every single move you made was so precise and so disciplined. You are a fantastic representation of AGT.”

Recalling the experience, Cherfan tells us: “I never thought I would reach this stage in my life. This was an absolute incredible experience for the team, and so satisfying and an honour for us to be the first team from an Arab country to reach this stage and compete against the best acts in the world.”

Girl Power




Mayyas troupe performed different cultural-inspired dances. (Supplied) 

The future is definitely looking bright for Mayyas, and Cherfan is determined to give them the exposure they deserve.

“I chose a female crew, because I wanted to deliver a message about women’s empowerment as we all know that until now Arab women are still called names for being dancers. I wanted to prove how elegant refined and beautiful dancing is,” he says. “And who’s better than these gorgeous ladies to do so?”

Fresh off their win at AGT, Cherfan revealed that they were to use their cash prize to launch a studio in Beirut. And in a move that demonstrates how Cherfan is keen on nurturing dance talent around the region, he also decided to split some of the prize money with fellow AGT finalists, the Moroccan father-and-daughter team Duo Acrobat.

“The plan isn’t a plan anymore – we’re actually in the process of finishing our school, Mayyas Studios!” he reveals. “These students train twice a week which is not enough if someone’s wants to pursue dancing as a career, but unfortunately in Lebanon and the Middle East, dancing is not considered as a serious career that an individual can live out of.”




The all-female group is aged 13-25. (Supplied)

Cherfan wants to change that, he says, adding that his ultimate goal would be for Mayyas to front a ‘fawazeer’, a variety show popularised by Egyptian performers Nelly and Sherihan during Ramadan in the 1990s.

“’Fawazeer’ would be the ultimate satisfaction - I hope (AGT judge and Egyptian actor) Mr (Ahmed) Helmy produces one. We would be more than honoured to be part of it.”

As for the solo ambitions of the choreographer himself, his dream goal would be to be part of the team of a certain Queen B. 

“I would love to one day choreograph for Beyoncé,” he concludes. “She’s a huge inspiration and amazing dancer, and she’s the number one entertainer in the world.”

Ms. Knowles, if you’re reading… give Nadim Cherfan a call.


Cannes fashion highlights: Bella Hadid makes a statement, Mila Al-Zahrani hits the red carpet

Updated 22 sec ago
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Cannes fashion highlights: Bella Hadid makes a statement, Mila Al-Zahrani hits the red carpet

DUBAI: US Dutch Palestinian supermodel Bella Hadid made a powerful fashion statement in Cannes, expressing her support for Palestine, while Saudi actress Mila Al-Zahrani stole the spotlight at the 77th Cannes Film Festival in a gown by Syrian designer Rami Al-Ali.

The star, who attended the screening of Kevin Costner’s “Horizon: An American Saga,” dazzled in a strapless, voluminous dress that was cinched at the waist from the designer’s ready-to-wear 2024/2025 collection.

Hadid turned heads with stylish appearances in Cannes too. 

She made a bold statement in the streets of the French city by wearing a red and white dress inspired by the keffiyeh, showcasing her support for Palestine

The supermodel was also spotted in a striking silver dress from the DSquared Fall-Winter 2006 collection for Chopard’s “Once Upon A Time” Gala this week.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

She was also seen in a vintage silk yellow Versace minidress at the Hotel Martinez. 

Hadid wore a vintage silk yellow Versace minidress at the Hotel Martinez. (Getty Images)

During her time in Cannes, she was also photographed in a vintage beige low-cut halter neck midi dress, with a plunging neckline, from Gucci’s Spring/Summer 2005 collection. 

Hadid was also photographed in a vintage beige low-cut halter neck midi dress. (Getty Images)

For the “The Apprentice” red carpet, she opted for a sheer halter neck dress from Saint Laurent’s Fall 2024 collection. 

Meanwhile, Arab designers have been dominating the red carpet with their creations worn by celebrities from around the world.

Canadian model Winnie Harlow was spotted on the red carpet of French adventure drama film “Le Comte de Monte-Cristo,” wearing a black lace dress with a mesh train and purple floral details from the Lebanese designer Zuhair Murad’s Fall 2023 collection. 

Murad, the celebrity-loved designer, also dressed Brazilian model Izabel Goulart. She opted for a white chiffon gown with a black lace bodysuit and floral appliques that was also from the couturier’s Fall 2023 collection.

Rami Kadi also made a splash on the red carpet this week with his designs.

He was championed by US actress Loreto Peralta at the same screening as Harlow and Goulart. 

She wore a mauve, off-the-shoulder gown embroidered with three-dimensional flowers from his “Les Miroirs” collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Juliana Paes (@julianapaes)

Brazilian actress and model Juliana Paes chose a metallic off-white gown by Emirati designer Hamda Al-Fahim. The dress featured side pleats, sequin detailing and a side-attached train.


Saudi film ‘Norah’ makes history with Cannes Film Festival screening

Updated 23 May 2024
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Saudi film ‘Norah’ makes history with Cannes Film Festival screening

DUBAI: Saudi film “Norah” had its official screening at the 77th Cannes Film Festival on Thursday, becoming the first film from the Kingdom to screen as part of the official calendar at the event.

The movie, filmed entirely in AlUla and directed by Tawfik Al-Zaidi, is running in the “Un Certain Regard” section of the festival.

The movie is running in the “Un Certain Regard” section of the festival. (AN/ Ammar Abd Rabbo)

The film is set in 1990s Saudi Arabia when conservatism ruled and the prefessional pursuit of all art, including painting, was frowned upon. It stars Maria Bahrawi, Yaqoub Al-Farhan, and Abdullah Al-Satian and follows the story of Norah and failed artist Nader as they encourage each other to realize their artistic potential in rural Saudi Arabia.

“Norah” is in competition with 19 other films from around the world.

The cast, director and CEO and chairwoman of the Red Sea International Film Festival appeared together on the red carpet for French adventure drama film “Le Comte de Monte-Cristo.” (AN/ Ammar Abd Rabbo)

On Wednesday, the cast, director and CEO and chairwoman of the Red Sea International Film Festival Mohammed Al-Turki and Jumana Al-Rashed, respectively, appeared together on the red carpet for French adventure drama film “Le Comte de Monte-Cristo.”

“Norah” was backed by the Red Sea Fund — one of the Red Sea Film Foundation's programs — and was filmed entirely in AlUla in northwest Saudi Arabia with an all-Saudi cast and a 40 percent Saudi crew.


‘Bridgerton’ star Nicola Coughlan ‘hyper-aware of what’s happening in Rafah’

Updated 23 May 2024
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‘Bridgerton’ star Nicola Coughlan ‘hyper-aware of what’s happening in Rafah’

  • The first four episodes of Season 3, in which Nicola Coughlan plays the revolving lead role, reached 45.1 million views during its opening weekend

DUBAI: Irish actress Nicola Coughlan, known for her role as Penelope Featherington in Netflix’s hit series “Bridgerton,” demonstrated her solidarity with Palestine this week by wearing the Artists for Ceasefire pin during an interview with USA Today as she promoted the latest season of the show, in which she plays the lead role.

When asked about the pin, the artist said: “It’s very important for me because I feel like I’m a very privileged person. I’m doing my dream job and I’m getting to travel the world, but then I’m hyper-aware of what’s happening in Rafah at the moment.”

The actress, whose family lived in Jerusalem in the late 70s, said her father was in the Irish army and was part of the United Nation’s Truce Supervision Organisation which worked towards brokering peace in the Middle East.

@splendiferous Nicola Coughlan speaks about her Ceasefire pin she has been wearing during the Bridgerton Press Tour #NicolaCoughlan original sound - splendiferous

“I feel very passionately about it. I’m Irish also, so it’s sort of a different perspective,” Coughlan added. “I just feel, if I have this global platform, which I do at the minute, I think if I can hopefully raise funds for aid organizations — I have a fundraiser on my Instagram right now for Medical Aid for Palestine and if people would like to donate to that or share it, I think it would be a wonderful thing to do.”

Coughlan has continuously shown her support by wearing the pin during various occasions, including the premieres of the third season of “Bridgerton,” promotional events and her television appearances such as “Late Night with Seth Meyers” and “Good Morning America.”

Season three of Netflix’s Regency-era drama has become the most successful season so far based on viewership numbers, Forbes reported this week.

With part two set to drop in June, “Bridgerton” Season 3: Part 1 was the most-watched title on Netflix from the period of May 13 - 18, according to Variety. The first four episodes, released on May 16, reached 45.1 million views during its opening weekend.


Recipes for success: Chef John Mark offers advice and a salmon batayaki recipe

Updated 23 May 2024
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Recipes for success: Chef John Mark offers advice and a salmon batayaki recipe

DUBAI: Chef John Mark has worked at a number of prestigious establishments over the years, in the Maldives, Mauritius, the UAE, and India, among others. Now, he’s the chef de cuisine at Japanese restaurant Gishiki 45 in The St. Regis Red Sea Resort. 

Here, Mark discusses embracing mistakes, his favorite dish to make, and the importance of a healthy working environment. 

Gishiki 45. (Supplied)

What one ingredient can instantly improve any dish?  

I love the smell of garlic and the smell of onion. These two ingredients are very important in Asian cuisine; they give the dishes a nice aroma and flavor, and can enhance any dish.  

When you go out to eat, do you find yourself critiquing the food?  

I’m not one to criticize any chef or restaurant unless there are mistakes in the dish that I ordered. I respect chefs. I respect people who are working in the hospitality. And if I do need to say something, I make sure to say it in the right manner. 

What’s the most common mistake that you find in other restaurants? 

That the service team and the kitchen are at war. This is the chef’s responsibility. We need to make sure that the service team and the kitchen are one. It’s so important, because, as chefs, we cook, but the service team deal with the guests. The only thing that we want is to make the guests happy. So we need to be a team. 

What’s your favorite cuisine? 

Thai food. I love coconut flavors and Thai food has coconut in almost all the dishes. The flavors and the smell are rich. It makes me happy.  

What’s your go-to dish if you have to cook something quickly at home? 

My daughter loves to eat. I let my family try different cuisines, but she really loves pasta. So, I cook pasta for my daughter — and for my wife of course. We also have a famous dish in the Philippines called chicken adobo, and when I am home I like to cook that for my family. 

Gishiki 45. (Supplied)

What customer request most annoys you? 

You cannot be annoyed at your guests as a chef. You need to be flexible. We are here, in this world, to learn, and this is a huge opportunity. I can’t just focus on one thing like a horse; I have to keep an open mind. Why not try what they ask for, if this is what they want? 

What’s your favorite dish to cook and why?  

It’s something we’re famous for in the Philippines. It’s very authentic, you only really see it in the villages. It’s called beggar’s chicken. It’s so delicate. It’s a long process. You need to marinate the chicken and stuff it, then you wrap it in banana leaf. Then, you put mud on it. You cook it in the mud. So, when its cooked, you need to break the mud and open it. It smells amazing.  

As a head chef, what are you like? 

When I started as a chef, there was a lot of tension and a lot of shouting, but I don’t think this is a good environment. I don’t want it to be quiet in my kitchen, but I don’t want tension. Of course, I can be a little strict, but I don’t want anyone to shout at my staff. I have to talk to them nicely. Shouting is not on my menu. 

Chef Mark’s Salmon Batayaki recipe    

INGREDIENTS: 

160g salmon; 1 oyster mushroom 

For the dashi water:  

Mix 100ml water; 5g konbu; 2g katsuobushi 

For the batayaki sauce: 

Mix 2 spoons soy sauce; 20g butter; 50ml dashi water; 1 spoon yuzu juice 

INSTRUCTIONS:  

1. Season the salmon with salt and pepper and dust with corn flour. 

2. Heat fryer to 180 celsius and fry the salmon for 2 minutes. 

3. ⁠Prepare a heated non-stick pan. Heat your batayaki sauce. 

4. ⁠Put your salmon and mushroom in the batayaki sauce and simmer until the sauce becomes shiny and has a buttery texture. 

5.  Garnish with crispy leek and serve.  


Review: ‘99’ captures the drama of Manchester United’s annus mirabilis

Updated 23 May 2024
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Review: ‘99’ captures the drama of Manchester United’s annus mirabilis

DUBAI: The documentary series “99” celebrates the 25th anniversary of one of the most remarkable achievements in sporting history: when Manchester United won England’s two biggest domestic trophies — the Premier League and the FA Cup — and the most prestigious tournament in European club competition — the UEFA Champions League — to complete a (then) unprecedented treble.

The fact that the feat has since been repeated (most recently by United’s arch rivals Manchester City), has taken some of the shine off it, but this was still one of the greatest single seasons in the history of any sport.

The show is stacked with interviews with the players who made history, as well as their fearsome manager, Alex Ferguson, whose obsession with winning the Champions League has been well-documented elsewhere. There isn’t much new insight here, and footballers aren’t renowned for their eloquence, but the filmmakers have done a good job of getting them to dig beyond the platitudes and explore the sometimes-thorny relationships between certain players, the pressure of playing for (at least then) arguably the biggest club in the world, and the self-doubt that could creep in during the biggest games.

But even if its makers had managed to get nothing from the interviewees, they would have known that “99” couldn’t fail to grip even the most casual of sports fans, because the story of the actual football during the season is so outlandish that even a Hollywood exec might question anyone pitching it. Throughout the season, and particularly in the last couple of months, United staged numerous late comebacks in situations where it seemed they’d blown their chance of making history — not least in the last game, the Champions League final against Bayern Munich, when they famously scored two goals in three minutes of injury time to turn almost-certain defeat into the unlikeliest of victories: an act of what seemed like sheer willpower, inspired by the manager’s self-belief. As Ferguson said at the end of that game, “Football. Bloody hell!” The makers of “99” have successfully captured that expression.