Homegrown fashion emerges in troubled Somalia

Rahma Abdullahi Mohamud, right, and Hani Hussein take selfies pictures, after buying clothes designed by fashion designer Muna Mohamed Abdullahi, at Peace Garden in Mogadishu, Somalia. (AFP)
Updated 01 August 2019
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Homegrown fashion emerges in troubled Somalia

  • For decades, war and upheaval left ordinary Somalis focussed on the daily matters of life, death and survival

MOGADISHU: Every time young fashion designer Hawa Adan Hassan makes a new gown for a paying customer, she also makes her dreams come true.

“My whole life, fashion design was a dream,” says the 23-year-old university student, who last year began running a cottage business out of her family’s home in Hamarweyne, the historic heart of Somalia’s coastal capital Mogadishu.

For Hassan, it began with art, when she found herself drawn to sketching clothes rather than the animals and landscapes preferred by her peers.

Then she set to work on tailoring to turn her images into reality.

“I realized this could be my field of expertise,” she says.

For decades, war and upheaval left ordinary Somalis focused on the daily matters of life, death and survival.

Bombings by Al-Shabab militants still dog Mogadishu today.

But a creeping cosmopolitanism is challenging entrenched conservative attitudes and many Somalis are undaunted by wanting a look that stands out.

Somalia’s clothing stores traditionally adhere to a simple formula: Imported garments for the well-to-do, locally made clothes for the rest.

But Hassan and others are starting to alter that picture with locally designed, handmade attire for the high end of the market.

In such a nascent industry, Hassan is, by necessity, self-taught. “I used to watch fashion design shows on TV, and every time I watched one, I tried to grasp the ideas by drawing what I saw,” she says.

Her favorite was “Project Runway,” a US-made reality program fronted by German model Heidi Klum.

“When I started I had no one as a role model. It is just something I dreamed up,” she says, adding that she now finds inspiration in the likes of Lebanese fashion designer Elie Saab.

In her home studio, Hassan sketches and inks new designs of abaya gowns and hijab headscarves, in a variety of black or bright colors, tight and loose fittings, with plain or embroidered finishes.

Fashion has also become a family affair, with Hassan’s father — a tailor by trade — and older sister helping cut and sew the clothes.

Visitors to the workshop can hear children playing in nearby rooms and cooking smells waft in from the kitchen.

Her elder brother has been an investor, helping to buy sewing machines and other equipment.

Now the business is taking off, she says.

“In the beginning, it was my father, elder sister and brother who helped me start but now I’m self-reliant and can make a living out of my work,” she says proudly.

Like many Mogadishu residents who have become inured to violence, Hassan dismisses the city’s frequent bombings and shootouts, describing them as an “inconvenience” that can mess up her delivery schedules.

Muna Mohamed Abdulahi, another startup fashion designer, is on a mission to encourage local people to take pride in products made in Somalia.

“Some people come to my shop and, when they realize that these clothes are designed and made locally, they run away because they have a negative impression about locally made clothes,” says the 24-year-old.

Like Hassan, Abdulahi is self-taught — “I was my own role model,” she says — and insists she is more than just a tailor aping the work of others.

“A designer creates clothes with a story, but a tailor makes it without thinking, they just duplicate,” Abdulahi says.

The designers’ customers are mostly young, like them, and affluent.

“I like clothes designed by Somalis because they fit and make you look attractive,” says 22-year-old student Farhiyo Hassan Abdi. “Imported costumes are mostly out of shape and don’t look good on you.”

“I don’t go for imported clothes anymore,” she adds, pointing out that the price of local fashion is often cheaper than the imports and it is easy to have alterations done.

But these young designers and customers, seeking out unique fashion and wanting to look good, seem to live in a world apart from others in the city.

Dahir Yusuf, a 49-year-old father, is appalled by his teenage daughter’s love of designer clothes, which he considers immoral.

“These young girls are crazy about designer clothes, which are mostly fitted and reveal the features of their bodies,” he says, tutting. “Morally, it is not good to wear such things.”

As a male fashion designer, Abdishakur Abdirahman Adam faces down double-criticism in pursuit of dreams.

“In Somalia it is very difficult for a boy to become a fashion designer, because people believe this is women’s work,” says the slim 19-year-old, who was introduced to fashion by watching catwalk shows on satellite TV.

Nevertheless, he plans to continue, designing for both women and men, hoping to compete with foreign imports.

“What I do is just to create fashionable clothes with the material I have here without spending more money so that it looks like something from overseas.”


Day 2 highlights of Red Sea Fashion Week: A historic swimwear show and elegant lace

Updated 18 May 2024
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Day 2 highlights of Red Sea Fashion Week: A historic swimwear show and elegant lace

RED SEA: Moroccan label EAU made history when it kicked off the second set of Red Sea Fashion Week shows on Friday, marking the first time swimwear has featured on a Saudi runway.

With the glistening St. Regis pool and swaying palm trees as a backdrop, the second RSFW began by highlighting one of summer’s essential pieces.

EAU. (Supplied)

The collection featured simple swimwear that ranged from one-pieces with deep V-cuts and off-shoulder motifs to bandeau tops and various sarongs. Royal blues, mustard yellows, hunter greens and maroon reds dominated the collection, setting a rather curious, but not unwelcome, fall palette for the upcoming summer season.

Some of the sleek looks were coupled with silky headwear and sophisticated handbags, including woven baskets dotted with rhinestones, straw beach bags, and fringe clutches.

Sarah Altwaim. (Supplied)

More fashion flowed as the Red Sea glowed. Sara Altwaim brought her silhouettes to the poolside runway. The collection kicked off with a number of white flowing lace and chiffon dresses, each catching the eye with individual flair, subtle beaded pearls, layered cuts or mix of fabrics.

Altwaim introduced an underwater-inspired chiffon fabric featuring sketches of seabed creatures, such as fish, shrimp, and crab, that made its way into a variety of ensembles.

Yasmina Q. (Supplied)

Heavily-layered pearl neck pieces, sarong-like skirts, bejeweled fishnets, metallic fabrics, and flowing garments also drew their inspiration from marine life.

Saudi designer Yasmina Q introduced loungewear to the mix, ending the shows with a collection of knitted rib dresses in mint greens, seafoam blues, bright yellows, corals, and more.

The signature silhouette featured flared sleeves and a fitted waist that flowed into an A-line shape, while some of the pieces were also sleeveless for a more daytime summer look. Her collection, styled with summery bucket hats and sunglasses, also showcased an array of loungewear, from ribbed bottoms to simple fitted tops, fitted ribbed button-downs, kimono tops, and loose sweaters.


Tina Kunakey fronts Amina Muaddi’s latest campaign

Updated 18 May 2024
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Tina Kunakey fronts Amina Muaddi’s latest campaign

DUBAI: French model Tina Kunakey this week starred in Romanian Jordanian footwear designer Amina Muaddi’s latest summer-inspired campaign.

Kunakey, who has Moroccan origins, showcased Muaddi’s new BRITO slipper, a single block of plexiglass carved into the designer’s signature flared heel.

The handcrafted square-toed heels, made in Italy, come in hues of orange, purple, blue, pink, black and transparent.

The model shared pictures of the campaign on Instagram. (Instagram)

This marks Kunakey’s third collaboration with Muaddi. The model shared her thoughts on Instagram about working with the part-Arab designer once again.

“My admiration for you only deepens,” Kunakey wrote, sharing a picture of herself in the pool for the shoot.

“Season after season, each new campaign your talent shines brighter. You continuously push boundaries, and your commitment to excellence is as inspiring as it is contagious,” she added. “I couldn’t be prouder to be part of this journey and am so grateful to share this path with you, not just as your model, but as your friend.

“Thank you for trusting me since the very beginning. I love you. I am so proud of you and I am excited, and so full of love for what you’ve built and what’s to come.”

In addition to her collection of shoes, Muaddi’s jewelry and bag lines are also gaining acclaim among her celebrity clientele. The shoemaker’s label has garnered a loyal list of famous fans, including Dua Lipa, Gigi Hadid, Kylie Jenner and Hailey Bieber Baldwin.

Muaddi launched her eponymous footwear line in August 2018, about one year after departing from her role as co-founder and creative director of luxury footwear label Oscar Tiye.

The creator also helped design the shoes for Rihanna’s Fenty collection. The collaboration received the Collaborator of the Year award at the 34th edition of the FN Achievement Awards in 2020.

A year later, she landed a spot on Women’s Wear Daily and Footwear News’ 50 Most Powerful Women list.

Her jewelry collection encompasses rings, earrings and bangles, while her handbag range includes a variety of styles, from sleek clutches with striking embellishments to bold totes and crossbody bags.

Some of the bags are embellished with sparkling crystals or intricate sequins, while others are made from satin or leather and feature metallic finishes. The color palette includes classic cream, brown, black, red and silver.


Hoor Al-Qasimi appointed artistic director of the Biennale of Sydney

Updated 18 May 2024
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Hoor Al-Qasimi appointed artistic director of the Biennale of Sydney

DUBAI: The Biennale of Sydney announced this week that Emirati creative Hoor Al-Qasimi will become its artistic director for 2026.

The 25th edition of the biennale will run from March 7 to June 8.

Since its inception in 1973, the biennale has grown to become one of the longest-running exhibitions of its kind and was the first biennale established in the Asia-Pacific region.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by IBA (@biennialassociation)

Al-Qasimi created the Sharjah Art Foundation in 2009 and is currently its president and director. Throughout her career, she acquired extensive experience in curating international biennials, including the second Lahore Biennale in 2020 and the UAE Pavilion at the 56th Venice Biennale in 2015.

In 2003, she co-curated the sixth edition of Sharjah Biennial and has remained the director of the event since.

Al-Qasimi has been president of the International Biennial Association since 2017 and is also president of the Africa Institute. She has previously served as a board member for MoMA PS1 in New York and the UCCA Center for Contemporary Art in Beijing, among other roles.

She is also the artistic director of the sixth Aichi Triennale, scheduled to take place in Japan in 2025.


Muhammad second most popular name for baby boys in England, Wales

Updated 17 May 2024
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Muhammad second most popular name for baby boys in England, Wales

  • Name ‘has soared in popularity in recent times’: Daily Mail
  • Layla, Maryam, Yusuf, Fatima, Musa, Ibrahim among popular Arabic names

LONDON: Muhammad was the second most popular name for baby boys in England and Wales in 2022, according to the Office of National Statistics.
The Daily Mail reported on Friday that the Arabic name “has soared in popularity in recent times,” having ranked 20th in 2012.
Variations of the name’s spelling, Mohammed and Mohammad, were also among the top 100 most popular baby boys’ names in 2022, ranked 27th and 67th respectively.
Other popular Arabic names for baby boys were Yusuf (93rd), Musa (99th) and Ibrahim (100th).
In the girls’ list, Layla ranked 56th, Maryam 75th and Fatima 99th.


India’s butter chicken battle heats up with new court evidence

Updated 17 May 2024
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India’s butter chicken battle heats up with new court evidence

  • Two Indian restaurant chains have been sparring since Jan. at Delhi High Court, both claiming credit for inventing the dish
  • The lawsuit that has grabbed the attention of social media users, food critics, editorials and TV channels across the globe

NEW DELHI: With new photographic and video evidence, an Indian court battle over the origins of the world famous butter chicken is set to get spicier.
Two Indian restaurant chains have been sparring since January at the Delhi High Court, both claiming credit for inventing the dish in a lawsuit that has grabbed the attention of social media users, food critics, editorials and TV channels across the globe.
The popular Moti Mahal restaurant chain said it had the sole right to be recognized as the inventor of the curry and demanded its rival, the Daryaganj chain, to stop claiming credit and pay $240,000 in damages. Moti Mahal said founder Kundan Lal Gujral created the cream-loaded dish in the 1930s at an eatery in Peshawar, now in Pakistan, before relocating to Delhi.
That “story of invention of butter chicken does not ring true” and is aimed at misleading the court, Daryaganj said in a new, 642-page counter-filing reviewed by Reuters.
Daryaganj says a late member of its founding family, Kundan Lal Jaggi, created the disputed dish when he helmed the kitchen at the relocated Delhi eatery, where Gujral, his friend-cum-partner from Peshawar only handled marketing.
Both men are dead, Gujral in 1997 and Jaggi in 2018.
Evidence in the non-public filing includes a black-and-white photograph from 1930s showing the two friends in Peshawar; a 1949 partnership agreement; Jaggi’s business card after relocating to Delhi and his 2017 video talking about the dish’s origin.
By virtue of the friends’ partnership, “both parties can claim that their respective ancestors created the dishes,” Daryaganj says in the filing, calling the dispute a “business rivalry.”
Moti Mahal declined to comment. The judge will next hear the case on May 29.
A key point of contention, which the court will have to rule on, is where, when and by whom the dish was first made — by Gujral in Peshawar, Jaggi in New Delhi, or if both should be credited.
Butter chicken is ranked 43rd in a list of world’s “best dishes” by TasteAtlas, and bragging rights about who invented it can matter, brand experts said.
“Being an inventor has a huge advantage globally and in terms of consumer appeal. You are also entitled to charge more,” said Dilip Cherian, an image guru and co-founder of Indian PR firm Perfect Relations.
Moti Mahal operates a franchisee model with over 100 outlets globally. Its butter chicken dishes start at $8 in New Delhi, and are priced at $23 in New York.
Late US President Richard Nixon and India’s first Prime Minister Jawaharlal Nehru are among the famous clients to have visited its primary outlet in Delhi.
Daryaganj started in 2019 and its butter chicken costs $7.50. It has 10 outlets, mostly in New Delhi, with plans to expand to other Indian cities and Bangkok.
In its 2,752-page Indian lawsuit, Moti Mahal had also accused Daryaganj of copying “the look and feel” of the interiors of its outlets.
Daryaganj has retorted with photographs of restaurant interiors which the judge will review, claiming it is Moti Mahal that has copied its “design of floor tiles.”