Syrian student who failed GCSE English exam praised for poem about homeland

Ftoun Abou Kerech wrote “The Doves of Damascus” shortly after arriving in the UK aged 14, in which she writes about the sadness she felt about leaving Syria. (Twitter: @KateClanchy1)
Updated 24 August 2019
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Syrian student who failed GCSE English exam praised for poem about homeland

  • Ftoun Abou Kerech wrote “The Doves of Damascus” shortly after arriving in the UK

LONDON: A Syrian student in the UK who failed her English GCSE exams has gone viral with a poem she wrote about her homeland.
Ftoun Abou Kerech wrote “The Doves of Damascus” shortly after arriving in the UK aged 14, in which she writes about the sadness she felt about leaving Syria and what made it special to her.
Her teacher, Kate Clanchy — who is also an award-winning poet herself — posted it on Twitter and it was quickly picked up and praised by social media users.
Clanchy, speaking to the UK’s The Times newspaper, said she posted the poem in frustration that the current GCSE system did not recognize “literary talent and imaginative use of language.”

She said: “The new GCSE is the last straw in a bundle of shallow thinking.
“It is over-determined syllabuses and bullying of teachers which has been getting heavier for a long, long time,” she added.
Syrian student Kerech achieved a 4 in her English Language exam, but 5 is considered a good pass.
Her poem was picked up by notable authors like Joanne Harris, author of Chocolat, and Sir Philip Pullman — author of His Dark Materials — who hailed the student as a “talent.”
 

 

 

— — —

The Doves of Damascus

I lost my country and everything I
had before.

And now
I cannot remember for sure
the soft of the snow in my country.
I cannot remember
the feel of the damp air in summer.

Sometimes I think I remember
the smell of the jasmine
as I walked down the street

And sometimes autumn
With its orange and scarlet leaves
Flying in the high Damascus sky.

And I am sure I remember
my grandmother’s roof garden,
its vines, its sweet red grapes,
The mint she grew in crates for tea.

I remember the birds, the doves
of Damascus. I remember
how they scattered. I remember
Trying to catch them.


In the light of Andalusia: Luis Olaso’s new body of work

Updated 23 February 2026
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In the light of Andalusia: Luis Olaso’s new body of work

  • Luis Olaso transforms Andalusian landscapes and light into abstract art, creating canvases that reflect culture, nature, and the artist’s inner state
  • Each work in ‘Photosynthesis’ acts as a sensory and meditative portrait — an immersion into the Andalusian experience and the artist’s emotional universe

DUBAI: Spanish artist Luis Olaso is presenting “Photosynthesis,” his new exhibition, until March 9 at the JD Malat Gallery in Downtown Dubai. The series marks a turning point in his career, born from his recent move to Cadiz, in Andalusia, where the sun, light, and Mediterranean landscapes have profoundly transformed his practice.

For Olaso, relocating to southern Spain was not merely a change of scenery but an immersion into a culture and environment that nourishes his art at every moment.

“It’s very important for me because this is the first exhibition I have created in my new studio … I built it in the middle of the garden, surrounded by nature, fruit trees and olive trees, with a fantastic landscape. The influence of Andalusia and the colors of that place are the driving force behind my work,” said Olaso.

Located at the heart of an estate surrounded by olive, almond, and orange trees, his studio is designed to allow nature to enter the creative process both physically and psychologically. Yet, rather than depicting these elements directly, Olaso absorbs them as a sensory catalyst: Each color, texture, and gesture becomes the expression of a lived moment.

“Even when I work with plants or flowers, I’m not aiming for literal representation; they are vehicles to express abstract metaphors of myself and the moment I’m living while creating the work,” he said.

His artistic process is both spontaneous and meditative. Olaso often works on several canvases simultaneously to free himself from the pressure of the “perfect painting,” allowing intuition to guide his brush. Music —  the Spanish band Triana and 1970s psychedelic flamenco — plays a central role in his focus and inner connection.

“Painting, for me, is similar to meditation. I need to be in that precise moment and feel connected with myself,” said Olaso.

“Photosynthesis” also reflects a profound cultural and artistic dialogue. The artist’s work draws from Spanish tradition— with references to Antoni Tapies and Manolo Millares — as well as major international abstract movements, including American gestural abstraction and the San Francisco Bay Area Figurative Movement.

This meeting point between abstraction, culture, and emotion transforms each canvas into a portrait of a lived instant and the artist’s inner state.

After Dubai, Olaso is expected to present a solo exhibition in Madrid in March 2026, followed by another solo exhibition in Helsinki in April. An art fair is scheduled for September, with additional fairs planned throughout the year, notably with the JD Malat Gallery.

These milestones illustrate his universal approach to art, deeply rooted in a specific cultural context: the light, color, and sensory memory of Andalusia. With “Photosynthesis,” the artist offers viewers an experience in which painting becomes a mirror of the self, an emotional journey, and an encounter with a singular place.