Emirati comedy hopes to appeal to audiences beyond Gulf region

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“Rashid & Rajab” could soon be screened worldwide thanks to a global sales agreement. (Supplied photo)
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Emirati director Mohammed Saeed Harib. (Supplied photo)
Updated 24 June 2019

Emirati comedy hopes to appeal to audiences beyond Gulf region

  • "Rashid & Rajab" was released across the UAE over Eid Al-Fitr and got a positive reception
  • Director Mohammed Saeed Harib is better known for his work in animation, particularly with the TV series Freej

DUBAI: Trading places with the object of your envy is not always what it seems. Expatriates often live in bubbles, either because they cannot or will not make the effort to integrate, or because when they do, they feel locked out by local communities with established social networks.

As a result, both groups can live very different lives within the same country. Emirati director Mohammed Saeed Harib explores the theme humorously in his feature film debut “Rashid & Rajab.” The ImageNation comedy was released across the UAE over Eid Al-Fitr, and has been received positively by critics and audiences alike.

“Saturday Night Live Arabia” alumnus Shadi Alfons plays Rajab, a witless but likeable Egyptian fast-food delivery man who swaps bodies with Rashid, an affluent and starchy Emirati businessman (social media star Marwan Abdullah Saleh in his film debut) after a freak accident.

Along the way, they must grapple with questions of nationality, culture, attitude and even different Arabic dialects in a rollercoaster laugh riot that raises questions about whether the other half really lives a better life.

“The grass often appears greener on the other side, but that isn’t always the case, and (it’s important) to appreciate yourself and your surroundings, whatever they may be,” said producer Ali F. Mostafa. “But there’s also equality and solidarity in different cultures. These two people switch souls and experience each other’s lives, but at the end of the day are so close in what they truly want.”




The ImageNation comedy was released across the UAE over Eid Al-Fitr. (Supplied photo) 

Mostafa, familiar for his directorial work on “City of Life” and “The Worthy,” assumes co-production responsibilities on the project, along with fellow Emirati director Majid Al-Ansari (“Zinzana”) and Rami Yasin (“Syriana”).

The trio stepped in to help with technical issues, or whenever Harib needed a sounding board on what is his first live-action feature.

Harib is better known for his work in animation, particularly with the acclaimed TV series “Freej.” He recasts that signature effervescence into a slapstick sitcom approach for “Rashid & Rajab.”

He said: “There’s a common thread between all my creations: I’m either very cartoonish or very poetic, and this film kind of tends to my cartoonish side, so perhaps my spirit is the common denominator between ‘Freej’ and this film.”

Body-swap films are a well-worn genre, but Harib has a knack for understanding regional audiences, which serves this production well.

Combined with the feel-good script and dialogue gags, that could help box-office performance when the film is released in other markets.

Previous Emirati films have struggled to make it in countries such as Egypt, despite pan-Arab approaches and popular themes.

But there’s also equality and solidarity in different cultures.

Film producer Ali F. Mostafa

“We’ve been trying to release Emirati films in Egypt for a while now, and for some reason they don’t do well, even films that we felt had an international appeal,” Mostafa said.

But with “Rashid & Rajab,” Harib taps into a style of comedy that is completely right for the region.

And with half the film set in a very Egyptian tone, and the other half with a Khaleeji speaking in an Egyptian accent, that could really appeal to an Egyptian audience.

The film was shot on location in Dubai, and could soon be screened worldwide thanks to a global sales agreement with the agent AGC International. 

Harib is prepared for criticism, having encountered it with “Freej,” where sections of the audience felt he was not being faithful to tradition.

“It’s amazing how many people want to pick on stuff,” he said. “I was like, ‘Why don’t you go make your own cartoon? You know, showcase our culture in your way.’ That’s my angle. There’s no right or wrong.”

 

This report is part of a series being published by Arab News as a partner of the Middle East Exchange, which was launched by the Mohammed bin Rashid Al Maktoum Global Initiatives and the Bill and Melinda Gates Foundation to reflect the vision of the UAE prime minister and ruler of Dubai to explore the possibility of changing the status of the Arab region.

 


What We Are Reading Today: The Slow Moon Climbs by Susan Mattern

Updated 15 October 2019

What We Are Reading Today: The Slow Moon Climbs by Susan Mattern

  • This book, then, introduces new ways of understanding life beyond fertility

Are the ways we look at menopause all wrong? Historian Susan Mattern says yes, and The Slow Moon Climbs reveals just how wrong we have been. Taking readers from the rainforests of Paraguay to the streets of Tokyo, Mattern draws on historical, scientific, and cultural research to reveal how our perceptions of menopause developed from prehistory to today. For most of human history, people had no word for menopause and did not view it as a medical condition. Rather, in traditional foraging and agrarian societies, it was a transition to another important life stage. 

This book, then, introduces new ways of understanding life beyond fertility, says a review on the Princeton University Press website.

Mattern examines the fascinating “Grandmother Hypothesis” — which argues for the importance of elders in the rearing of future generations — as well as other evolutionary theories that have generated surprising insights about menopause and the place of older people in society. She looks at agricultural communities where households relied on postreproductive women for the family’s survival.