Red Sea film festival announces $3m for prizes, production

The prizes will be awarded at the inaugural festival in Jeddah between March 12 and 21, 2020.  (Photo/Social media)
Updated 30 August 2019
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Red Sea film festival announces $3m for prizes, production

  • Prizes to be awarded at the inaugural festival in Jeddah in March
  • "The Book of Sun” and “Forty Years and a Night” to be premiered at the festival

JEDDAH: The Red Sea International Film Festival has announced cash prizes totaling $3 million to be awarded at the inaugural festival in Jeddah between March 12 and 21, 2020. 

Competition prizes reward cinematic excellence from around the world, emphasizing innovation and daring expression. The competition runs across six categories, with winners chosen by a jury of eminent international film figures.

The Golden Yusr Trophy for best feature carries a $100,000 cash prize and the Silver Yusr Trophy for best director is worth $50,000. There will also be an audience award carrying a cash prize of $50,000.

A Silver Yusr Trophy will be awarded for best screenplay, actor, actress and cinematic contribution.

An additional Golden Yusr Trophy will be awarded for best short film, which brings a $50,000 investment for a future project plus a five-month creative residency in Old Town, Jeddah.

The best short film prize is part of the Red Sea Shorts competition, featuring the most exciting contemporary voices from the Arab world, including student directors and first-time filmmakers.

The Golden Yusr Trophy takes its name from the black coral formations found off the Red Sea coast. An international competition to design the award will be announced shortly.

The details of the mentoring and production funds were also revealed, showcasing the festival’s commitment to promoting talent and daring storytelling in the Arab world.

The Bait Al-Montage Fund will support up to six Arab films with grants totaling $100,000. The grantees will be revealed during the Red Sea Souk, the festival’s industry days, taking place between March 13 and 17.

The festival will also support the Red Sea Lodge — an intensive five-month mentoring and training program for 12 teams of Arab filmmakers. Delivered in collaboration with TorinoFilmLab in the lead up to the 2020 festival, two participants will be awarded grants of $500,000 each following a pitch to a jury of industry leaders.

Also supporting production, the one-time Tamheed Fund will realize two new Saudi feature films, bestowing grants of $500,000 each. 

The enthusiasm of the local film scene was demonstrated by an overwhelming number of submissions, with “The Book of Sun” by Faris Godus and “Forty Years and a Night” by Mohammed Al-Holayyil selected. The films will be premiered at the festival.

The final production initiative is the $400,000 funding of a special omnibus of up to six short films made by Saudi women. The short films will be shown as a collective at the festival.


Mona Tougaard wears bridal look at Dior’s Paris show

Updated 14 sec ago
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Mona Tougaard wears bridal look at Dior’s Paris show

  • Rihanna and Brigitte Macron among attendees at show
  • Design part of new director Jonathan Anderson’s vision

DUBAI/ PARIS: Model Mona Tougaard reportedly turned heads in a bridal-inspired look on the Christian Dior runway during the recent Paris Haute Couture Week.

The runway star, who has Danish, Turkish, Somali and Ethiopian ancestry, wore a sculptural white gown with a one-shoulder silhouette and layered petal-like appliques cascading from the bodice to the full skirt.

The asymmetrical bodice featured draped detailing across the torso, while the skirt flared into a voluminous, floor-length shape.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

The look was finished with oversized floral statement earrings that echoed the dress’s petal motif.

The floral elements echoed the wider vision of Dior’s new creative director Jonathan Anderson, who drew inspiration from nature and his love of ceramics for his first Haute Couture collection since being appointed to the role.

The 41-year-old faces the rare challenge of overseeing all three fashion lines at the house — women’s and men’s ready-to-wear and Haute Couture — becoming the first designer to do so since Christian Dior himself.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Just days after presenting his latest men’s collection during Paris Men’s Fashion Week, the Northern Irish designer returned with his first couture offering.

The collection featured floral motifs on fabrics or as accessories, while sculptural bulbous dresses were inspired by the work of Kenya-born ceramicist Magdelene Odundo.

“When you copy nature, you always learn something,” Anderson declared in his show notes, which compared Haute Couture to a living ecosystem that is “evolving, adapting, enduring.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Other noteworthy pieces included dresses with spherical birdcage-inspired silhouettes, while other models wore vest tops with their dresses gathered around their waists.

The front row at the Rodin Museum reflected the scale of anticipation surrounding Anderson’s couture debut. France’s first lady Brigitte Macron arrived early, while Lauren Sanchez Bezos swept in shortly after.

Actor Parker Posey twirled briefly in a trench-style dress, playing to the room before settling in.

Then the space fell into a collective pause as celebrities and editors alike waited for Rihanna. When the pop star finally took her seat, the lights dropped and the show began.

Before the show, Anderson admitted in an interview with the Business of Fashion website that he previously thought couture was “irrelevant,” adding that he never really “understood the glamour behind it.”

“Now, I feel like I’m doing a Ph.D. in couture,” he explained.