Peter Mayhew, actor who played Chewbacca in ‘Star Wars’ movies, dies

British actor Peter Mayhew attends the opening of the European Premiere of "Star Wars: The Force Awakens" in central London. (File/AFP/Leon Neal)
Updated 03 May 2019
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Peter Mayhew, actor who played Chewbacca in ‘Star Wars’ movies, dies

  • The lanky performer made his first appearance as the beloved, bleating Chewbacca character in the landmark 1977 sci-fi action-thriller “Star Wars”
  • Chewbacca, tall, shaggy and clothed only in a bandoleer, was introduced to movie audiences in the original “Star Wars” film as co-pilot of the Millennium Falcon

LOS ANGELES: British-born actor Peter Mayhew, who played Chewbacca the Wookiee, the loyal, furry companion of space buccaneer Han Solo in five of the “Star Wars” movies, has died at age 74, his family said on Thursday.
Mayhew, whose face was never seen in the “Star Wars” films — his entire body was always clothed in his Wookiee costume — died at his north Texas home on Tuesday, according to the family’s statement on Twitter. No cause of death was given.
The lanky performer made his first appearance as the beloved, bleating Chewbacca character in the landmark 1977 sci-fi action-thriller “Star Wars,” and went on to co-star in four more films in the blockbuster series — “The Empire Strikes Back,” “Return of the Jedi,” “Revenge of the Sith” and “The Force Awakens.”
He retired from playing Chewbacca for health reasons, although his family recalled that for Mayhew’s final turn as the heroic Wookiee in “The Force Awakens,” he “fought his way back from being wheelchair-bound to stand tall” once more as the woolly character in the 2015 film.
He also served as an off-camera consultant on the final 2017 film in the series, “The Last Jedi,” helping to tutor his successor in the Chewbacca role, Joonas Suotamo, on the ways of convincingly playing a Wookiee.
Co-stars saluted Mayhew as a performer whose own inner poise and grace shone through in his character.
“Peter Mayhew was a kind and gentle man, possessed of great dignity and noble character,” said Harrison Ford, who as Han Solo shared many scenes with Mayhew. “Chewbacca was an important part of the success of the films we made together.”

Mark Hamill, who starred as Luke Skywalker in the franchise, called Mayhew “the gentlest of giants.”
“A big man with an even bigger heart who never failed to make me smile & a loyal friend who I loved dearly,” Hamill wrote on Twitter. Suotamo remembered Mayhew as “an absolutely one-of-kind gentleman and a legend of unrivaled class.”
Walking carpet and bandoleer
Chewbacca, tall, shaggy and clothed only in a bandoleer, was introduced to movie audiences in the original “Star Wars” film as co-pilot of the Millennium Falcon, the spacecraft captained by his best friend, Solo, played by Harrison Ford. Solo affectionately referred to him as Chewie.
The character of Princess Leia, played by the late Carrie Fisher, was more dismissive of Chewbacca at first, memorably snapping: “Will someone get this big, walking carpet out of my way,” early in the first “Star Wars” picture.
A trusty sidekick who spoke in a language of dog-like growls and bellowing moans understood by his compatriots, Chewbacca was the most notable member of the fictional humanoid Wookiee species of his heavily forested home planet. Another actor supplied the character’s vocalizations.
Deprived of recognizable speech and with facial expressions limited by the Wookiee mask he wore, Mayhew relied on body language to portray the emotional range of a character who could be both fearsome and sensitive.
“Chewie transformed me,” Mayhew once said of performing in the costume, according to a profile posted on the official StarWars.com website run by Lucasfilm studio.
“The attitude was different. The walk was different. Do the scenes, come back, take the mask off, Peter was back.”
Mayhew, who stood 7 feet, 4 inches (2.24 m) tall, was discovered while working as a hospital orderly in London.
A photograph of him published in a local paper caught the eye of film producers, and he was cast as a Minoton in the 1977 film “Sinbad and the Eye of the Tiger,” co-starring Jane Seymour, according to his official Facebook page.
About a year later, after returning to his job at King’s College Hospital, Mayhew was called by filmmaker George Lucas to audition for the role of Chewbacca, a role he not only created for the original “Star Wars” film and reprised in four others but inhabited in various television and personal appearances over the years.
“Peter was a wonderful man. He was the closest any human being could be to a Wookiee — big heart, gentle nature ... and I learned to always let him win,” Lucas said in a statement late on Thursday. “He was a good friend and I’m saddened by his passing.”


Nationalist Bollywood hit ‘Dhurandhar’ ignites India-Pakistan controversy

Updated 08 January 2026
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Nationalist Bollywood hit ‘Dhurandhar’ ignites India-Pakistan controversy

  • Movie stars Ranveer Singh as an Indian intelligence agent who infiltrates alleged criminal networks in Karachi
  • Film has drawn sharp criticism from Pakistani officials while becoming one of the year’s biggest hits in India

A Bollywood spy thriller set in Pakistan has sparked heated debate across both countries over its portrayal of cross-border tensions, even as the film breaks box office records in India amid a surge in nationalist cinema.

“Dhurandhar,” starring Ranveer Singh as an Indian intelligence agent infiltrating criminal networks in Pakistan’s Karachi, has drawn sharp criticism from Pakistani officials and some international critics while becoming one of the year’s biggest commercial hits in India.

The 3.5-hour film, directed by Aditya Dhar, weaves real historical events including the 1999 plane hijacking, the 2001 Parliament attack, and the 2008 Mumbai attacks into a fictional narrative about an Indian spy’s mission to dismantle alleged links between Karachi gangs and terror networks.

Released Dec. 5 with minimal publicity, “Dhurandhar” has grossed more than 12.15 billion rupees ($134.76 million) in ticket sales, making it the highest-grossing Bollywood film last year. 

“It is a unique thing. Most films are set in India, but in this film, a RAW agent infiltrates Pakistan and is living there, hiding his identity, and the film portrays all of that through this setup, about Karachi and everything. That’s why it is such a good film. I mean, it is very important to watch this film,” said movie-goer Naresh Kumar.

The film represents a growing trend in Indian cinema toward nationalist blockbusters that align with Prime Minister Narendra Modi’s policies, following controversial hits like “The Kashmir Files” and “The Kerala Story” that sparked debates over historical accuracy while achieving commercial success.

In India, some film critics faced online harassment for negative reviews, prompting the Film Critics Guild to condemn “targeted attacks” against reviewers.

“Films that evoke patriotic fervor among audiences generally do well, but that is not to say that any film with this kind of subject would have done well,” said Bollywood film analyst Komal Nahta. “Everything seems to have gone right with the film.” 

The controversy highlights how cinema continues to reflect decades-old tensions between the nuclear-armed neighbors, who have fought four wars since partition in 1947. Fighting erupted between the countries in May following an attack on tourists in Kashmir that India blamed on Pakistan-backed militants.

In Pakistan’s Lyari neighborhood, which was depicted in the film, residents criticized the portrayal as inaccurate.

“It is a completely baseless movie because our neighboring country doesn’t know anything about our country,” said Mohammad Zohaib, a Lyari resident and burger shop owner. “They don’t know anything about Lyari, so how can they make a completely realistic film about someone?” 

The Pakistan Peoples Party filed legal action in a Karachi court last month over the film’s unauthorized use of assassinated former Prime Minister Benazir Bhutto’s image and its portrayal of party leaders as terrorist sympathizers.

“About 10 percent of what has been shown in the movie is reality, 90 percent is not real,” said Khizer Abdul Wahid, a Lyari resident and beauty salon owner.

Pakistan banned Indian films in 2019, but Bollywood remains popular there with audiences using VPNs or illegal downloads to watch new releases.

Theatre admissions in India have fallen 45 percent since their 2018 peak of 1.58 billion, according to Ernst and Young, as streaming services offer content that complements cheap mobile data available to most Indians.

Even global hits like the latest Avatar film struggled to secure screens due to “Dhurandhar’s” strong showing, analysts said.