Controversial show ‘Jinn’ set to be first of many Netflix series for Middle East

The series follows the lives of some highschoolers in Jordan as they face some supernatural forces. (Supplied)
Updated 19 June 2019
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Controversial show ‘Jinn’ set to be first of many Netflix series for Middle East

  • The series is the first Arabic language Netflix Original series
  • The company is preparing to produce two other Arabic Originals in the Middle East

Dubai: A new Netflix show which stirred up controversy over its portrayal of Middle Eastern communities, looks set to be the first of many series for the region.

The streaming service’s first original series in the region, “Jinn,” is a coming-of-age supernatural drama, and despite strong reactions to its content the company is already gearing up for further productions.

VP of international originals at Netflix, Kelly Luegenbiehl, spoke to Arab News about the company’s involvement in the region.

She said potentially region-sensitive shots in the series were portraying only one version of teenage life, and the drama was not meant to be representative or generalized.

“For our local series, our first goal is to delight viewers from that country and that region,” she added.

The series is reported to have angered some Jordanians, who said the production included immoral portrayals of the community.

Luegenbiehl believes Netflix is able to create better options with each production, as the feedback it receives helps to inform future decisions.

“We are still (in the) early days here, but we are growing, and I think what is great about that is that we can see how audiences are responding to our local language content as well as our international content.”

The company is planning to release two other Middle East originals, “Al-Rawabi School for Girls” and “Paranormal.”

Although the launch dates have not yet been decided, Netflix is already casting actors for “Al-Rawabi School of Girls.”

When defining a good story, she highlighted four features. Firstly, a completely new idea or original and captivating way of presenting a story that had been told before. Secondly, a clear vision and a strong voice of creators, thirdly, complex characters that could engage viewers, and finally, distinctive specificity and authenticity of a story.

She said the US company looked for good stories through various sources. Sometimes it reached out to filmmakers and creators, or people with ideas and stories approached Netflix. Company representatives also visited film and book festivals, and universities to look for stories worth telling.

“The creative talent in the region is really, really strong, so I think we will be continuing to produce things here in Arabic or other languages,” Luegenbiehl said.

“Jinn,” which premiered on Netflix on June 13, is a supernatural teenage drama which follows how Mira (Salma Malhas) and Keras (Hamzeh Okab) face Yassin (Sultan Alkhail) and Vera (Aysha Shahaltough) and try to stop the jinn from breaking into the human world.


Living Pyramid to bloom beyond Desert X AlUla

Updated 01 March 2026
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Living Pyramid to bloom beyond Desert X AlUla

ALULA: Desert X AlUla officially closed on Feb. 28, but one of its most striking installations — the Living Pyramid —will continue to flourish. 

Tucked away within a lush oasis surrounded by ancient rock formations, Agnes Denes’ creation fuses art and nature, offering a living testament to resilience and connection.

Through her current rendition of The Living Pyramid for Desert X AlUla 2026, Denes seeks connection, likening it to bees constructing a new hive after disaster.

The pyramid structure is teeming with indigenous plants, forming layered patterns that echo the surrounding desert landscape. 

It blends harmoniously with the rocky backdrop while proudly standing apart.

“There is no specific order for the plants other than not to place larger plants on the very top of the pyramid and increase the number of smaller plants up there,” Iwona Blazwick, lead curator at Wadi AlFann in AlUla, told Arab News.

Native plants cascading down the pyramid include Aerva javanica, Leptadenia pyrotechnica, Lycium shawii, Moringa peregrina, Panicum turgidum, Pennisetum divisum, Periploca aphylla and Retama raetam. 

Aromatic and flowering species such as Thymbra nabateorum, Rhanterium epapposum, wild mint, wild thyme, Portulaca oleracea, tamarisk shrubs, Achillea fragrantissima, Lavandula pubescens, Salvia rosmarinus, and Ruta graveolens form distinct layers, adding color, texture and subtle fragrance to the pyramid.

“Each Living Pyramid is different. The environment is different, the people are different. I’m very interested in the different societies that come together on something so simple,” Denes said in a statement.

“Connection is what’s important; connection is what the world needs. I keep comparing us to a lost beehive or an anthill. And I wrote a little poem: This. And this is. Bee cries out. Abandon the hive. Abandon the hive,” she said.

Denes was born in Budapest, Hungary, in 1931 and is now based in New York. While the 95-year-old has not made it physically to the site in Saudi Arabia, she designed this structure to cater to the native plants of the area.

Her Living Pyramid series has certainly taken on reincarnations over the past decade. 

It debuted at Socrates Sculpture Park in New York in 2015, was recreated in Germany in 2017, appeared in Türkiye in 2022, and then London in 2023. 

In 2025, she showcased a version at Desert X 2025 in Palm Springs, California, and Luxembourg City. 

Most recently, in 2026, at Desert X AlUla.

While officially part of Desert X AlUla, the Living Pyramid stands apart and is housed separately, a short drive away from the other art works.

“The (Living Pyramid) artwork will stay for around a year, to showcase a full year’s effect on the plants throughout the different seasons,” Blazwick said.

After the year is up, it won’t go down. The plants will continue its metamorphosis beyond the pyramid. 

“The plants will be replanted and will have a new home within an environment that will suit their needs,” Blazwick concluded.