‘Age-Old Cities’ exhibition in Riyadh museum breathes new life into ancient sites 

Prince Badr bin Abdullah Al-Saud
Updated 21 April 2019
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‘Age-Old Cities’ exhibition in Riyadh museum breathes new life into ancient sites 

  • National Museum in Riyadh hosts digital show that tells the story of Mosul, Palmyra, Aleppo and Leptis Magna

JEDDAH: An exhibition that uses digital technology to revive the region’s ancient sites and civilizations that have been destroyed or are under threat due to conflict and terrorism opened at the National Museum in Riyadh on April 18.

“Age-Old Cities” tells the story of four historically significant cities that have been devastated by violence: Mosul in Iraq, Palmyra and Aleppo in Syria, and Leptis Magna in Libya. 

Using stunning giant-screen projections, virtual reality, archival documents and images, and video testimonials from inhabitants of the affected sites, the immersive exhibition transports visitors back in time and presents the cities as they were in their prime. 

It charts their journey from the origins of their ancient civilizations to their modern-day state, and presents plans for their restoration and repair. 

The exhibition has been organized by the Ministry of Culture in collaboration with the Institut du Monde Arabe in Paris. Riyadh is the first stop outside the French capital on the exhibition’s global tour. 

The exhibition follows last month’s unveiling of the Kingdom’s new cultural vision, which included the announcement of several initiatives, including a new residency scheme for international artists to practice in the Kingdom and the establishment of the Red Sea International Film Festival. 

Prince Badr bin Abdullah bin Farhan Al-Saud, minister of culture, said: “I am delighted to welcome the ‘Age-Old Cities’ exhibition to Riyadh. 

“It highlights the importance of heritage preservation, particularly here in the Middle East, and the vulnerability of some of our historic sites. 

“It must be the responsibility of governments to put an end to this damage and neglect, and to put heritage at the heart of action, investment, and policy.

“I will be encouraging my fellow members of government to attend this eye-opening exhibition in our National Museum, and hope to work in the future with partners, governments and experts to do what we can to secure our region’s heritage.”

The exhibition carries a significant message about the importance of preserving and protecting these precious but fragile sites — one which resonates strongly in the week when one of the world’s most-famous heritage sites, Paris’ Notre-Dame Cathedral, went up in flames.


Iraqi director nominated at Directors Guild of America Awards for ‘The President’s Cake’

Updated 10 January 2026
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Iraqi director nominated at Directors Guild of America Awards for ‘The President’s Cake’

DUBAI: Iraqi director Hasan Hadi this week received a Directors Guild of America Awards nomination for Outstanding Directorial Achievement in First-Time Theatrical Feature Film for his debut, “The President’s Cake.”

Set in 1990s Iraq, the film follows Lamia, a young girl tasked with preparing a birthday cake for the country’s leader — a mandatory assignment that places her under intense pressure. As she races to gather the ingredients, the stakes grow higher, with the threat of serious consequences if she fails.

Hadi’s film is shortlisted in the category alongside Eva Victor for “Sorry, Baby,” Alex Russell for “Lurker,” Charlie Polinger for “The Plague,” and Harry Lighton for “Pillion.”

Also in the running for Outstanding Directorial Achievement in a Theatrical Feature Film are Guillermo del Toro for “Frankenstein,” Chloe Zhao for “Hamnet,” Ryan Coogler for “Sinners,”Josh Safdie for “Marty Supreme,” and Paul Thomas Anderson for “One Battle After Another.”

“The President’s Cake” has also been shortlisted for the Academy Award for International Feature Film.